In the ever-changing west of 1882 city marshal Virgil Cole (Ed Harris) and his deputy Everett Hitch (Viggo Mortensen) are two tough dudes out to clean up lawless towns a mission that takes them to Appaloosa. This small mining town has been taken over by a ruthless power-hungry land baron Randall Bragg (Jeremy Irons) who along with his band of thugs has run the place into the ground. Although their initial efforts are met with some success Cole and Hitch run into personal and professional conflict when a pretty mystery lady Allison French (Renee Zellweger) blows into town. She complicates the picture walking on the gray line between good and evil and generally making the Marshal and his No. 2 overcome unwelcome obstacles in their fight to bring Bragg and his boys to justice. The film based on the novel by Robert B. Parker smartly details the unique problems inherent in bringing law and order to an unruly West. Guiding his co-star Marcia Gay Harden in 2000’s Pollock to an Oscar Harris the director once again shows he has a natural affinity for steering his fellow actors at least most of them into superlative performances which includes himself. In fact the actor doesn’t seem to be the least intimidated in playing the leading role in a movie he also co-wrote directed and produced. Harris comes off as the embodiment of a dedicated lawman who quietly goes about his business determined to clean up the wild wild West his way with the help of a loyal deputy. Mortensen is wonderfully authentic as Harris’ partner in stopping sagebrush crime looking like he’s lived in those boots his entire life. Mortensen’s demeanor and style in the role of Everett Hitch evokes a true feel for a place and time long gone. Together these two do not seem fake or awkwardly contemporary but instead come off as the real deal. Irons is slippery and fun to watch as the devious outlaw Bragg proving as he did in his Oscar-winning Reversal of Fortune there’s nobody as good at playing subtle shades of bad. Zellweger on the other hand lets her acting show at every turn. To be fair her character rarely adds up but she does nothing to give any dimension beyond the obvious to a woman courting both sides of the law. In only his second outing behind the camera in a decade Harris shows Pollock was no fluke. Clearly enamored with the era he nobly honors the great American western tradition crafting a film that fits in with some of the best examples Hollywood has turned out. Some may complain that Appaloosa is long on talk and short on action but the time director Harris devotes to letting his characters develop is far more satisfying than a lot of pointless violence that many Westerns wallow in. Like Howard Hawks’ 1959 classic Rio Bravo this is an honest tale of the camaraderie between a pair of lawmen simply trying to do a job. This is a director whose emphasis is focused on his cast and he’s picked them very carefully right down to the smallest roles surrounding himself with a lot of terrific character actors. Just as impressive are the top notch production values including cinematographer Dean Semler’s stunning New Mexico landscapes.
In this film based on the Newbery Award-winning children's book by Kate DiCamillo Opal (AnnaSophia Robb) is a lonely 10-year-old girl who has moved to a sluggish small town in Florida with her preacher father (Jeff Daniels). She has a tough time getting through to her dad: when he is not preaching the gospel he walks around in a haze haunted by the departure of Opal's mother many years before. But when Opal adopts Winn-Dixie named after the supermarket where she found the mutt things start to brighten up for the little girl. With her special companion by her side Opal ends up meeting some pretty interesting people in the town. They include Miss Franny (Eva Marie Saint) the local spinster librarian who spins great stories; Otis (Dave Matthews) the shy drifter working at Gertrude's Pet Shop; and Gloria (Cicely Tyson) an old blind lady living with ghosts from her past. Through Opal's sunny disposition and Winn-Dixie doggone tenaciousness they help the town find their joy and their sorrow. And at the same time they mend Opal's troubled relationship with her father. Collectively now awwww!
All the players fit snugly in this warmhearted movie especially the talented young Robb who makes her feature film debut in Winn-Dixie. It's imperative to cast an adorable child and Robb doesn't disappoint keeping things genuinely fresh with the big eyes infectious smile and Rebecca of Sunnybrook Farm charm. Daniels too doesn't overplay it as the wounded preacher--aptly described by Opal as a turtle--who rarely sticks his head out of his shell. Veterans Eva Marie Saint and Cicely Tyson do what they can with their stereotypical parts as the kindly spinster storyteller and kindly old wise woman respectively. But it's singer-turned-actor Dave Matthews who stands out as the drifter with a troubled past but can "sing most anything " even charming the animals in the pet shop á la the Pied Piper. His poignant performance is up there in the sentiment department.
Here we go with the children and the animals again. Wayne Wang (Maid in Manhattan The Joy Luck Club) is the latest director to take a stab at guiding those most unpredictable of actors. As he explains "Sometimes the going is slow. But then suddenly something magical happens that you couldn't possibly have planned or anticipated." It's true. There are definite moments of inspired sweetness especially between Opal and Winn-Dixie played by a Picardy Shepherd a rare breed of dog from France that has the look of a big old lovable mutt. And of course you can't go too wrong using heart-tugging material based on a beloved children's novel on par with Where the Red Fern Grows and Rebecca of Sunnybrook Farm. That's also Because of Winn-Dixie main problem. Fans of the book will certainly love the film but overall it doesn't really offer anything new in this genre. It's the same general premise about the kid and a dog--or a horse a deer whichever animal works best--who can change the lives of those around them just from being pure of heart. Maybe it's the curmudgeon in me but Winn-Dixie just doesn't stand out among the plethora of films similar to it.