Based on the graphic novel by Neil Gaiman (Sandman) and re-conceived by director Henry Selick (The Nightmare Before Christmas James and the Giant Peach) in 3-D stop-motion animation Coraline (voiced by Dakota Fanning) opens a world of twisted wonder when she passes through a secret door in her new house and suddenly discovers an alternate existence mirroring her own life but making it so much more interesting and satisfying until her Other Mother (Teri Hatcher) tries to turn her little visit into a permanent one. Fanning is the ideal Coraline -- curious fickle frightened and determined. She does an excellent job bringing to life this young girl suddenly caught up in an extraordinary adventure that rivals what Dorothy went through on the road to Oz. Hatcher is properly bland as her real mother and slippery as her Other -- she’s clearly having fun ditching Desperate Housewives. Standout is Keith David voicing an exquisitely drawn but quite mysterious Cat. There’s also brief but amusing work from the team of Jennifer Saunders and Dawn French (Absolutely Fabulous) as Coraline’s very very British and very eccentric neighbors and an even wackier Ian McShane as the Russian Mr. Bobinsky. Selick has created a modern classic that tops even his brilliant Nightmare Before Christmas turning the world of Coraline into something we’ve seen before. It’s Alice in Wonderland times 10 but despite its soft PG rating is really dark stuff. Kids won’t be turned off by this but some not-clued-in parents might. The film will be shown in both 3-D and regular formats but go for the 3-D version if possible. It’s a mind-blowing use of the technology and perhaps the best yet put on screen.
Two orphaned kids Andi (Emma Roberts) and her mechanical whiz of a younger brother Bruce (Jake T. Austin) live in a foster home with a couple of aging wannabe rock stars (Lisa Kudrow Kevin Dillon) who are vehemently anti-pet. Running out of ways to keep their stray pooch Friday hidden in plain sight they stumble on to an abandoned hotel that turns out to be the perfect shelter for Friday – and transform the place into luxury accommodations for all sorts of unwanted pets they spring from the local pound and the streets. But can they stay one step ahead of the law while keeping this United Nations of dogs in line? Human actors don’t have a chance against the gifted assortment of canines. With dogs of every breed from a border collie who loves to herd sheep (don’t ask) to an English bulldog obsessed with chewing stuff the trainers deliver a cast that flawlessly pulls off every dog trick in the book. Fortunately Roberts (Nancy Drew) and Austin are winning and likeable as the two main kids who share a need for family with their four-legged counterparts. Kudrow and Dillon don’t get a whole lot to do in strictly stereotyped roles but Don Cheadle as the kids’ social worker adds a nice touch of dignity and warmth to the story. For his first American feature German director Thor Freudenthal got the supreme challenge: working with kids and animals. Getting this furry menagerie to act on cue could not have been easy but Freundenthal and his talented trainers make it look so. Particularly amusing are the various gadgets and elaborate contraptions Bruce builds to keep the doggies occupied and quiet -- including simulated car windows they can stick their heads out of portable toilets complicated feeding machines and on and on. Just like the current hit Marley & Me it’s a funny and heartwarming family comedy.
A salty skipper sets sail with his motley crew on a three-hour tour ... oops actually on a commercial fishing expedition as storms collide to give the Andrea Gail and crew the cruise of their lives. Ten-story waves and a crumbling ocean cruiser threaten to cut those lives tragically short in this Weather-Channel-on-steroids disaster flick. Unfortunately "The Perfect Storm" starts with a drizzle dampened by cheesy subplots but strap yourself in because this film rocks when the waves get rolling.
Can we end the debate about George Clooney having what it takes to be a movie star right here? After kicking butt in "Out of Sight" and "Three Kings " the former "E.R." stud has amply proven himself. He's every bit the leading man here as a fisherman who's in over his head (literally). To say that Mark Wahlberg plays Gilligan to Clooney's skipper wouldn't be quite fair; he completely sheds his Calvin Klein-clad image as a seaman who's love of swordfishing could cost him his girl and his life. But beware: "Storm" is no "Titanic" disaster-glam here. Clooney and Wahlberg are seriously shaggy and grungy for the entire 2+ hours.
Wolfgang Petersen mercifully avoids the silliness of recent disaster spectacles such as "Twister" and "Volcano " instead attempting to tell this true story with dignity. He flounders with the maudlin "Men Who Fish Too Much and the Women Who Love Them" backstory but redeems himself with ocean storms so sensational you won't be able to cancel your Carnival Cruise quickly enough.
Peterson gives us glimpses of the boats deeper into the storm than the Andrea Gail showing us what's in store for our heroes and building a near-unbearable level of tension.