The Hunger Games: Catching Fire blazed its way to glory at the 2014 MTV Movie Awards on Sunday (13Apr14), taking home a trio of top prizes. Co-stars Jennifer Lawrence and Josh Hutcherson fought off competition to land the Best Female and Best Male Performance honours, while the film itself claimed the night's most coveted title for Movie of the Year.
Accepting the Movie of the Year award with co-star Sam Claflin, Hutcherson paid tribute to late actor Philip Seymour Hoffman, who played Plutarch Heavensbee in the film franchise. He said, "I know that if Philip were here, he would really think this was really cool and to have him in our movies was one of the coolest things in the world, he's one of the actors I've looked up to my entire life, and we think about him every day on set, so wherever he is, this definitely goes out to him as well."
Meanwhile, Oscar winner Jared Leto scored gold again for his role as transgender HIV sufferer Rayon in Dallas Buyers Club, taking home the Best On-Screen Transformation trophy, Zac Efron was feted with the Best Shirtless Performance and comedy We're the Millers won Best Kiss for Emma Roberts, Jennifer Aniston and Will Poulter, who also took home the Breakthrough Performance prize. Channing Tatum received the Trailblazer Award and Mark Wahlberg was presented with the Generation Award.
Jordana Brewster was on hand to remember her tragic Fast & Furious co-star Paul Walker, who died in an horrific car crash in November (13). She said, "He was humble. He thought about others. He never asked for credit or glory. He was just a really good guy." She then introduced a video montage of Walker's best performances.
Musical appearances at the Los Angeles ceremony, which was hosted by comedian Conan O'Brien, came from the likes of Ellie Goulding, Twenty One Pilots and rapper Eminem and Rihanna, who teamed up to perform their smash hit The Monster live on TV for the first time.
The main list of winners is as follows: Movie of the Year: The Hunger Games: Catching Fire Best Female Performance: Jennifer Lawrence - The Hunger Games: Catching Fire Best Male Performance: Josh Hutcherson - The Hunger Games: Catching Fire Breakthrough Performance: Will Poulter - We're the Millers Best Kiss: Emma Roberts, Jennifer Aniston and Will Poulter - We're the Millers Best Fight: Orlando Bloom and Evangeline Lilly vs Orcs in The Hobbit: The Desolation of Smaug Best Comedic Performance: Jonah Hill, The Wolf of Wall Street Best Shirtless Performance: Zac Efron - That Awkward Moment Best Villain: Mila Kunis - Oz The Great and Powerful Best On-Screen Transformation: Jared Leto - Dallas Buyers Club Best Musical Moment: Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson performing Everybody in This is the End Best Cameo Performance: Rihanna - This is the End Favorite Character: Shailene Woodley as Beatrice 'Tris' Prior in Divergent Trailblazer Award: Channing Tatum WTF Moment: Leonardo DiCaprio – The Wolf of Wall Street Best Scared-As-S**t Performance: Brad Pitt – World War Z Best On-Screen Duo: Vin Diesel and Paul Walker – Fast & Furious 6 Best Hero: Henry Cavill as Clark Kent –Man of Steel Generation Award: Mark Wahlberg.
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When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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Even before Twilight — or Harry Potter — Hollywood had made a habit of turning beloved books into movie hits. You can thank the vampire craze for the booming genre of young adult fiction in publishing, though, and its success (along with Potter's and The Hunger Games') has paved the way for a booming, previously untapped market.
The latest book-to-movie adaptation, Beautiful Creatures about a 15-year-old witch, her mortal boyfriend, and their ill-fated romance, hits theaters on Thursday, Feb. 14. It's just the first in a string of post-Twilight, post-Hunger Games movies based on popular YA book series to hit the theaters (or the small screen) in 2013. Instead of catching up on dozens of novels, why not peruse Hollywood.com's YA primer for a taste of each before you decide which books are worthy of your time?
RELATED: 'Beautiful Creatures': Alice Englert and Alden Ehrenreich On Their Fiery Kiss
Beautiful Creatures, Kami Garcia and Margaret Stohl
What Happens:Lena comes from a long line of casters (witches), who, upon their 16th birthday, are claimed for the light or the dark. She moves in with her shut-in uncle in a small Southern town and becomes increasingly worried that she'll go dark as her fateful claiming day approaches. Complicating matters further is that she falls in love with mortal Ethan, her new classmate.
Love Triangle? Not here. These two fall in love almost immediately, but Lena's claiming is what comes between them.
Development: This movie comes out on Valentine's Day. You should probably pay better attention to the billboards and commercials (and the second paragraph of this story).
Who's Attached: Alden Ehrenreich and Alice Englert play the mortal and caster who fall in love, while a pedigreed cast of veterans, including Viola Davis, Jeremy Irons, and Emma Thompson, add their support.
Should You Read? Like many series, the first book's engaging, while the subsequent volumes run off the rails. Stick with Beautiful Creatures and you won't be disappointed.
RELATED: Why 'Beautiful Creatures'' Lineup Of Thespians Separates It From The YA Pack
Divergent, Veronica Roth
What Happens:In a dystopian future, civilization has split up into personality-based factions. Once children reach high-school age, they're tested to find out the tribe for which they're most suited. Abegnation (Selfless) teen Beatrice learns that she has qualities of her native faction, along with Erudite (Intelligent) and Dauntless (Brave) — she's divergent, a very dangerous quality. Beatrice decides to join the Dauntless, renames herself Tris, and learns how brave she actually is.
Love Triangle? Nope. But Tris does fall for her sexy, older instructor, Four, also a former Abignation.
Development: Production should start any day now, and the project is actively casting. Neil Burger will direct the film, which is being produced by Summit Entertainment (the company behind Twilight).
Who's Attached: Oscar nominee Shailene Woodley will star, but her love interest is proving harder to cast. Kate Winslet is circling the project, though it's unknown what character she'd potentially play.
Should You Read? Heck yes. Plus, the sequel, Insurgent, is just as good — a rarity in the YA book world.
NEXT: Forbidden Love, Demon-Fighters, and Hunger Games Bachelor-Style
Delirium, Lauren Oliver
What Happens:In a dystopian near-future, love has been banned. All teenagers undergo a surgery that eliminates the emotion from their brains after their 18th birthday, when they are matched with their spouse. Lena is all set to live her assigned life, but things get complicated when she meets a boy from the Wilds — the forest outside her walled-in society — and, naturally, falls in love before her operation.
Love Triangle? It's a little hard to have a triangle when love is outlawed, but Lena has her share of illicit affairs. In both the first and the second books of the trilogy she manages to develop real, passionate feelings.
Development: Fox is currently producing a pilot for the 2013-2014 broadcast season.
Who's Attached: Emma Roberts will star as our rebellious heroine Lena, but her potential boyfriend/s has/have not yet been cast.
Should You Read? Definitely. Delirium is fascinating, and the sequel, Pandemonium, is unique in that the setting and most of the characters are completely different from the first book — usually there's not such a drastic change.
RELATED: Kevin Zegers Stares Us Down in 'Mortal Instruments: City Of Bones' — EXCLUSIVE PIC
The Mortal Instruments, Cassandra Clare
What Happens:Ordinary teenager Clary finds out that she's a member of a secret race of Shadowhunters, or demon-fighters, and is taken in by bad boy Jace and shadowhunter siblings Alec and Isabelle when her mother is kidnapped by the Voldemort-like evil villain Valentine. Clary and her new friends must find the Mortal Cup to save her mother — and prevent Valentine from rising to power again.
Love Triangle? Clary's mortal BFF Simon is hopelessly in love with her, but she's too busy crushing on buff, badass demon hunter Jace to notice.
Development: This one's already been made — The Mortal Instruments: City of Bones was filmed in Toronto in 2012 and is scheduled to hit theaters on August 23, 2013.
Who's Attached: Lily Collins stars as Clary, while former Twilight vampire Jamie Campbell Bower plays Jace, Kevin Zegers is Alec, and Jemima West is Isabelle. Robert Sheehan, of the British teen superhero series Misfits, plays Simon.
Should You Read? The first book's an engrossing introduction to the shadowhunter world, but you don't need to read more than that. Plus, there's a weird incesty storyline that we just can't get behind even though it's easy to predict the eventual, non-gross outcome.
The Selection, Kiera Cass
What Happens: In a dystopian future (sense a theme?), low-caste teenager America Singer is chosen, Hunger Games-style, to compete in a Bachelor-esque contest to win the prince's hand in marriage. Unfortunately, the rebel forces who oppose the prince's father's rule decide to disrupt the competition as a way to win back the kingdom.
Love Triangle? Although America's dedicated to her secret fiance, a lower-class soldier assigned to protect the castle where she's now living, she strikes up a very real friendship with the prince that has the potential to blossom into something more.
Development: The CW developed (and rejected) a pilot for the 2012 season, but has completely revamped the script and story — deviating from the book's framework in very key ways — for a second go-around.
Who's Attached: Aimee Teegarden and Ethan Peck played America and Prince Maxon in the first version, but both actors have moved on since then and the project is actively casting round two.
Should You Read? In a word, no. If the show makes it to series, a quick plot summary is more than enough to catch you up on the book series' goings-on. Besides, most TV shows adapted from books deviate from the original plot within episodes.
RELATED: Wes Anderson on the Young Adult Fiction Books That Inspired 'Moonrise Kingdom'
The Fault in Our Stars, John Green
What Happens:Just because a book is YA doesn't mean it needs supernatural romance or a dystopian bent. This very modern, very real novel follows teenage cancer patient Hazel as she meets and falls in love with fellow cancer victim Augustus. Other stuff happens too, but you'll be too busy crying — tears of sorrow, tears of happiness, tears of joy, tears of grief – to articulate the plot too.
Love Triangle? Only disease gets in the way of Hazel and Augustus' love.
Development: The movie, written by (500) Days of Summer scribes Scott Neustadter and Michael H. Weber, is set to film over the summer.
Who's Attached: TFIOS hasn't been cast yet, but add Hollywood.com to the list of many who believe Mae Whitman would be the perfect Hazel.
Should You Read? You mean you haven't yet? TFIOS was No. 1 on Time's best books of 2012 list — not best YA books, best of all books. Get to a bookstore/library/ebook purveyor immediately, and don't forget the tissues. You'll need them.
Vampire Academy, Richelle Mead
What Happens: Rose Hathaway is headstrong, independent Dhampir (half-human/half-vampire) bodyguard in training to protect her best friend, Moroi (vampire) princess Lissa Dragomir, the last in her royal bloodline following a tragic car accident. The Strigoi – the fiercest and most dangerous undead vampires who kill humans, Moroi, and Dhampirs —have made it their mission to end Royal bloodlines, so Lissa is their prime target. Rose and Lissa have been on the run from St. Vladimir's Academy because of the dangers the Strigoi present, but they're dragged back to the school where they become enmeshed in government politics, the school's social scene and Rose's forbidden romance with her much older instructor, Dimitri Belikov, who is known as a god among the Guardians.
Love Triangle? Not really. Rose and Dimitri’s romance is filled with enough obstacles without another person complicating things, but another Dhampir student, Mason, tries to throw his hat in the ring with deadly consequences. Later in the series, a royal Moroi complicates the romance a bit, though.
Development: Optioned by Preger Entertainment way back in the summer of 2010, the movie adaptation is finally moving forward with a cast and everything. Heathers’ Dan Waters wrote the script, and Don Murphy will produce. The name of the first movie has changed from Vampire Academy to Vampire Academy: Blood Sisters, the name of the first book in the German version of the series.
Who’s Attached: Zoey Deutch, who has a supporting part in Beautiful Creatures, will star as Rose, Aussie actress Lucy Fry will play Lissa, and Russian superstar (but unknown in the U.S.) Danila Kozlovsky will play Dimitri.
Should You Read? Sure — the series is pretty engrossing; there's a reason author Richelle Mead wrote a spinoff series, Bloodlines, with characters from the VA world. If you’re into the supernatural but want a more mature series to get into, this is for you.
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[PHOTO CREDIT: Warner Bros. Pictures; Penguin Group; Margaret K. McElderry; Harper Teen; Katherine Tegen Books; Harper Collins Publishing; Dutton Books: Little, Brown and Co.; Dutton Books]