Paramount via Everett Collection
With so many different awards organizations announcing their nominations one after the other, it's difficult to remember how heavily to weigh each one's picks when filling out your Oscar pool sheet. Generally speaking, the BAFTAs are a fairly safe guide when it comes to the Best Picture category. Since 2008, the British Academy of Film and Television Arts has accurately predicted the Academy's top winners, with (even more impressively) only two discrepancies in Best Picture nominations throughout those five years (both in 2012, interestingly enough). Looking at this latest batch of BAFTA's chief nominees — which includes...
American Hustle,Captain Phillips,Gravity,Philomena,and 12 Years a Slave
— we're not especially surprised by any of the films included in as much as we are a bit displaced over the absence of one of this past year's biggest titles: The Wolf of Wall Street. By now, everyone with his ear close to the conversation is predicting that Steve McQueen's 12 Years a Slave is a lock for the Best Picture Oscar, but the consideration rarely comes without honorable mention of Martin Scorsese's Wolf. Still, the satirical picture is far from awards fodder. Called far too "extreme" for the Academy's liking, the 3-hour tour de force of mortifying hedonism would be a far cry from an Oscar even without the competition of 12 Years. Instead, as suggested by BAFTA's list of Best Picture nods, organizations are leaning towards the safer, sweeter, more palatable, less controversial, and effectively less good spiritual counterpart to Wolf of Wall Street: American Hustle.
Hustle is a fine movie all its own — it's fun, dynamic, well-acted, and does indeed feel "lived in." But it falls shy of the artistic reach represented by fellow con man epic Wolf, to which comparisons are inevitable (you can hear a terrific discussion on the matter on the latest episode of Fighting in the War Room). While we'd be hard pressed to deny David O. Russell's funny, campy, emotionally charged picture its due recognition of quality, the choice to nominate it for Best Picture over Wolf of Wall Street seems like a statement of fear: "We don't want to nominate that large, messy, outrageous picture that's got everybody all in a huff," mutters a nervous BAFTA. "But what about the one with the hair? That's sorta like Wolf of Wall Street, but cleaner. Jolly good!"
The choice is a scary one, if only that it suggests the possibility that BAFTA has veered away from Wolf of Wall Street due to the volatility associated with the movie rather than due to the quality therein. By this token, would a few more Armond Whites have robbed 12 Years a Slave of its nomination? How about a few more Neil deGrasse Tysons stealing the nod from Gravity?
Hopefully, the Academy will not emulate this aversion to Scorsese's movie — one that more than deserves mention, and would even take home a few trophies in a just system. Peruse the rest of BAFTA's nominations below (which also, obscenely, omit Her in the Original Screenplay category) and share your thoughts on the matter.
BEST FILM12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueenAMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan GordonCAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De LucaGRAVITY Alfonso Cuarón, David HeymanPHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward
DIRECTOR12 YEARS A SLAVE Steve McQueenAMERICAN HUSTLE David O. RussellCAPTAIN PHILLIPS Paul GreengrassGRAVITY Alfonso CuarónTHE WOLF OF WALL STREET Martin Scorsese
ORIGINAL SCREENPLAYAMERICAN HUSTLE Eric Warren Singer, David O. RussellBLUE JASMINE Woody AllenGRAVITY Alfonso Cuarón, Jonás CuarónINSIDE LLEWYN DAVIS Joel Coen, Ethan CoenNEBRASKA Bob Nelson
ADAPTED SCREENPLAY12 YEARS A SLAVE John RidleyBEHIND THE CANDELABRA Richard LaGraveneseCAPTAIN PHILLIPS Billy RayPHILOMENA Steve Coogan, Jeff PopeTHE WOLF OF WALL STREET Terence Winter
LEADING ACTORBRUCE DERN NebraskaCHIWETEL EJIOFOR 12 Years a SlaveCHRISTIAN BALE American HustleLEONARDO DICAPRIO The Wolf of Wall StreetTOM HANKS Captain Phillips
LEADING ACTRESSAMY ADAMS American HustleCATE BLANCHETT Blue JasmineEMMA THOMPSON Saving Mr. BanksJUDI DENCH PhilomenaSANDRA BULLOCK Gravity
SUPPORTING ACTORBARKHAD ABDI Captain PhillipsBRADLEY COOPER American HustleDANIEL BRÜHL RushMATT DAMON Behind the CandelabraMICHAEL FASSBENDER 12 Years a Slave
SUPPORTING ACTRESSJENNIFER LAWRENCE American HustleJULIA ROBERTS August: Osage CountyLUPITA NYONG’O 12 Years a SlaveOPRAH WINFREY The ButlerSALLY HAWKINS Blue Jasmine
OUTSTANDING BRITISH FILMGRAVITY Alfonso Cuarón, David Heyman, Jonás CuarónMANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William NicholsonPHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff PopeRUSH Ron Howard, Andrew Eaton, Peter MorganSAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue SmithTHE SELFISH GIANT: Clio Barnard, Tracy O’Riordan
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCERCOLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good VibrationsKELLY MARCEL (Writer) Saving Mr. BanksKIERAN EVANS (Director/Writer) Kelly + VictorPAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in PerilSCOTT GRAHAM (Director/Writer) Shell
FILM NOT IN THE ENGLISH LANGUAGETHE ACT OF KILLING Joshua Oppenheimer, Signe Byrge SørensenBLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent MaravalTHE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca CimaMETRO MANILA Sean Ellis, Mathilde CharpentierWADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul
DOCUMENTARYTHE ACT OF KILLING Joshua OppenheimerTHE ARMSTRONG LIE Alex GibneyBLACKFISH Gabriela CowperthwaiteTIM’S VERMEER Teller, Penn Jillette, Farley ZieglerWE STEAL SECRETS: THE STORY OF WIKILEAKS Alex GibneyANIMATED FILMDESPICABLE ME 2 Chris Renaud, Pierre CoffinFROZEN Chris Buck, Jennifer LeeMONSTERS UNIVERSITY Dan Scanlon
ORIGINAL MUSIC12 YEARS A SLAVE Hans ZimmerTHE BOOK THIEF John WilliamsCAPTAIN PHILLIPS Henry JackmanGRAVITY Steven PriceSAVING MR. BANKS Thomas Newman
CINEMATOGRAPHY12 YEARS A SLAVE Sean BobbittCAPTAIN PHILLIPS Barry AckroydGRAVITY Emmanuel LubezkiINSIDE LLEWYN DAVIS Bruno DelbonnelNEBRASKA Phedon Papamichael
EDITING12 YEARS A SLAVE Joe WalkerCAPTAIN PHILLIPS Christopher RouseGRAVITY Alfonso Cuarón, Mark SangerRUSH Dan Hanley, Mike HillTHE WOLF OF WALL STREET Thelma Schoonmaker
PRODUCTION DESIGN12 YEARS A SLAVE Adam Stockhausen, Alice BakerAMERICAN HUSTLE Judy Becker, Heather LoefflerBEHIND THE CANDELABRA Howard CummingsGRAVITY Andy Nicholson, Rosie Goodwin, Joanne WoodlardTHE GREAT GATSBY Catherine Martin, Beverley Dunn
COSTUME DESIGNAMERICAN HUSTLE Michael WilkinsonBEHIND THE CANDELABRA Ellen MirojnickTHE GREAT GATSBY Catherine MartinTHE INVISIBLE WOMAN Michael O’ConnorSAVING MR. BANKS Daniel Orlandi
MAKE UP & HAIRAMERICAN HUSTLE Evelyne Noraz, Lori McCoy-BellBEHIND THE CANDELABRA Kate Biscoe, Marie LarkinTHE BUTLER Debra Denson, Beverly Jo Pryor, Candace NealTHE GREAT GATSBY Maurizio Silvi, Kerry WarnTHE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater
SOUNDALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian ArthurCAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver TarneyGRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris MunroINSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg OrloffRUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse
SPECIAL VISUAL EFFECTSGRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki PennyTHE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric ReynoldsIRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan SudickPACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel SumnerSTAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett
BRITISH SHORT ANIMATIONEVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam TaylorI AM TOM MOODY Ainslie HendersonSLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa
BRITISH SHORT FILMISLAND QUEEN Ben Mallaby, Nat LuurtsemaKEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina LimORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len RowlesROOM 8 James W. Griffiths, Sophie VennerSEA VIEW Anna Duffield, Jane Linfoot
Now that Shailene Woodley has been cast as the lead in the adaptation of John Green's bestselling young adult novel The Fault In Our Stars, the hunt is on to find her leading man. Woodley plays Hazel, a teenage cancer patient who meets a fellow sufferer in a cancer support group. Agustus is a videogame-loving ex-basketball player who lost his leg to osteosarcoma, and a complete dreamboat. The five young actors testing for the role aren't very famous, so we've rounded up their most well-known credits for you to figure out where you've seen them before.
If you're not hip to TFIOS, get on it. Time voted it the No. 1 book of 2012 — not YA book, all books. Stock up on tissues before you read. And if you are, here are the five young actors testing for Augustus this weekend, per Variety:
Brenton Thwaites, 24 Did you catch Lifetime's 2012 remake of the classic erotic teenage coming-of-age story The Blue Lagoon, Blue Lagoon: The Awakening? If not, then you probably haven't seen this Australian cutie unless you hail from his homeland, where he starred on the long-running soap Home and Away. But you will see him when he plays the Young Prince in the Angelina Jolie-starring fairy tale epic Maleficent, out next year.
Nat Wolff, 18 This star of the long-running Nickelodeon series The Naked Brothers Band played one of the titular bros (along with his real-life sibling, Alex). He appeared in the star-studded New Year's Eve, and plays one of the leads in Palo Alto, the dark drama based on James Franco's short stories.
Nick Robinson, 18 Robinson can currently be seen as Ryder Scanlon, the nephew of Melissa Joan Hart in ABC Family's sitcom Melissa & Joey. On the opposite end of the acting spectrum, he also appeared in an episode of Boardwalk Empire and a few smaller films.
Noah Silver The Internet doesn't have much on this young actor, who we're assuming is French or French-Canadian (due to the multiple French-language credits on his IMDb page. He has three films set for release in the next year, though, including Jamie Marks Is Dead alongside Judy Greer and Liv Tyler and The Last Nights alongside Morgan Freeman and Clive Owen. You can also catch him in three episodes of Showtime's The Borgias.
Ansel Elgort Elgort's already got the advantage of working with his potential costar, Woodley, as her brother in the actress' other high-profile adaptation, Divergent. The stage actor makes his film debut in the new remake of Carrie, starring Chloe Moretz and Julianne Moore.
More: 'The Fault In Our Stars' Movie Gets a DirectorShailene Woodley, Queen of YA? Starlet Joins 'TFIOS' Movie'Beautiful Creatures,' 'TFIOS' & More YA Books You Should Know About
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After just announcing the name and director of that Monsters Inc. sequel (which is actually a prequel), the studio has already pushed it back. Coming Soon reports that Monsters University's release date is now June 21, 2013, unlike November 2, 2012 like originally planned. The film tells the tale of how best friends Sulley (John Goodman) and Mike (Billy Crystal) met during college as they, what we can only assume, were holding each other up to do keg stands.
Source: Coming Soon
That whole Monsters Inc. sequel that ended up being a prequel called Monsters University now has a director. His name? Dan Scanlon.
Don't feel bad if you have no idea who that is. Monsters University will be Scanlon's feature debut, but he's worked at Pixar for a few years, specifically as a story artist on both Toy Story 3 and Cars. He also directed the Cars-related short, Mater and the Ghostlight.
As of now, John Goodman and Billy Crystal plan to reprise their roles as Sulley and Mike as the story focuses on when the two met in college, which should be pretty interesting because as we all know, Monsters University is way more of a party school than those lamewads over at Monsters College. Suck it, nerds!
Source: Walt Disney Pictures
Adapted from John Boyne’s award winning novel Pajamas presents a different view of the Holocaust told as a fable primarily through the eyes of an 8-year-old German boy Bruno (Asa Butterfield) whose father a Nazi officer (David Thewlis) is transferred from Berlin to a desolate outpost. Bruno finds nothing much to do and no new friends to play with. His older sister Gretel (Amber Beattie) pretty much ignores him preferring to spend time playing with dolls or talking to Lieutenant Kolter (Rupert Friend) an eerie young man working for her father. What the father knows and doesn’t tell his family is that his new assignment is running a concentration camp. Despite the warnings from his mother (Vera Farmiga) to stay away from the huge backyard Bruno heads to a “farm” he sees in the clearing where he meets and befriends a Jewish boy Shmuel (Jack Scanlon) on the opposite side of a barbed wire fence. As the frequency of his visits with this boy in the striped pajamas increases Bruno learns more about intolerance in the world and the fences that divide them. As his “education” continues the story takes a surprising turn. Although the film has typically fine performances from an impressive roster of actors -- including Thewlis Farmiga and Friend as well as veteran Richard Johnson as Grandpa -- it’s the remarkable young stars who make the most vivid impression. Butterfield is especially impressive showing the emerging curiosity of a young child caught up in a new environment and circumstances he can’t quite grasp. His outgoing friendly nature and his discovery of a human connection despite the barrier of a barbed wire fence is well-played and carries the entire film. This is perhaps the first time the tragedy of the Holocaust has been portrayed in such a manner and it’s all on Butterfield’s able shoulders. Equally fine is Scanlon playing the title role with haunting sunken eyes but who like Bruno shows us a better way through an uncorrupted innocent perspective. Their scenes together are touching and quietly intense and both are easily up to the task. Smartly adapted for the screen by director Mark Herman this delicate fable about the effects of hatred senseless violence and unimaginable prejudice as filtered through the eyes of children has become far more dramatic and complex in its trip to the big screen. The novel is essentially FOR children an attempt to show the Holocaust in terms they could more easily understand. The film uses the children at the center of the story to express a more universal and tragic view of war and the Holocaust. Herman has still captured the surreal fable at the heart of Boyne’s book but it’s pointedly real and effective in its devastating impact when seen on film. Shot on location in Budapest Herman expertly captures the lone note of youthful hope and power of friendship embodied in his two remarkable young leads who seem immune to the reality of death and hate surrounds them. This is a daringly different and gut-wrenching movie that stays with you long after the theatre lights have gone up.
Brace yourself Dr. Laura. This clueless teen queen (Natasha Lyonne) has it all: good looks a football captain boyfriend and a popular pair of pom-poms. But her candy-colored world crumbles when her panicked parents stage an intervention after finding a Melissa Etheridge poster that leads them to conclude she's a friend of Ellen. After being carted off to an anti-gay rehab camp for teens the perky princess must choose between the straight and narrow-minded or the love that dare not speak its name.
The quirky ensemble casting is half this film's fun. Lyonne is charming as the pepster tempted by T&A and she sparks onscreen with swanky and sexy co-star Clea DuVall who plays the butch femme fatale suitor (alarmingly reminiscent of Nancy McKeon's Jo from "The Facts of Life.") Drag queen supreme RuPaul is unrecognizable out of his high heels and even higher blond wig wearing a "Straight is Great" T-shirt as a macho militant ex-gay counselor. Cathy Moriaty is sweetly sinister as the homophobic headmistress and Mink Stole steals scenes as the uptight upright meddling mom.
Kudos to Jamie Babbit for tackling this hot-potato topic but this well-intentioned film too often misses its mark turning potentially comical scenes into unbearably awkward moments. Babbit fouls when tugging at the heartstrings but hits home runs when the humor is at its broadest.