Go ahead and throw logic out the window on this one folks. A mysterious Tibetan monk with no name (Chow Yun-Fat) has spent a lifetime protecting an ancient document known as the Scroll of the Ultimate--a parchment that will yield unlimited power to anyone who reads it. After running around the globe for 60 years the Monk knows it's time to hang up his robes and find a new guardian but spotting a successor isn't easy in the hustle bustle of the 21st century where Tibetan traditions and rituals are almost non-existent. Maybe the next protector should be the crafty rebellious pickpocket Kar (Seann William Scott) who learned martial arts from watching kung-fu movies; after all Kar helps the Monk escape from the scroll's most avid pursuer Strucker (Karel Roden) a sadistic old Nazi who wants to use the its power to rid the planet of inferior races. Or maybe the Monk's successor is the elusive but beautiful bad girl Jade (James King) whose skills are numerous and who seems to pop up to help Kar whenever he gets in a jam. Whomever the Monk eventually chooses they must first unite to battle the ultimate enemy--and keep the scroll safe.
If it weren't for Yun-Fat Bulletproof Monk would be pretty hopeless. The charismatic actor finds a nice balance no matter what he does and in this case he resists the obvious temptation to play the Monk as a fish out of water in the big city. Since he's long been one of Chinese cinema's most well-known action heroes he's definitely in his element in Monk standing on top of a car with guns blazing and the Zen master persona he discovered in Crouching Tiger Hidden Dragon serves him well here too. The script requires him to spout off fortune-cookie mumbo jumbo but he manages to do it without sounding ridiculous. The petite King actually holds her own as the brawny-yet-brainy tough chick but the wisecracking Scott is completely out of his element for the first time in his career. He handles the little comedic tidbits well but in no way is it possible to believe that the "Dude" who couldn't find his car and the jackass who drank someone else's bodily fluids in American Pie can be a martial arts hero who saves the planet. It just isn't going to happen.
Bulletproof Monk relies on the ghosts of movies past including Crouching Tiger and the 1986 Eddie Murphy stinker The Golden Child for its plot which results in a film that's chock full of cliches especially the evil Nazi who has spent 60 years chasing after the scroll using his tow-headed granddaughter whose cover is an organization for human rights to do the dirty work. A few bright moments with Yun-Fat coupled with director Paul Hunter's good use of fast-paced martial arts action make the rest of this unimaginative movie somewhat palatable--even novices Williams and King look good doing the moves--but all in all Bulletproof Monk is shooting blanks.
At 38 Will (Hugh Grant) has made an art out of avoiding any responsibility in his life--no marriage no kids and definitely no job. Living off royalty checks from a popular Christmas song his father wrote he's the star of the Will show and that's the way he likes it. What Will doesn't realize is that he is about to grow up (and the movie is going to jump-start). After deciding that the best place to meet women is pretending to be a single parent and going to support groups called S.P.A.T.--Single Parents Alone Together--Will inadvertently meets Marcus (Nicholas Hoult) a 12-year-old with a suicidal single mother Fiona (Toni Collette). The kid is an odd duck. He doesn't seem to fit in at school and latches onto the reluctant Will for guidance especially in trying to make his mother happy. At first Will tries to dissuade the young man but gradually becomes Marcus' friend teaching him how to be a cool kid and actually beginning to care about him. On the flip side Marcus helps Will finally grow up fall in love and possibly even commit to a real adult relationship with a lovely single mother Rachel (Rachel Weisz).
Grant has played it smart with his career. Since starring in Four Weddings and a Funeral (which put this decidedly charming British actor on the radar) Grant has had more successes than failures especially in the romantic comedy arena. In About a Boy the actor sticks with familiar territory but has actually matured right before our eyes (and cut his hair into a short spiky 'do) and sheds those charming mannerisms to expose another side of himself in a way he has never done before. Will is selfish cowardly and pretty shallow most of the time but he is never unlikable and that's Grant's true gift. Newcomer Hoult is also a revelation a genuine find. It takes some time getting used to this boy's very distinctive face which is a cross between a Vulcan (it's the eyebrows) and a cherub but once you do Hoult wins your heart--perhaps because he isn't the cookie-cutter "cute kid" we are used to he's more real. Ironically his character Marcus makes a reference about trying "to be more like Haley Joel Osment" but how he fails miserably in "drama." Collette does a nice job as the wacky mother trying to cope (a familiar role for her) and Weisz's small but pivotal role as the woman Will falls for is memorable.
Coming from the directors of American Pie one might be a tad apprehensive about seeing a definitively British comedy done by two guys whose claim to fame is a bawdy teen sex comedy. Yet co-directors co-writers and brothers Paul and Chris Weitz deftly handle the material and find an hysterical but poignant way of telling the story. Based on a best-selling novel by Nick Hornby the story about a shallow bachelor taking an odd 12-year-old boy under his wing seems like it could easily fall into the after-school special arena--but thankfully it doesn't. Although the film starts off a little shaky with voice-overs and heavy exposition (not always a good sign) it quickly redeems itself with clever witty dialogue and somewhat unpredictable plot points. The brothers also manage to throw in some intriguing camera angles going above and beyond the usual shots. Yet the most surprising element to the film is that it really isn't a romantic comedy. It's more a buddy picture and the buddies in question do a heck of a job bonding with us on screen.