Based on the prize-winning novel by Zoe Heller Notes on a Scandal is a case study in obsessive relationships. When Sheba Hart (Cate Blanchett) joins a London secondary school as the new art teacher fellow teacher Barbara Covett (Judi Dench) who rules her young charges with an iron fist senses a kindred spirit—and perhaps salvation to her lonely existence. But as Barbara notes in her acerbic diary she is not the only one drawn to the luminous Sheba. She soon begins an illicit affair with one of her high school students (Andrew Simpson) and Barbara suddenly becomes the keeper of Sheba’s secret. Barbara could expose Sheba to both her husband (Bill Nighy) and the world but instead Barbara manipulates it for her own nefarious and selfish reasons. And in playing this dangerously compulsive game Barbara’s own secrets come tumbling to the fore exposing the deceptions at the core of each of the women's lives. Dench and Blanchett give tour-de-force performances yet again. Blanchett’s natural effervescence provides the beacon for all the wanted—and unwanted—attention Sheba receives but it’s her fragile emotional state that draws you in. Played like a wounded butterfly Sheba is too weak to either stave off a dalliance with the young gent—played with convincing lustfulness by newcomer Simpson—or tell the stifling Barbara to bugger off despite the consequences. Then there’s Dench as Barbara representing the opposite end of the spectrum as Notes’ driving force. She’s a bull dog whose withering glares stop her students in their tracks and cutting remarks slice her fellow colleagues to bits all punctuated by her caustic running commentary. Still when Barbara turns madly obsessive with her soft underbelly eventually exposed she crumbles with the best of them. And the best part of Notes is watching these two brilliant actress go toe-to-toe for the first time on film. The underrated Nighy also does a fine job ditching his Pirates of the Caribbean’s tentacles to play Sheba’s down-to-earth yet hapless husband. A top-notch cast all around. Director Richard Eyre is no stranger to crafting intimate pro-actor dramas having helmed such films as Stage Beauty and the Oscar-nominated Iris. He understands where to move the camera to best frame his players as they pour their hearts out on screen. And with Notes on a Scandal Eyre knows that besides his two leading ladies the real star of the film is playwright/screenwriter Patrick Marber’s superb adaptation of Heller’s introspective novel. Voice-over narration is always a tricky film device but for Notes on a Scandal it’s absolutely essential and Marber faithfully captures the inner-workings of Barbara’s skewed thoughts which she fervently writes down in her diary in such delectable ways. Then he entwines the twisty events around these two women. Much like his other work including the exquisite Closer Marber hands in another true gem. Combined with all this is another haunting pulse-pounding score from Philip Glass (The Hours) who sets the tone so perfectly. Notes on a Scandal is definitely one for the Academy Awards’ books.
SpongeBob creator Stephen Hillenburg understands that to turn what is in essence a series of 10-minute segments into a 90-minute feature it's necessary to keep things very simple. With that he's envisioned a sort of Pee-Wee's Big Adventure for SpongeBob in which the hapless hero sets out on a quest to find the balding King Neptune's treasured crown. We all know it's been stolen by that tiny green megalomaniacal one-eyed sea creature known as Plankton--who sold it and has framed SpongeBob's boss Mr. Krab with the crime so he can be rid of him and rule the world--but the rest of Bikini Bottom doesn't including King Neptune who wants to turn Mr. Krab into an appetizer. Now even though he has just been passed over for the promotion of his dreams SpongeBob still believes his boss is innocent and convinces the king to spare Mr. Krab's life long enough to allow SpongeBob to go retrieve the crown. Along with his best pal Patrick SpongeBob embarks on the treacherous mission battling any number of obstacles in order to save Mr. Krab's life restore order in Bikini Bottom and prove once and for all he can be a real man…wait a grown up…er a big bad sponge? Yeah something like that.
The whole gang is here including standup comic Tom Kenny who provides the high nasal voice of SpongeBob; Bill Fagerbakke (TV's Coach) who voices the dopey but lovable Patrick; and the booming I'm-master-of-the-universe voice of Mr. Lawrence as the evil Plankton. There are also a few celebrity voices thrown in for good measure including Arrested Development's Jeffrey Tambor as the vain and insecure King Neptune; Scarlett Johansson as his kind and patient daughter Mindy (who looks a little like Velma from the Scooby-Doo series); and Alec Baldwin as a malevolent hit man. But the best cameo of all belongs to David Hasselhoff appearing as himself--in Baywatch mode of course. Hasselhoff helps SpongeBob and Patrick who find themselves in the "real" world get back to Bikini Bottom safely and looks like he's having a ball poking a little fun at himself--as well he should.
Hillenburg a former marine science teacher created SpongeBob after he decided he wanted to do a sea cartoon and thought a square sponge wearing shorts who lives in a pineapple house in a world of real sea animals was just the ticket. Sure we get why the kids love it. The cartoon is madcap slapsticky gross-out fun with SpongeBob and Patrick just big ol' kids themselves living in an undersea community where eating Krabby Patties showing your underwear and blowing bubbles are the bomb. It's the parents you gotta wonder about--the ones who say they are only watching it because their kids do but who secretly look forward to SpongeBob SquarePants episodes so they too can laugh their asses off. "It's about keeping your kid-nature in life and not totally becoming a curmudgeon " Hillenburg explains--but it's more than that. SpongeBob's humor is oftentimes aimed completely at the adults following the habits of some stellar predecessors such as the old Looney Tunes shorts and even more recently Ren and Stimpy. Examples: SpongeBob and Patrick laughing manically for five minutes longer than they should; the two of them getting totally blasted after eating too many ice cream sundaes and then waking up the next morning in a puddle of their own sick; and confused side glances at the camera from some scary-looking sea monsters who stop short from eating SpongeBob and Patrick after the two start singing about being real men er well you know what I mean. Funny funny stuff.