Woody Allen will address his estranged daughter's molestation accusations in the same newspaper she used to launch her attack on him last week (01Feb14). Dylan Farrow opened up for the first time about accusations she made back in 1992, suggesting the filmmaker had sexually abused her when she was seven, in a New York Times blog piece published on Saturday.
Allen's representatives jumped to the director's defence and his lawyer insisted the allegations were false, and now the movie icon is set to speak for himself in a new Times piece.
Editor Andrew Rosenthal reveals Allen's reps asked if he would print an open letter from the filmmaker: "We said, 'Yes, send it in.' Normally, we don't publish a direct response. In this case, it was so personal, we thought that we should."
For the past nine years, Anchorman: The Legend of Ron Burgundy has enjoyed lasting celebration for its collection of all-purpose one liners. You'd be amazed at how frequently people manage to shout "Milk was a bad choice!" in regular conversation. But they do. Because they love it. And for my money, Anchorman 2: The Legend Continues has its own plump share of moments just as funny.
Admittedly, I've never found the original Anchorman to be all that uproarious. Some were hooked straight away, others grew fond of the wacky comedy over the years. But it never rang more than occasionally amusing for me. In Anchorman 2, the laughter is even more occasional. But when it hits, it's arguably more amusing. I'm thinking, foremost, of throwaway gags like the news team cackling over their mutual distaste for workdays, or plunging headfirst into an copy of Garfield at Large. Bits and pieces like these throughout the movie showcase some terrific humor, with a few of the larger conceits — like Ron Burgundy's mid-movie relationship with a beached baby shark — also landing, and hard. Unfortunately, they are separated by long, slow, dry spells. But to be honest, even this movie's dry spells rarely lose watchability.
The biggest shortcoming of Anchorman 2 can be pegged to the transformation of Steve Carell's weatherman character Brick Tamland. When we first meet Brick in the original film, he’s no more than a dimwitted weirdo, exhibiting anxiety and obliviousness in his few choice moments center stage. But such is not the case when we reunite with Brick in Anchorman 2: The Legend Continues. He's shouting hysterically, can't put a sentence together, and has no understanding of what is going on around him at any given time. And this doesn't work. It's not funny when Brick parades around the office like Godzilla, or takes full multi-minute scenes to wrap his mind around the simplest of concepts. Instead, it's grating. So it's quite the problem that this new Brick gets double the screentime and material of his old counterpart. Paired with an equally empty-headed Kristen Wiig, Brick enjoys his own romantic journey. There is no conflict keeping the two apart; their story just functions as a collection of interwoven scenes of two adults acting like moronic aliens — so it is played entirely for laughs. And, unfortunately, it deserves not a one.
The outstanding negatives end there. It's not always hilarious when Ron Burgundy struggles with the racial divide between himself and his new boss/ladyfriend Linda Jackson (Meagan Good), but it's consistently affable. The rivalry between Ron and ex-wife Veronica's new beau Gary (Greg Kinnear, playing a psychologist with a ponytail — and how) churns out some hearty chuckles. And kudos to the script for handing more material to David Koechner's lovably rancid Champ Kind, although I wouldn't turn my nose up at an Anchorman 2 that had more for Paul Rudd to do.
But the biggest victory of Anchorman 2 is that it actually has something to say about the news. Anchorman (likewise Will Ferrell's follow-up features Talladega Nights and the non-Adam McKay venture Blades of Glory) was primarily about gender roles and America's obsessive definition of masculinity. But Anchorman 2 looks specifically at the media, castigating the news industry for what it has devolved into. The film's message is broad, not especially constructive of a moral or solution, and not at all something we haven't seen before. But hey, it's been a while since Network, so this'll do just fine for the time being.
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The cultural phenomenon that was born from Anchorman is a rarity, reserved for special kinds of comedies that are just weird enough at just the right time. Anchorman 2 has all that weirdness in stock — hell, its climactic scene (the very best part of the movie, hands down) has more insanity in a three-minute span than the first movie does entirely. And in truth, it's worth seeing just for that. But leading up to it, you'll get big laughs, some duller (but not quite dull!) stretches, and some unexpected commentary on how America takes its news. All in all, a good time. Just ignore the Brick parts.
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The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
The Tribeca Film Festival starts in a couple of days -- and to say the least, we're pretty excited. The festival features premieres of numerous films, including Troll Hunter, Newlyweds, a Kings of Leon documentary, and quite a few others. Now, the festival has announced the 38 lucky folks -- including David O. Russell, Whoopi Goldberg, Rainn Wilson, and numerous others -- who will judge these fine films. For more details, see the official release below:
New York, NY – April 18, 2010 – The Tribeca Film Festival (TFF), presented by American Express, the Founding Sponsor of the Festival, today announced its jurors – a diverse and talented group of 38 individuals, including award-winning filmmakers and screenwriters, celebrated actors, respected journalists and media pioneers. They will be divided among the six competitive Festival categories and will announce the winning films, filmmakers and actors in those categories at the TFF Awards Night ceremony on April 28 hosted by Gideon Yago, which will be streamed live on TribecaFilm.com. The 2011 Festival runs from April 20 – May 1.
“This year’s jury is made up of a range of accomplished individuals in their respective fields, bringing a fresh and well-rounded perspective,” said Jane Rosenthal, Co-Founder of the Tribeca Film Festival. “It’s an honor to have a jury of such caliber watching and discussing the films in competition this year.”
Following is a list of all 2011 Festival jurors and their respective categories.
World Competition Categories:
The jurors for the 2011 World Narrative Competition are:
Souleymane Cissé: Noted Malian director; films include the 1995 Cannes Palme d’Or nominee Waati, 1987 Cannes Jury Prize Winner Brightness and Tell Me Who You Are.
Scott Glenn: Actor; films include The Right Stuff, The Silence of the Lambs, The Virgin Suicides, Freedom Writers, The Bourne Ultimatum, W., Secretariat, Sucker Punch and TFF 2011 selection Magic Valley.
David Gordon Green: Independent Spirit Award nominated director/producer; films include George Washington, All the Real Girls, Great World of Sound, Pineapple Express, the recently released Your Highness and the upcoming film The Sitter.
Rula Jebreal: Journalist, author, screenwriter and actress: books include The Bride From Assuan, Rejected and Miral, which was adapted into a film of the same name.
Art Linson: Gotham award winning producer; films include Singles, Fight Club, Lords of Dogtown, Into the Wild, What Just Happened and The Runaways.
Jason Sudeikis: Actor. Best known for roles in Going the Distance, Hall Pass and 2011 TFF selection A Good Old Fashioned Orgy. Also a cast member on television’s Saturday Night Live.
Dianne Wiest: Oscar, Golden Globe and SAG award winning actress; films include Hannah and Her Sisters, Edward Scissorhands, Bullets Over Broadway, Synecdoche, New York and the upcoming The Odd Life of Timothy Green.
The jurors for the 2011 World Documentary Competition are:
Amir Bar-Lev: Documentary filmmaker and producer; films include Fighter, My Kid Could Paint That, The Tillman Story and the upcoming Garcia.
Michael Cera: BAFTA and SAG Award nominated actor; films include Superbad, Juno, Youth In Revolt, and Scott Pilgrim vs. The World. Currently filming The Untitled Mark Webber Project.
RJ Cutler: Oscar nominee and Emmy Award winning director/producer; films include The War Room, Thin, and The September Issue.
Abigail Disney: Film producer and philanthropist; films include 2008 TFF Best Documentary Winner, Pray the Devil Back to Hell, Children of Invention, Sons of Perdition and the upcoming narrative feature Return.
Whoopi Goldberg: Moderator on television’s The View, and actress, comedian, humanitarian with Oscar, Golden Globe, Emmy, Tony and Grammy wins. Recent films include Toy Story 3, For Colored Girls and the upcoming A Little Bit of Heaven.
Louie Psihoyos: Oscar and DGA winning director; films include The Cove and the upcoming The Singing Planet.
Peter Scarlet: Executive Director of the Abu Dhabi Film Festival, former Artistic Director of TFF and former Director of the Cinematheque Francaise.
Emerging Competition Categories:
The jurors for the 2011 Emerging Narrative Competition are:
Paul Dano: Independent Spirit and SAG award nominated actor; films include L.I.E., Little Miss Sunshine, There Will Be Blood, the recently released Meek’s Cutoff and the upcoming Another Bulls--t Night in Suck City.
Atom Egoyan: Oscar, Golden Palm and Independent Spirit Award nominated director/producer; films include Exotica, The Sweet Hereafter, Felicia’s Journey, Where the Truth Lies, Adoration, and Chloe.
Zoe Kazan: TFF 2009 Best Actress winner for The Exploding Girl; other films include Me and Orson Welles, The Private Lives of Pippa Lee, It’s Complicated and the recently released films Happythankyoumoreplease, and Meek’s Cutoff.
Anna Kendrick: Oscar, BAFTA, Golden Globe , SAG, Independent Spirit and Tony award nominated actress; films include Rocket Science, the Twilight series, Up in the Air, Scott Pilgrim vs. the World, and the upcoming Live With It.
Rainn Wilson: Emmy and SAG Award nominee for television’s The Office; films include Juno, The Rocker, Hesher and the just completed Few Options.
The jurors for the 2011 Emerging Documentary Competition are:
Margaret Bodde: Documentary producer and film preservationist; films include No Direction Home: Bob Dylan, Time Piece, Public Speaking and the upcoming Living in the Material World: George Harrison.
Jared Cohen: Director of Google Ideas, Adjunct Fellow at the Council for Foreign Relations and Author of One Hundred Days of Silence: America and the Rwanda Genocide, and Children of Jihad: A Young American's Travels Among the Youth of the Middle East
J.D. Heyman: Executive Editor of People and former editor at Us Weekly. Held editorial positions at Cosmopolitan and the New York Daily News. Author of books include Get a Life: A Guide to Jobs, Money and the Real World, and The Singled Out Guide to Dating.
Lauren Hutton: Fashion icon, actress, television host and beauty industry pioneer. Film roles include American Gigolo and, more recently, The Joneses. Guest star on television’s Nip/Tuck and host of several shows, including a late-night talk show.
Annie Sundberg: IFC and Sundance award nominated director; films include The Trials of Darryl Hunt, The Devil Came on Horseback and Joan Rivers: A Piece of Work.
Short Film Competition Categories:
The jurors for the 2011 Narrative Short Film Competition are:
David O. Russell: Oscar, Golden Globe nominee and Independent Spirit Award Winner: films include Spanking the Monkey, Flirting with Disaster, Three Kings, I Heart Huckabees, The Fighter and the upcoming Nailed.
Nora Ephron: Multiple Oscar, Golden Globe nominated and BAFTA winning writer-director; films include Silkwood, When Harry Met Sally …, Sleepless in Seattle and Julie and Julia.
Ceci Kurzman: Founder of Nexus Management Group, whose clients include Shakira, and consultant for the Global Philanthropy Group.
Denis Leary: Golden Globe and Emmy nominate actor/writer/producer; work includes Rescue Me, In Search of Ted Demme and the Ice Age films.
Fran Lebowitz: Author noted for her social commentary, recently the subject of the HBO documentary Public Speaking, directed by Martin Scorsese.
Paul Schneider: Actor and screenwriter; films include All the Real Girls, The Family Stone, Lars & the Real Girl, Bright Star, Away We Go & the upcoming Water for Elephants.
Jimmy Wales: Internet entrepreneur and Co-founder of Wkipedia.
The jurors for the 2011 Documentary and Student Short Film Competitions are:
Ahmed Ahmed: Comedian and director; noted for his directorial debut Just Like Us, an official selection of the 2010 Tribeca and Doha Tribeca film festivals. Other films include the UAE film City of Life and Iron Man.
Agnes Gund: President Emerita of MoMA, noted philanthropist, and collector of modern and contemporary art.
Zoe Kravitz: Actress; film roles include The Brave One, Birds of America, The Greatest and the upcoming Beware the Gonzo (a 2010 TFF selection and upcoming release by Tribeca Film), Yelling to the Sky and X:Men: First Class.
Nicole Lapin: Anchor of CNBC’s Worldwide Exchange, contributor to Today, Morning Joe, Daily Rundown, and Jansing & Co, as well as the Huffington Post. Former anchor at CNN.
Lisa Shields: VP of Communications and Marketing, Council on Foreign Relations.
Christine Vachon: Independent Spirit Award winning producer. Films and television projects include Mildred Pierce, Safe, I Shot Andy Warhol, Boys Don’t Cry, Far From Heaven, I’m Not There, and Cairo Time.
Patrick Wilson: Golden Globe nominated actor; best known for Little Children, Watchmen, Hard Candy and Angels in America; upcoming films include The Ledge, and Young Adult.
Together, the six TFF juries will award $175,000 in cash and prizes. Festival winners will also receive a piece of original art by an acclaimed artist as part of the Tribeca Film Festival Artists Awards program.