If you haven't heard of the ALS "Ice Bucket Challenge" yet, you've probably been offline for the last week or so. Hello, here to fill you in! The challenge is meant to help raise awareness, and donations, for ALS, also known as Lou Gehrig's Disease. To participate, you are supposed to videotape yourself while pouring a bucket of ice water on your head, then nominate your friends to take the challenge. Recently, more and more celebrities have been participating and nominating their celebrity friends. It's been raising a lot of awareness, as well as creating a lot of hot men in wet t-shirts.
Draco Malfoy (I'm sorry, Tom Felton)
Nominated: Ron Weasley (okay, sorry again, Rupter Grint), Josh Gordon, and Paul Hodge
Nominated: His 3rd grade teacher Don Padget, his first acting coach in New York Bob Luke, and his teacher Pat Jackson.
Nominated: Tilda Swinton, Octavia Spencer, Jamie Bell, Frank Grillo, Anthony Mackie, and Sebastian Stan
Nominated: Irving Azoff, Kanye West, and Susan Sarandon
Nominated: Prince Harry
Nominated: Sophia Smith, Pharrell Williams, John C. Reilly, and Will Ferrell
Nominated: Cub Swanson, Peter Tunney, and Olivia Culpo
Nominated: Nick Jonas, Alex Pettyfer, Nelly, Alanna Masterson, and Diplo
Nominated: Guy Pearce, Mia Wasikowska, and Marilyn Manson
Nominated: Robert Pattinson, Matthew McConaughey, and Eric The Actor
Nominated: Woody Harrelson, Josh Hutcherson, and Matt Niven
Eddie Redmayne & Jamie Dornan
Eddie Nominated: Sally Light and Jamie Dornan
Jamie Nominated: Andrew Garfield
Nominated: Jeremy Renner, Chris Evans, and Mark Ruffalo
Robert Downey Jr.
Nominated: Chris Hemsworth and Vincent D'Onofrio
Nominated: Louis Tomlinson, John Terry, and Novak Djokovic
Post by Chris Pratt.
Nominated: Gregory Smith, Nick Offerman, and Dave Bautista
Nominated: Benedict Cumberbatch and Luke Evans
Nominated: John Green, Nat Wolff, and Dylan O'Brien
Nominated: Joe Maganiello
Nomiated: Jimmy Fallon, Steve Higgns, and The Roots
Nominated: Mark Wahlberg, Channing Tatum, and Brad Slater
Check back to see if some of these other Hollywood hotties have taken the challenge! Tweet us which celebrity you want to see take part in #ALSIceBucketChallenge!
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With cast members like Chris Pratt, John C. Reilly, and the rumored Jim Carrey and Adam Sandler, die hard comic book fans might be wondering if the developing Guardians of the Galaxy film adaptation is skewing a bit too lighthearted. But intensity brews! Deadline reports that the latest dramatist to join production is Benicio del Toro... meaning that this film won't exactly be all smiles but feature a good deal of daunting severity. No word yet on what role del Toro is expected to play, but his reported agreement with Marvel Studios has him optioned for future films, suggesting that it's got to be a pretty substantial character. But as Guardians thickens its thespian caliber with del Toro, it also ups the ante on geekiness: Doctor Who favorite Karen Gillan is also joining the cast, according to The Hollywood Reporter.
Fans of the long-running sci-fi series will be pleased to see Gillan pioneer a big screen career with Guardians, which will offer the actress her first major film role. Details on the character are slim, except for the fact that she will be the movie's central female villain — in other words, probably a pretty meaty (and fun) role.
With Zoe Saldana and Glenn Close also set for the Marvel film, Guardians is mounting a cast that promises victory in every realm: it's got the factors of comedy and adventure down pat and has just bolstered its bragging rights for the awards circuit and the nerd kingdom. The Guardians' future is bright.
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A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
There's probably still someone somewhere that would fall for one of Sacha Baron Cohen's weird and wooly scenarios but let's face the facts: the days when Ali G. could snag an interview with Pat Buchanan or Gore Vidal are long gone. 2009's Bruno definitely let some steam out of Borat's tires not to mention the ensuing lawsuits. But it's refreshing to see Cohen and his Borat/Bruno cohort director Larry Charles flex their muscles in the fictional universe of The Dictator a vehicle that doesn't skimp on their signature cringe-worthy humor.
The world of The Dictator gives them the leeway to create crazy spectacles — at one point Cohen's General Aladeen rides down Fifth Avenue on a camel surrounded by a giant motorcade. Having a plot helps too; although part of the genius of Sacha Baron Cohen's schtick is how the viewer is made culpable by proxy by our amusement and horror at how he tricks and torments people who aren't in on the joke The Dictator continues the self-reflexive satirical bite. We're certainly not off the hook. Aladeen says and does truly outrageous things but they're also exaggerations of the world we live in. It might be a stretch to call Sacha Baron Cohen the British Lenny Bruce or George Carlin in a face merkin but rest assured that no topic is off limits. If you are offended by jokes about abortion rape feminists body hair race religion politics STDs war crimes ethnic cleansing necrophilia and/or bestiality don't even bother. However if you like the kind of comedy that makes you hide your face in your hands feeling like each laugh is being pried from you against your will you're in business.
Cohen eats up the screen as both General Aladeen and his incredibly dumb body double; the latter prefers the intimate company of one of his goats to a human while the former is a fairly stupid ruthless dictator whose own people are so disloyal to him that they actually ignore his commands to execute people. (He really likes to execute people.) When he arrives in New York City to attend a summit at the UN his uncle Tamir (Ben Kingsley) has the two switched so he can easily manipulate the "General" into signing a treaty to make Wadiya a democracy and reap the financial benefits. Aladeen finds refuge with Zoe a hairy-pitted activist who thinks he's a political dissident and is excited to be able to give him a safe haven in her touchy-feely Brooklyn grocery co-op. Instead of being typecast as another blonde dummy Anna Faris is finally given room to play as the wide-eyed naïf who takes Aladeen's very serious statements as jokes or simple miscommunications. She's a great foil to Baron Cohen who is easily half a foot taller than she is and has a wolfish grin. Their banter is often the most politically incorrect of the bunch but also the funniest.
Alas the plot. It's a bare bones situation to get a very broad character from A to B. Aladeen is obviously an outlandish mishmash of modern dictators; he spouts racist misogynist rhetoric endlessly and after a while...yeah we get it. However like all of Sacha Baron Cohen's humor The Dictator also takes a direct shot at Western countries (specifically the United States) which would be all fine and dandy if he didn't wedge an expository speech in about it as well. The problem with making a traditional narrative movie is that with some exceptions you've got to play within the guidelines. The Dictator isn't trying to do anything fancy; all it needs a few big beats and a neat ending to wrap it all up. It doesn't quite manage to tie it all together in a way that makes The Dictator more than an hour and a half or so of laughing and cringing.
Besides Faris and Kingsley there are a number of cameos by a very wide variety of comics and actors. Megan Fox plays herself Kevin Corrigan appears as a creepy dude who works at the co-op John C. Reilly is a racist security guard and Fred Armisen runs an anti-Aladeen café in New York's Little Wadiya district. The very funny Jason Mantzoukas has a large role as Nadal the former head of rocket science who was supposedly executed for not making Aladeen's nuclear warhead pointy. It's a good ensemble and hopefully Sacha Baron Cohen's next feature-length film will build on The Dictator's weaknesses.
After garnering widespread praise (and an Oscar nomination for screenwriting) for his 2000 directorial debut You Can Count on Me Kenneth Lonergan was in-demand. In September 2005 the writer/director began production on a follow-up feature: Margaret which touted Anna Paquin Matt Damon Mark Ruffalo Matthew Broderick Allison Janney as well as legendary filmmakers Sydney Pollack and Anthony Minghella (The English Patient) as producers. The movie wrapped production in a few months time. The buzz was already growing.
Now six years later the movie is finally hitting theaters. So…what took so long?
The journey to this point hasn't been an easy one and it shows. If a film's shot footage is a block of granite and the editing process is the careful carving that turns it into a statuesque work of art Margaret feels like it was attacked by a blind man with a jackhammer. The film is a cinematic disaster a mishmash of shallow characters overwrought politics and sporadic tones. The story follows Lisa Coen (Paquin) a New York teenager who finds herself drowning in chaos after distracting a bus driver (Ruffalo) causing him to hit and kill a pedestrian (Janney). Initially Lisa tells the police it was all an accident but as time passes regret takes hold and the girl embarks on a mission to take down the man she now regards as a culprit. That's just the tip of the iceberg–along the way Lisa deals with everyday teen stuff: falling for her geometry teacher (Damon) combating her anxiety-ridden actress mother losing her virginity dabbling in drugs debating 9/11 and the Iraq War cultivating a relationship with her father in LA and more. There are about eight seasons of television stuffed into Margaret but even a two and a half hour run time can't make it all click.
For more on Margaret check out Indie Seen: Margaret the Long Lost Anna Paquin/Matt Damon Movie
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Is it just me or does Marisa Tomei take the single MILF role a hell of a lot (The Wrestler and Cyrus for a start)? For example, take a look at this clip from The Lincoln Lawyer where she's at least improved her onscreen prospects (sorry John C. Reilly and Mickey Rourke, but Matthew McConaughey's way higher on the hot scale), but that whole "I have a kid" thing is still getting in the way...sort of. Okay, so it's a little different this time around because in the movie, Tomei plays McConaughey's character's ex-wife so the whole "I have a kid" thing isn't exactly a surprise, but damn does she have the single mother guilt trip down pat at this point.
Top Story: Sean Connery Tops Worst Film Accent Poll
According to a poll by UK movie magazine Empire, Oscar winner Sean Connery has been named the actor with the worst film accent of all time. Edinburgh-born Connery may have won an Academy Award for Best Supporting Actor and a Golden Globe in 1988 for his performance as Irish cop Jim Malone in the 1987 film The Untouchables, but movie experts agreed his accent was the pits. "Whether he's a Russian sub captain (The Hunt for Red October) or even an English king (First Knight and Robin Hood: Prince of Thieves), always that baritone Highland burr remains," one critic said in the magazine's August edition. Others who made the list include Dick Van Dyke for his attempt at an East London cockney accent in Mary Poppins; Brad Pitt for his Austrian-accented mountaineer in Seven Years in Tibet; Heather Graham for her British-accented prostitute in From Hell; Julia Roberts for her attempts at a Brit accent in Mary Reilly and Meryl Streep for her try at Danish accent in Out of Africa.
Company Sues Greek Wedding Team
MPH Entertainment, the company that first optioned Nia Vardalos' screenplay for My Big Fat Greek Wedding in 1997, filed a lawsuit Tuesday in Los Angeles against the writer/actress and the film's producers, claiming they are owed 3 percent of the actual profits from the picture. Jim Milio, Melissa Jo Peltier and Mark Hufnail say they have received nothing to date save for an accounting statement from producers HBO and Gold Circle Films, who are being sued along with Tom Hanks' Playtone Prods, The Hollywood Reporter reports. The statement claimed the $5 million film lost $20.6 million as of March 31 despite selling more than $600 million worth of tickets worldwide.
TCM To Air Hepburn Marathon
Turner Classic Movies will honor the late Katharine Hepburn on Thursday with a 24-hour film tribute, hitting many of the high points from 1933 to 1968. The films slated to air include Mary of Scotland (1936), Holiday (1938), Woman of the Year (1942), Adam's Rib (1949), Pat and Mike (1952), The Lion in Winter (1968), Katharine Hepburn: All About Me, a documentary by David Heeley (1993), Bringing Up Baby (1938), The Philadelphia Story (1940), Guess Who's Coming to Dinner (1967), Little Women (1933) and Undercurrent (1946).
Madonna Gets Her Privacy
Madonna and husband Guy Ritchie, who wrote to Prime Minister Tony Blair expressing concern that the planned walkway just 100 yards from their country mansion in Wiltshire, southern England, would encourage curious sightseers and paparazzi, have won their battle. The Countryside Agency said the singer was among hundreds of residents who filled out a comment sheet about proposed changes under a redrawing of maps for the area. Madonna previously complained about low-flying aircraft above her $14.5 million Ashcombe House and was ordered to dismantle 12-foot-high security gates after failing to apply for planning permission.
Brandy and Hubby Split
Former teen pop princess Brandy has confirmed reports that she and Robert Smith, her husband and father of her 1-year-old daughter, have split, the AP reports. A statement released Tuesday by Atlantic Records said: "Brandy and her husband are splitting. They will remain friends and raise their daughter jointly." Brandy, 24, announced in February 2002 that she had been secretly married to Smith, a music producer, for several months. In June, she gave birth to her first child, with MTV documenting the preparations for the birth with the reality series Brandy--Special Delivery.
P. Diddy Sued for Racketeering
Kirk Burrowes, the former president and general manager of Sean "P.Diddy" Combs' Bad Boy Entertainment, has filed a $25 million suit Monday in Manhattan federal court against the rap mogul, Reuters reports. Burrowes claims that in 1996, Combs threatened him with a baseball bat and forced him to surrender his 25 percent interest in the company, which he had formed with the rapper in 1992. Borrowes, who earned $125,000 a year as president of Bad Boy, was fired in 1997. The suit also alleges Combs interfered with a contract Burrowes had to manage Mary J. Blige, causing the singer to end the contract. Combs called the allegations "pure fantasy."
Brits Need New Celeb Couple
What will the British do now that celebrity couple David Beckham and his wife Victoria "Posh Spice" Beckham are moving to Spain? According to Reuters, Britain's celebrity watchers are searching their gossip magazines for a new couple to take over as the nation's unofficial king and queen. Contenders include Chris Martin, lead singer of pop giants Coldplay, and girlfriend Gwyneth Paltrow; or Australian pop diva Kylie Minogue and her actor boyfriend Olivier Martinez. But celebrity watchers say neither couples have the charisma nor the desire for fame that has driven the Beckhams to the top of the showbiz heap.