WHAT’S IT ABOUT?
Set in occupied France during the waning days of World War II Inglourious Basterds jumps back and forth between different storylines over the course of several chapters before bringing them together for one intense utterly preposterous climax.
The “Basterds” of the film’s title refers to an elite group of Jewish-American soldiers assembled by Lt. Aldo Raine a no-nonsense descendent of Southern moonshiners whose assignment for his troops is simple: Each of them is tasked with gathering the scalps of 100 dead Nazi soldiers before the war is over. With each shocking act of retribution the Basterds perform word spreads of their savagery and by the time they arrive in occupied France their reputation is known to every enemy soldier.
Meanwhile Shosanna Dreyfus a French Jew who narrowly escaped the Gestapo death squad that murdered her immediate family has relocated to Paris and established a new identity as the owner of a local cinema. As Nazi patrols blanket the city she toils quietly under an assumed name awaiting the day when her own chance at retribution will come.
The destinies of Shosanna and the Basterds converge when Nazi propaganda minister Joseph Goebbels decides to hold the premiere of his latest propaganda film Nation’s Pride at Shosanna’s theater. With the aid of Bridget von Hammersmark a German film star secretly working as a double agent the Allies learn that no less than the entire Nazi High Command including Hitler will be in attendance. Confronted with the opportunity to deliver their unique brand of justice to the Fuhrer himself and end the war in one fell swoop the Basterds concoct a bold scheme to infiltrate the premiere rig the theater with dynamite and incinerate its inhabitants with one massive explosion.
WHO’S IN IT?
Always known for his unconventional approach to casting Inglourious Basterds director Quentin Tarantino assembled a characteristically eclectic group of actors for his latest effort mixing veterans with newcomers Americans with Europeans and superstars with virtual unknowns. Sporting a ridiculous mustache and an even more ridiculous Southern accent Brad Pitt leads the pack in the role of Aldo Raine while horror director Eli Roth (Hostel I and II) makes his acting debut as Raine’s sadistic right-hand man Sgt. Donny Donowitz. Other notable Basterds include B.J. Novak (The Office) Samm Levine (Freaks and Geeks) Paul Rust (I Love You Beth Cooper) and Omar Doom (Grindhouse).
It’s the cast’s European players who really distinguish Inglourious Basterds. German-born National Treasure star Diane Kruger makes the perfect 1940s matinee idol as the turncoat von Hammersmark while Irish-bred Michael Fassbender (Jonah Hex) oozes with old-school English haughtiness as her charming British co-conspirator Lt. Archie Hicox. Making an impressive English-language debut in Basterds as the quietly seething Shosanna is the luminous French star Melanie Laurent.
Rising above all of them with a truly Oscar-worthy performance is Austrian actor Christoph Waltz. Waltz is a revelation (to American audiences at least) as Col. Hans Landa the highly eccentric and brutally efficient leader of Nazi security efforts in France. Alternately hilarious and terrifying Waltz’s Landa is easily the most compelling big-screen villain since Heath Ledger’s Joker in The Dark Knight. Lest we forget Ledger won a posthumous Oscar for his performance. (Waltz for his part already snagged the best-actor prize at Cannes earlier this year.)
Nobody executes dramatic shifts in tone more effectively and powerfully than Tarantino and Inglourious Basterds transitions breathlessly between moments of high tension and high comedy brutal carnage and lighthearted whimsy — all of which are peppered with the director’s distinctive dialogue and trademark wit. The film is easily his best work since 1994's Pulp Fiction.
At over two-and-a-half hours there are moments when the pacing of Inglourious Basterds seriously drags. Tarantino is above all else an actor’s director and there are times that he becomes so enamored with a performance that he’ll allow a scene to extend well beyond the point that its resolution has become a foregone conclusion. How such an obviously ADD-addled guy like Tarantino can exhibit such disdain for brevity is beyond my comprehension.
WHERE ARE THE BASTERDS?
Contrary to the film’s ad campaign the Basterds are actually minor players in the storyline. Only Pitt and Roth are given a substantial amount of dialogue; Novak and the others have only a line or two — if they speak at all.
I won’t give anything away but suffice it to say that Inglourious Basterds’ storyline features a decidedly revisionist take on the events of World War II. Obviously historical accuracy wasn’t a priority for Tarantino — and it probably shouldn’t be for the viewer either.
The big-screen live-action adaptation mostly captures the look and feel of the ‘60s cartoon many of us grew up watching. It could have used a few more occurrences of our favorite line “Look out Speed! AH!” but oh well. As it goes Speed (Emile Hirsch) has grown up with motor oil pumping through his veins helping his Pops (John Goodman) make racecars and idolizing his older brother Rex (Scott Porter) a top-notch driver. Then tragedy strikes when Rex is seemingly killed in an accident. Heartbroken Speed is determined to take his place showing some serious skills on the track. His girlfriend Trixie (Christina Ricci) thinks he’s the bomb as do his mom (Susan Sarandon) younger brother Spritle (Paulie Litt) and pet chimpanzee Chim-Chim. But Speed is soon in for a rude awakening when he is introduced to the corrupt world of auto racing forcing him to team up with the mysterious Racer X (Matthew Fox) to make it right again. Go Speed go! The usually somber Hirsch--who is best known for his indie work in films such as Alpha Dog and Into the Wild--seems at first an odd choice to play Speed. But his seriousness works well against the campiness surrounding him especially in the more emotional moments. Same goes for Fox as the stoic Racer X. Still one can’t help but think of him as his Lost alter ego in a dark glasses and a mask. The rest of the cast just has way too much fun including Ricci as the cute-as-a-button-but-full-of-moxie Trixie Goodman as the blowhard Pops and especially young Litt as Spritle. Out of all Speed’s animated characters re-envisioned Litt does the best job capturing Spritle’s cartoon mischievousness. The monkey ain’t bad either. Chim-Chim AH! Oh those Wachowski brothers (Andy and Larry). They sure do like to come up with as many inventive ways to visually stimulate you as they can don’t they? Their Matrix series set CGI on fire--and now Speed Racer which quite literally takes you inside a video game the Wii or Xbox could only dream of ever creating. The film is virtual eye candy from start to finish--a mixture of Tim Burton-esque colorful sets wild adrenaline-filled special effects and constant camera movements. They may actually need to post a warning for those who suffer from motion sickness. However Speed’s main problem which is the same problem the Matrix franchise suffered from is its tendency to overanalyze the plot. The Wachowskis love to preach turning a scene about the racing world’s corrupt beginning into a 15-minute diatribe. They try to combine the campiness of the animated TV series with serious undertones but it only weighs the film down. You can feel the kids in the audience tapping their feet waiting for more action. So let’s just give the kids what they want: fast-paced excitement wrapped up in a colorful package.