There is something particularly unnerving about demon possession. It's the idea of something you can't see or control creeping into your body and taking up residence eventually obliterating all you once were and turning you into nothing more than a sack of meat to be manipulated. Then there's also the shrouded ritual around exorcisms: the Latin chants the flesh-sizzling crucifixes and the burning Holy Water. As it turns out exorcism isn't just the domain of Catholics.
The myths and legends of the Jews aren't nearly as well known but their creepy dybbuk goes toe-to-toe with anything other world religions come up with. There are various interpretations of what a dybbuk is or where it comes from — is it a ghost a demon a soul of a sinner? — but in any case it's looking for a body to hang out in for a while. Especially according to the solemn Hasidic Jews in The Possession an innocent young person and even better a young girl.
The central idea in The Possession is that a fancy-looking wooden box bought at a garage sale was specifically created to house a dybbuk that was tormenting its previous owner. Unfortunately it caught the eye of young Emily (Natasha Calis) a sensitive artistic girl who persuades her freshly divorced dad Clyde (Jeffrey Dean Morgan of Watchmen and Grey's Anatomy) to buy it for her. Never mind the odd carvings on it — that would be Hebrew — or how it's created without seams so it would be difficult to open or why it's an object of fascination for a young girl; Clyde is trying really hard to please his disaffected daughters and do the typical freshly divorced parent dance of trying to please them no matter the cost.
Soon enough the creepy voices calling to Emily from the box convince her to open it up; inside are even creepier personal objects that are just harbingers of what's to come for her her older sister Hannah (Madison Davenport) her mom Stephanie (Kyra Sedgwick) and even Stephanie's annoying new boyfriend Brett (Grant Show). Clyde and Stephanie squabble over things like pizza for dinner and try to convince each other and themselves that Emily's increasingly odd behavior is that of a troubled adolescent. It's not of course and eventually Clyde enlists the help of the son of a Hasidic rabbi a young man named Tzadok played by the former Hasidic reggae musician Matisyahu to help them perform an exorcism on Emily.
The Possession is not going to join the ranks of The Exorcist in the horror pantheon but it does do a remarkable job of making its characters intelligent and even occasionally droll and it offers up plenty of chills despite a PG-13 rating. Perhaps it's because of that rating that The Possession is so effective; the filmmakers are forced to make the benign scary. Giant moths and flying Torahs take the place of little Reagan violently masturbating with a crucifix in The Exorcist. Gagging and binging on food is also an indicator of Emily's possession — an interesting twist given the anxieties of becoming a woman a girl Emily's age would face. There is something inside her controlling her and she knows it and she is fighting it. The most impressive part of Calis's performance is how she communicates Emily's torment with a few simple tears rolling down her face as the dybbuk's control grows. The camerawork adds to the anxiety; one particularly scary scene uses ordinary glass kitchenware to great effect.
The Possession is a short 92 minutes and it does dawdle in places. It seems as though some of the scenes were juggled around to make the PG-13 cut; the moth infestation scene would have made more sense later in the movie. Some of the problems are solved too quickly or simply and yet it also takes a while for Clyde's character to get with it. Stephanie is a fairly bland character; she makes jewelry and yells at Clyde for not being present in their marriage a lot and then there's a thing with a restraining order that's pretty silly. Emily is occasionally dressed up like your typical horror movie spooky girl with shadowed eyes an over-powdered face and dark clothes; it's much more disturbing when she just looks like an ordinary though ill young girl. The scenes in the heavily Hasidic neighborhood in Brooklyn look oddly fake and while it's hard to think of who else could have played Tzadok an observant Hasidic Jew who is also an outsider willing to take risks the others will not Matisyahu is not a very good actor. Still the filmmakers should be commended for authenticity insofar as Matisyahu has studied and lived as a Hasidic Jew.
It would be cool if Lionsgate and Ghost House Pictures were to release the R-rated version of the movie on DVD. What the filmmakers have done within the confines of a PG-13 rating is creepy enough to make me curious to see the more adult version. The Possession is no horror superstar and its name is all too forgettable in a summer full of long-gestating horror movies quickly pushed out the door. It's entertaining enough and could even find a broader audience on DVD. Jeffrey Dean Morgan can read the Old Testament to me any time.
Remember when Kristen Stewart and Robert Pattinson wouldn’t admit that they were dating? Considering the tabloid frenzy surrounding their relationship, it was always so hard to understand why they tried to keep their relationship a “secret.” For so many years, the couple maintained that they were both single — but as time went on, they both started to acknowledge their feelings. But it wasn't until the day that Stewart's cheating scandal surfaced that she finally went full out and confessed her love for Pattinson.
In the wake of the sad news that spread like wildfire on the internet Wednesday, we decided to take a look back at Stewart and Pattinson's relationship. From denial to love, in their own words, this is the timeline of their relationship quotes.
August 2009: Rob Wants to Date Models
"I don't have a girlfriend,” Pattinson said. “I don't know why. You always think you're going to get more girls after you've made a movie and it never happens. You sit there and you're like 'I'm a big movie star and I want to go out with some models' but I don't know why that doesn't happen.” (The Mirror)
October 2009: Nobody Wants To Date Robert Pattinson
"I just don't take any of it seriously,” Pattinson said. “It's just a job and while it's a job I love, girls scream out for Edward, not Robert. I still can't get a date." (People)
November 2009: Rob’s Denial
"It doesn't make any difference what you say,” Pattinson said. “I've literally been across the country [from Kristen], and it's like 'Oh, they were on secret dates!' It's like "Where? I can't get out of my hotel room!'" (Vanity Fair)
November 2009: “We are. We aren’t. I’m a lesbian.”
“I probably would’ve answered [the romance question] if people hadn’t made such a big deal about it, but I’m not going to give the finding an answer,” Stewart said. “There’s no answer that’s not going to tip you one way or the other. Think about every hypothetical situation: ‘Okay, we are. We aren’t. I’m a lesbian.’ I’m just trying to keep something. If people started asking me if I was dating Taylor Lautner, I’d be like ‘F— off!’ I would answer the exact same way.” (The Telegraph)
December 2009: No Time for Love
"I am single - almost everything that comes out about my private life is false,” Pattinson said. “I think it happens because, really, there is not much to say about what I'm doing. While I am filming, I live practically like a recluse in a hotel. I [mess up] every relationship I ever have. As soon as I like them I start beating myself up to a point of ridiculousness and then they hate me to the point of dumping me.” (Contact Music)
February 2010: Rob Only Loves His Dog
The only emotional connection of relevance is with my dog, it's ridiculous,” Pattinson said. (Details)
February 2010: He Finally Admits It!
“It is extremely difficult but we are together, yes,” Pattinson said. “We can't arrive at the same time because of the fans. It goes crazy. This was supposed to be a public appearance as a couple but it's impossible. We are here together and it's a public event but it's not easy. We have to do all this stuff to avoid attention.” (The Sun)
May 2010: Kristen Won’t Talk About It
"I would never cheapen my relationships by talking about them,” Stewart said. “People say, 'Just say who you're dating. Then people will stop being so ravenous about it'. Its like, 'No they won't! They'll ask for specifics'." (Elle)
March 2011: Rob Thinks She’s Cool
“[Kristen is] cool,” Pattinson said. “Even before I knew her I thought she was a really good actress. Like, I saw Into the Wild, and I thought she was really good in that. I still think there are very few girls in her class that are as good as she is.” (Vanity Fair)
March 2011: Kristen Thinks He’s Handsome
“I think he’s really handsome,” Stewart said. (MTV)
2011: Kristen Actually Says the Word "Boyfriend"
“My boyfriend is English” (GQ)
July 2012: The L-Word
“This momentary indiscretion has jeopardized the most important thing in my life, the person I love and respect the most, Rob. I love him, I love him, I'm so sorry,” Stewart said. (People)
Will Kristen Stewart’s Scandal Spell the End of Her Career?
Kristen Stewart Apologizes to Robert Pattinson: “I Love Him, I Love Him”
Kristen Stewart’s Next Romance: Alex Pettyfer Tapped for “Cali”
Director Alexander Payne's (Election Sideways) new film opens over sprawling landscape shots of Hawaii's scenic suburbia accompanied by George Clooney's character Matt King summing up his current predicament: "Paradise can go fuck itself." The reaction unfortunately is reasonable.
We pick up with King an ancestor of Hawaiian royalty in the middle of deliberations over a plot of land handed down through his family over generations. With every uncle aunt and cosign whispering opinions into his ear King is suddenly presented with an even greater problem: taking care of his two daughters. A boating accident leaves his wife in a coma forcing Matt to take a true parenting role with his young socially-troubled daughter Scottie (Amara Miller) and his rebellious teen Alexandra (Shailene Woodley) who was previously shipped off to boarding school. Matt awkwardly hunts for the emotional glue necessary for the mismatched bunch to become "a family " but matters are made even more complicated when Alex reveals that her mother was cheating on him before the accident. Murphy's Law is in full effect.
With The Descendants Payne continues to explore and discover the inherent humor in life's melancholic situations unfolding Matt's quest for understanding like a road movie across Hawaii's many islands. Simultaneously preparing for the end of his wife's death and searching for the identity of her lover Matt crosses paths with a number of perfectly cast side characters who act as mirrors to his best and worst qualities: his father-in-law Scott (Robert Foster) who belittles Matt for never taking care of his daughter; Hugh (Beau Bridges) an opportunistic cousin who pressures Matt to sell the land; Alexandra's dunce of a boyfriend Sid (Nick Krause) who always has the wrong thing to say; and Julie (Judy Greer) the wife of the adulterer in question. Colorful yet real Matt experiences a definitive moment with each of them yet the picture never feels sporadic or episodic.
Clooney and Woodley help gel these sequences together as they observe experience and butt heads as equals. Clooney's own magnetism stands in the way of making Matt a fully dimensional character but he shines when playing off his quick-witted daughter. His reactions are heartbreaking—but it's the moments when he has to put himself out there that never quite ring true. But the script by Nat Faxon Jim Rash and Payne gives Clooney plenty of opportunities to work his magic visualizing his struggle as opposed to vomiting it out like so many of today's talky dramas.
The Descendants is a tender cinematic experience an introspective and heartwarming film unafraid to convey its story with pleasing simplicity. Clooney stands out with a solid performance but like many of Payne's films it's the eclectic ensemble and muted backdrop that give the movie its real texture. The paradise of Descendants isn't all its cracked up to be but for movie-goers it's bliss.
Actress Jane Greer, who co-starred with Robert Mitchum and Kirk Douglas in 1947's classic Out of the Past, died Friday of complications from cancer, according to Associated Press reports. She was 76.
Greer, a native of Washington, D.C., was born Sept. 9, 1924 and grew up in Florida. She was a onetime beauty contestant who caught the eye of Hollywood after appearing in Life magazine.
"I always wanted to be an actress, and suddenly I knew that learning to control my facial muscles was one of the best assets I could have as a performer," Greer once said in an interview.
Greer is survived by her twin brother; sons Alex, Lawrence and Steve; and two grandchildren. Her common-law husband, acting coach Frank London, died in January.
A private memorial service will be help Sept. 9 on what would have been Greer's 77th birthday.
Contrary to U.S. media reports that Cuba may not allow some of its stars to travel to the 2nd Annual Latin Grammy Awards, the city of Havana said Friday that it would allow artists to travel to the ceremony taking place in Los Angeles on Sept. 11. Rebecca Viera, vice-president for the state-run Music Institute in Havana, told Reuters that "Cuba never put obstacles to stop nominated artists on the island from participating in the Latin Grammys." Cuban nominees include salsa star Isaac Delgado, jazz pianist Chucho Valdes and singers Omara Portuondo and Celina Gonzalez.
The Latin Recording Academy has announced the 17 honorees to inaugurate the newly launched Latin Grammy Hall of Fame. Among the recordings inducted are: Antonio Carlos Jobim's "Garota de Ipanema (The Girl From Ipanema)," Carlos Santana's 1970 remake of the Tito Puente classic "Oye Como Va," Don Azpiazu's version of "El Manisero (The Peanut Vendor)," João Gilberto's album Chega da Saudade, Javier Solís' 1960 version of the classic love song, "Sabor a Mí," and the original 1948 version of Concierto de Aranjuez.
Baretta star Robert Blake put his 4,909-square-foot Los Angeles home on the market on Thursday for $1.09 million. The actor intends to move closer to his adult daughter in the San Fernando Valley, Blake's attorney, Harland Braun, told The L.A. Daily News.
Beatles fans will be able to stay at the Hard Day's Night Hotel after it opens in Liverpool, England, in 2003. Each of the hotel's 120 rooms will feature a mural based on a member, song, or place associated with the group. The hotel will occupy a restored downtown building near the site of the Cavern Club, where the Fab Four played some of their earliest shows.
Sony Pictures Entertainment has pulled an R-rated trailer for its upcoming comedy Not Another Teen Movie from the Sony.com Web site fearing underage kids could view it. The ad reportedly featured profanity and partial nudity, said Jack Valenti, President of the Motion Picture Association of America. Sony officials plan to produce a sanitized version of the ad for the site. Not Another Teen Movie is scheduled for release in December.
Director Joe Camp wants to cast all 26 canine roles from an animal shelter for the newest Benji movie. "It's got to be a dog that's very confident in himself and works and wants to do this," he told the AP on Sunday. Camp's original Oscar-nominated Benji debuted in 1974 and earned $40 million in theaters. His latest, Benji Returns--The Promise of Christmas, is set for the 2002 holiday season.
Eon Productions denied that it has been looking for Pierce Brosnan's replacement for the role of James Bond in an upcoming movie, the AP reported Friday. A report in the British press said Scottish actor Gerard Butler had been promised the role whenever Brosnan gave it up. The title of the next film, due to start filming early next year, has not been announced.
Speaking of Bond, Famke Janssen, who got her big break in the 1995 Bond flick Golden Eye, will take the female lead in I Spy opposite Eddie Murphy and Owen Wilson, Reuters reported. Janssen can currently be seen in Jon Favreau's Made, and co-starred in last year's X-Men. I Spy begins shooting in mid-September in Budapest.
Karen Kramer, widow of director Stanley Kramer, is upset about the comparisons being made between Jerry Zucker's recent Rat Race and her late husband's 1963 comedy It's a Mad, Mad, Mad, Mad, World," People magazine reports. "The truth is that Mr. Zucker tried to build a better mousetrap and failed--exploiting a brilliant classic that was the daddy of its kind to create an inferior, unauthorized imitation," she told the Los Angeles Times last week.
Since the sequel to Matrix, Matrix Reloaded, won't be released until May 2003, Warner Bros. will introduce a 2½ hour documentary on the movie and its sequels this fall and also plans to produce anime episodes of the stories, Reuters reports. The Matrix Revisited will debut on DVD and VHS Nov. 20 and will include interviews, behind-the-scenes footage and sneak peaks at Reloaded and a third Matrix film now in pre-production.
The video game-based movie Lara Croft: Tomb Raider will be released on video Nov. 13. The rental-priced VHS will include a 25-minute Digging into Tomb Raider bonus feature, Reuters reports. Other upcoming special edition DVD/ VHS releases include Monty Python and the Holy Grail (Oct. 23), featuring 90 minutes of extra material and audio commentaries by directors Terry Gilliam and Terry Jones; Warner Bros. five-film Dirty Harry collection and a three-film "Rat Pack" collection (Nov. 23).