There's a new player in Disney's executive game of musical chairs. Chief Michael Eisner has named ABC chief Robert Iger as president, filling the hole left by Michael Ovitz when he jumped ship in 1996, says The Associated Press.
Iger's appointment, along with other managerial promotions, is expected to help the entertainment giant overcome its recent troubles, which included sagging stock prices and the departure of Disney studio chief Joe Roth. Seems things are already in turnaround: Disney also announced a 7 percent jump in first-quarter earnings.
INDUSTRIAL COUPLE: Time Warner, which already seems to own everything, is making another deal -- this time with British music giant EMI. It was announced today that the two would merge music businesses to create a new monster -- er, company, worth $20 billion.
Time Warner, whose labels include Warner Bros., Elektra, Atlantic and Rhino and is home to Madonna and Alanis Morissette, will now be able to add EMI's Garth Brooks, the Beastie Boys and legacies such as The Beatles and Frank Sinatra to its family.
The new giant will be called Warner EMI Music, according to Daily Variety. The deal is expected to close in the second half of this year. No word if this marriage will result in some new duets: for instance, guitar crooner Jewel giving props with rapper Master P, or the Spice Girls with that other seasoning group, the Red Hot Chili Peppers.
GOLDEN COUPLE? The most intriguing pair at Sunday's Golden Globes was Jodie Foster and Russell Crowe, who arrived at the ceremony cozily hand-in-hand. Those who watched the broadcast through its credits also caught a glimpse of Crowe, 35, pointing and smiling at the camera, then pulling Foster, 37, in for a whisper or nuzzle, we couldn't tell. Was it staged?
"That was the intention," the best dramatic actor nominee ("The Insider") told the New York Daily News of the sensation they created. Foster joked, "He paid me."
For the record, Foster's rep says the two are friends and might be pairing up for a film. Well, let's hope it's a love story, because they did look mighty fine together.
GOLDEN COUPLE, PART II: We told you last week the rumor about Jim Carrey, 37, giving Renée Zellweger, 30, a $200,000 diamond "friendship ring." The couple was asked about the ring -- and their status -- at the Golden Globes. "Yeah, wasn't it nice?" Zellweger said on the red carpet, holding out her hand -- only to show no ring in sight. The two laughed about it but would only say that they're "friends." Still, 22 million people saw the Golden Globe winner (for "Man on the Moon") give his "friend" a big smooch on the lips before accepting his award.
LITTLE MAN FARROW: Mia Farrow's son might be heading off to college. But she'll have to drive him, since he's only 12 years old. Seamus Farrow has applied to attend Columbia University in the fall and already takes college classes in Massachusetts. But his mother worries about it; not the difficulty level, but the arduous commute to New York City from their home in Bridgewater, Conn.
"It's such a long ride," she told the New York Daily News. "Part of me would like to put it off, but he's intent on going."
CELTIC PRIDE: Gabriel Byrne is proud to be an Irishman -- so proud, in fact, that he's taking shots at everyone else going Irish.
The 49-year-old actor, who last played Satan in the actioner "End of Days," is a bit perturbed about his homeland's use in Hollywood and speaks his mind in an interview in Irish America magazine. "I don't think it's necessarily a good thing that Mel Gibson and Steven Spielberg came to Ireland to shoot 'Braveheart' and 'Saving Private Ryan,'" he said. "Spielberg shot there because it was cheap, and he got to use the Irish Army. I don't like to see the country being used as a cheap location for huge multi-million dollar movies."
He also isn't keen on non-Irish actors playing Irish characters. "There are a lot of really brilliant Irish actors and actresses that never get a chance to do anything." Despite his love for Frank McCourt's book "Angela's Ashes," he fired off about the film adaptation. "An Irish movie?" said Byrne. "It's directed by an Englishman, Alan Parker. The screenplay is by an American writer (Laura Jones). It has a Scottish actor (Robert Carlyle) playing the father and an English actress (Emily Watson) playing the mother." We're just glad no one asked him to rate Brad Pitt's much-criticized brogue in "The Devil's Own." --
Worried you were dozing in Sunday School? Never knew God was a grandpa?
Don’t worry this isn’t sequel to the biblical TV miniseries. Set in the
early ’70s "Jesus’ Son" is the raw account of a young man (Billy
Crudup) shooting up throwing up and staggering through his wasted
youth. Through his journey he encounters a bizarre assortment of
misfits that make this film look like an indie "The Wizard of Oz" for
the messed up. Our hero collides with a beautiful and fragile heroine
addict (Samantha Morton) who becomes the cause of his downfall and
possibly his salvation.
Crudup could have capitalized on his teen-idol good looks to grab some
glossy Hollywood roles (and bucks). Instead he seems intent on using
his impressive acting skills to explore diverse and disturbing sides of
the human experience. As "Jesus’ Son " the actor gives an
inspirationally playful portrayal of the junkie’s arc from recklessness
to recovery as if he lived it. Morton (an Oscar nominee for "Sweet and
Lowdown") makes screwed-up nearly endearing as the woman who like Eve
turns her mate on to the forbidden fruit. The film is also blessed with
extended cameos from Denis Leary Jack Black Dennis Hopper Holly
Hunter and Greg Germann.
Far from glamorous or mainstream Allison MacLean has crafted a daring
grungy portrait of lost youth from Denis Johnson’s book. Brutal yet
compassionate MacLean rewards the adventurous with this disquieting
look at the wounded (literally and emotionally) that eventually leads to
a small but oddly uplifting triumph.
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award