Based on the award-winning book by Bernhard Schlink The Reader is an extraordinary provocative and controversial story set in post-World War II Germany. It starts when 15-year-old Michael (David Kross) becomes ill with scarlet fever and is helped home by sympathetic woman named Hanna (Kate Winslet). After his recovery he returns to thank her and is drawn into a clandestine affair with this intriguing woman more than twice his age. Their relationship grows stronger especially when he starts reading to her. But then she suddenly disappears leaving a devastated Michael who now must move on with his life. Little does he know that eight years later while he is in law school he would see Hanna again -- as one of the defendants in a court case against Nazi war criminals. Shocked at revelations about her secret past he also discovers something that will change both their lives forever. Granted Kate Winslet is one of the finest young screen actresses but her range in The Reader will astonish you. It’s an extremely tricky part that could easily lose the audience’s sympathy if done incorrectly but Winslet handles it with aplomb. She runs through the whole gamut of emotions -- aging from her 30s to 60s -- all at once sexy mysterious conflicted contrite as well as many other colors. As Michael newcomer Kross is devastatingly good the most impressive acting discovery in a long time. Although he plays 15 he was 17 at the start of filming and production had to shut down until he turned 18 for the graphic sex scenes. As the story flashes forward Ralph Fiennes takes over the role as the older Michael and does so with a touching sincerity. Lena Olin also has a strong cameo as a Holocaust survivor with definite opinions of Hanna. Although this is only acclaimed stage director Stephen Daldry’s third film he once again shows a mastery of the medium far beyond his limited cinematic resume. Like The Hours and his debut film Billy Elliot he has crafted another film to savor. The Reader isn’t necessarily the most comfortable film to watch but Daldry guides the subject matter with a delicate and steady hand giving us a complex and touching love story between the most unlikely couple. It also delves into how one generation of Germans can come to terms with the horrors of another. Daldry’s directorial restraint and power perfectly serves David Hare’s impressive screenplay and delivers a memorable movie-going experience.
Although it's modern day there's a distinct Raymond Chandler-esque feel to this story about a petty thief named Harry Lockhart (Robert Downey Jr.) who lucks into a movie audition and finds himself heading to Hollywood. Harry is replacing Colin Farrell as a detective in a film and to get the realism of the part he's shown the detecting ropes by Det. Perry van Shrike (Val Kilmer) also known as Gay Perry--because he's gay. Then Harry runs into his old high school sweetie Harmony (Michelle Monaghan) at a Hollywood party. She believes Harry is a real detective and begs him to help her. That's when the bodies begin coming out of the woodwork. Greed torture and mayhem ensue. If there's any way to prove that Downey is back in true form this is it. He's glib charming deep and truly becomes a modern-day Chaplin in this very trampy role. Kilmer avoids some of the stereotypes of playing gay but as he points out "we're not good cop bad cop we're fag and New Yorker." Both deserve awards. Monaghan holds her own as a feisty red-head. Even Downey's real-life son Indio--who plays his character in the early flashback scenes--shows incredible promise as an actor. This is the Shane Black’s directorial debut the same guy who wrote Lethal Weapon and Long Kiss Goodnight. He knows violence that’s for sure but he also has a keen sense of humor. In Kiss Kiss he mixes them well. Black sets the mood with Downey--giving his best Bogie-like voiceover-- narrating the action along the way. This is better than Get Shorty as far as a dark look into the entertainment industry and far more entertaining. And as Harry's character promises "I've seen Lord of the Rings and we're not going to end this 17 times."