Playboy executive Roderick Blank (Simon Baker) is about to settle down after a full-life of many women. His overbearing platonic friend Trixie (Mindy Cohn) clumsily opens a mysterious email sent to him which reveals a list of all the women he will ever sleep with moving forward--101 to be exact listed in chronological order. Thing is his fiancée isn't last on the list; 72 other lucky ladies follow her. So needless to say his engagement dissolves as he starts burning through his list of pre-ordained sexual conquests. In bizarre Matrix-like fashion Roderick is coached by a trio of relationship experts who advise him on which women he should pursue. All is kosher until the last name on the list is Gillian DeRaisx (Winona Ryder)--also known as Death Nell a local serial killer who targets promiscuous men. Uh-oh. Simon Baker (The Devil Wears Prada) carries this film's charm on his shoulders; he is irresistible in his body language and shows just how much of a man's man he can be. He does a fine job a unique type of rascal tapped in an offbeat love story. Ryder is a weird hybrid of Chicago’s Catherine Zeta Jones and Who Framed Roger Rabbit Jessica Rabbit: a femme fatale with a bowl brunette wig that belies her black widow-like mystique. But Ryder is underdeveloped and this is little more than a star sizzle piece for her. The female supporting roles are all strong women including Sophie Monk Leslie Bibb and Julie Bowen with complex viewpoints despite just being numbers on his list. Who's that cuddly magic man in the all-white room? Ratatouille himself Patton Oswalt as Fred one of Roderick’s advisor. He's hilarious in his physicality and gives ordinary line reads a pro comic's touch sparking smiles every time he's on screen. Writer/director Daniel Waters best known for writing one of Winona Ryder's breakout films Heathers is a colorful name from the past dusted off to helm Sex and Death 101 his second directorial effort. The film’s sense of humor is oddly pitched and uneven and the predictability is ancient. When Roderick stumbles in the dark for his girlfriend's room in a strange house he of course ends up sleeping with the 88-year-old grandmother. Part of the problem is there are too many thematic elements being thrown together: dark humor intrigue and broad physical comedy resulting in a big mess. Let’s just say Sex and Death 101 will probably end up on Lifetime at some point.
With college behind them East Great Falls High School alums Jim (Jason Biggs) and Michelle (Alyson Hannigan) decide the time is ripe for marriage. After an embarrassing restaurant proposal that involves under-the-table fellatio and a missing ring Michelle accepts and sets her sights on the perfect wedding ceremony. Jim and his best buds Finch (Eddie Kaye Thomas) and Kevin (Thomas Ian Nicholas) decide to leave Stifler (Seann William Scott) in the dark about the upcoming nuptials to avoid any possible calamities but it doesn't take long for the Stifmeister to figure things out. Stifler the only one of the gang who has not matured since high school lays on the charm--and the Lacoste sweaters--and quickly gains acceptance from Michelle's stuffy parents and her attractive sister Cadence (January Jones). The film basically revolves around Jim trying to turn Michelle's dream wedding into a reality while Stifler unintentionally foils his friend's every effort. American Wedding follows the same formula as its two predecessors and while there are some really funny gags here you can spot their setup from a mile away. When Stifler for example accidentally feeds Michelle's wedding band to a dog waits on it to pooh it out then scoops up the jewelry with a paper doily we are hardly flabbergasted when it is later mistaken for a truffle. And that just about sums up the movie: funny but formulaic.
In the first two American Pie movies Biggs's character Jim was always a key comedic player. For instance who could forget his Internet snafu with Nadia the foreign exchange student or the Crazy Glue incident at the beach house? But while American Wedding is all about Jim and Michelle's wedding Biggs and Hannigan take a back seat to the laughs here: they're the stressed-out grown-ups. Also turning in a more muted performance is Nicholas as pal Kevin who doesn't appear to have a purpose at all in this installment--although he does provide a bit of comic (albeit non-speaking) relief during Stifler's botched attempt at a bachelor party. Contrary to Jim Michelle and Kevin who have blossomed into somewhat dependable adults Scott's character Stifler has degenerated. Stifler is more crass and obnoxious than ever perhaps even a little too over-the-top. The actor whose performance stands out the most in this comedy is Thomas in the role of Finch. Thomas has taken the character's haughtiness and peculiarity to a new level fine tuning Finch's attributes and stylishly transforming him from a high school geek to a cool brainy college graduate. Eugene Levy who is back in the role of Jim's overly involved father but his shtick has become redundant. His only purpose in the films is to walk in on his son at every inopportune moment.
All three films in the American Pie series were penned by screenwriter Adam Herz and produced by Paul and Chris Weitz--who also served as directors on the original--but they have all gone through different directors; the J B Rogers-directed American Pie 2 and now American Wedding helmed by Jesse Dylan (How High). Like the second installment American Wedding has its moments and there are a handful of truly funny ones including a scene in which Jim shaves his pubic area and dumps the hair out the window where it blows towards a group of unsuspecting guests (and the cake). But unlike this particular instance most of the jokes suffer from overkill; the cameras keep rolling long after the yarn stops being funny. Others are stereotypical like Stifler's dance-off with a patron in a gay club while others including a midnight rendezvous in a dark hallway closet are predictable. But even though the film revolves around the now all-too-familiar characters Herz has matured them in a way that still makes them both amusing and endearing. Don't however look for Oz (Chris Klein) Heather (Mena Suvari) Vickie (Tara Reid) or Nadia (Shannon Elizabeth). The filmmakers believe these characters weren't needed since the story wasn't about them anymore but it would have been nice to mention them and what they were up to.