Don’t get me wrong. The Heartbreak Kid does have its moments. As a loose remake of the 1972 Neil Simon classic starring Charles Grodin this story centers on 40-year-old Eddie Cantrow (Stiller) a commitment-shy fellow who can’t seem to settle down. After years of his lusty father (Jerry Stiller) and henpecked married best friend (Rob Corddry) berating him for his pickiness when it comes to women Eddie finally meets Lila (Malin Akerman) a seemingly perfect antidote to bachelorhood. Eddie impulsively proposes—and thus embarks on the longest journey of his life. As the couple head to Mexico on their honeymoon Lila goes from being cute and quirky to being cute and crazy. From Lila’s need for aggressively scary sex to her deviated septum from a cocaine problem Eddie begins to realize he’s made a terrible TERRIBLE mistake. Then at the exotic Mexican hideaway Eddie falls for the down-to-earth Miranda (Michelle Monaghan) who has no clue he’s on his honeymoon. Things get kind of complicated after that. Stiller doing the stuff he does best really never gets old. He manages to instill in the not-so-likeable Eddie his own unique manic charm like he has done countless times before. But now slightly grayer and more distinguished looking the comic actor may have finally outgrown balls-out antics. At times Stiller almost seems uncomfortable going wild and crazy in The Heartbreak Kid. He can do it no problem but he’s actually more effective as the romantic lead. As the object of Eddie’s affection Monaghan (Mission: Impossible III) continues her streak of playing genuinely adorable if slightly off-kiltered ingénues. Akerman (Brothers Solomon) naturally doesn’t come off nearly as well since she’s the nutcase in this scenario. But while comparisons to her look-alike and former Farrelly favorite Cameron Diaz should be obvious Akerman tries to make the klutzy wacko her own. And in a fun turn veteran comedian Jerry Stiller gets to shine his irascible light on his real-life son. You have to wonder if maybe some of their er conversations in the movie ever happened for real. Here’s the thing: Peter and Bobby Farrelly are respected veterans in film comedies hands down. Dumb & Dumber and There's Something About Mary are hilarious classics full of all the toilet humor one can handle. Who hasn’t played a good drinking game watching one of those films? But as the Farrelly bros have gotten older it seems they have also gotten softer in the middle hence films such as Fever Pitch--and now I’m afraid The Heartbreak Kid. First of all it must have been difficult raunchin’ up an established Neil Simon gem (not too mention why they'd want to mess with the original in the first place). Secondly maybe the Farrelly brothers have also finally grown up a little. There are definitely some outrageous moments in The Heartbreak Kid--most of which are in the trailer--but the underlying theme of the movie is more sweet than sticky. And that’s OK just so long as you don’t expect the old Farrelly magic.
Based on an autobiographical novel by British author Nick Hornby about his obsession with football (soccer to us American folk) Fever Pitch gets a stateside makeover. Of course the term "sports fanatic" takes on a whole new meaning when you're talking about an avid Red Sox follower. I mean it takes a special kind of person to unconditionally love a baseball team that until last year was considered cursed because it hadn't won a World Series since 1918. This is what business consultant Lindsay Meeks (Drew Barrymore) learns when she meets and falls for Ben Wrightman (Jimmy Fallon) a charming happy-go-lucky high school math teacher who also happens to be a Red Sox nut. Since they fall in love during the winter Lindsay is already hooked once summertime rolls around and she witnesses how truly deep Ben's obsession goes. That's OK she can handle it. She's an ambitious workaholic bucking for a promotion and can relate. But really she can't. Ben's level of commitment to the team goes way beyond what she expected and Lindsay realizes she needs more from him than he seems willing to give. Can Ben give up his beloved Bosox--even as they enter into one of the most incredible seasons in baseball history--just so he can be with his beloved? Ah the course of true love never runs smooth.
It took her awhile to find her true calling but Drew Barrymore has finally cornered the market on sweet and appealing romantic comedies. The Wedding Singer Never Been Kissed 50 First Dates all hit home runs. It's because Barrymore plays it smart and finds the right leading guys to connect with and she's got her own obsession with Saturday Night Live alums. First Adam Sandler and now Fallon. For all his juvenile behavior on SNL Fallon actually pulls off Pitch's very adult romantic duties with aplomb even if he still maintains his ever-present boyish quality. The best thing about these two is that they make Lindsay and Ben's love affair and its progression genuine. From the first date during which Lindsay comes down with the stomach flu and Ben gently takes care of her to their bittersweet split after he blames her for missing the best game the Red Sox ever played against rivals the New York Yankees their relationship never rings untrue. It'd be nice to see them paired up again. Maybe they could have a love triangle with Sandler. Yeah that's the ticket!
They can do it. Peter and Bobby Farrelly can actually make a movie that doesn't include one fart joke. Wow. So what do you think it is about Fever Pitch a cute love story that curves dangerously away from their usual broad and outlandish efforts that appeals to the brothers Farrelly? Could it be that they are enormous Red Sox fans? Aha! Apparently the guys had to chase this one pretty hard before the powers that be decided to let these two pranksters handle the job. But they had help. Scripted by another well-known comedy duo City Slickers' Lowell Ganz and Babaloo Mandel Fever Pitch starts off slow but builds momentum. It keeps to the classic boy-meets-girl boy-loses-girl and boy-gets-girl-back scenario but adds in the whole baseball extremist element. To be honest it's pretty darn fascinating to learn about the Red Sox's romantic heart-wrenching superstitious history. But the most amazing thing about the making of Fever Pitch is that it actually had to be done on the fly--well at least the ending. As it turns out during the filming the Boston Red Sox actually went on to win that elusive World Series championship. No one thought it was going to happen. No one planned for it. But it sure makes for a fairy-tale ending doesn't it?
A middle-school version of Mean Girls and darn close to every other PG-rated girl-power movie you or your daughters are likely to see this follows four brash eighth-graders as they have a sleepover to wear dress-up clothes freeze their bras fantasize about boys dance madly and celebrate their graduation to high school. They see themselves as social outcasts but while one (Kallie Flynn Childress) is short and plump. the others could be cheerleaders at any real school--Spy Kids' Alexa Vega (who gives the party and is the film's star) Mika Boorem and Scout Taylor-Compton. (Does anybody still name their kid "Jane" these days?) But just when they're being good girls and staying home as mom (Best in Show's delightfully edgy Jane Lynch) has demanded a snooty rival (the statuesque blonde Sara Paxton) and her coterie challenge them to a slightly risqué scavenger hunt. That involves getting into a bar and ordering Sex on the Beach cocktails changing the display in an Old Navy window (one of many shameless plugs) and escaping from a dimwit security guard by driving a tiny lime-green electric car that is the ugliest movie vehicle ever. In a surprisingly erotic scene for a PG movie Vega--wearing a tight red party dress with a plunging neckline that amply reveals why she's been having "growing pains"--sneaks into a "hot" boy's bathroom to steal his boxers watching from the shower as he removes them. Just in case you thought this all would lead to a teen reenactment of Psycho Sleepover ends with the usual sentimental empowerment lessons learned and friendships sealed. And the chubby girl even finds a boyfriend who likes brownies more than carrots.
The film's three casting directors all worked overtime to find young actresses amazingly reminiscent of slightly older girl-role-model favorites. Vega conveys the same mixture of insecurity and self-confidence as Lindsay Lohan in Mean Girls and even has the same expressions. With her moon-round face long tangle of dark hair and glowing smile she might also remind adults of a teen Bonnie Raitt. But she's maturing so fast she already seems too old for this part physically and temperamentally. There are moments in fact when the actress acts dismissive of the story's clunky derivative plot mechanics. Meanwhile Boorem is warmly Kirsten Dunst-like and Paxton such an amazing reincarnation of Reese Witherspoon that I'll look for her in a Legally Blonde sequel when she hits 18. This is all good by the way - most everyone appears to relish her chance in the spotlight. But even better are the two offbeat comic actors who play Vega's parents--Lynch and the portly Jeff Garlin (of Curb Your Enthusiasm) as the clueless dad. The film reaches a moment of Freaky Friday hilarity with Vega discovers enthusiastic mom Lynch wiggling and writhing at a dance club. "Yeah older lady shakin' her boo-tay " the deejay announces as Vega cringes. It's a great movie parent-child moment.
Director Joe Nussbaum got his start in Hollywood with the cult favorite short George Lucas in Love and this marks his feature debut. He gets the train to the station in time so to speak but the pace is so chop-chop quick that a lot of promising comic and romantic scenes go underdeveloped amid the editing pace. And unfortunately Nussbaum kept in all the corny scenes involving an unfunny security guard (Steve Carell) who harasses the girls. There also are a lot of tiresome close-ups and two-shots - this could (and doubtlessly will) play on TV with little lost. So unlike the cast the direction isn't pretty. But writer Elisa Bell however does embellish the formulaic plot with some unusual--sometimes even downright surreal--dialogue. I'm still trying to figure out for instance what Sam Huntington as Vega's slightly older brother (a Giovanni Ribisi look-alike by the way) means when he tells her "Go be a teenager. It ends too soon. And it gets replaced by ribbons and lampshades." Huh?