Take Liam Neeson's family members once shame on you. Take Liam Neeson's family members twice shame on him (but you'll still end up in a world of hurt).
Taken 2 sequel to the 2008 sleeper hit doesn't worry too much about improbability in devising a way to bring Bryan Mills (Neeson) back into the action. In the first film Mills punched and shot his way through Paris in order to retrieve his kidnapped daughter Kim (Maggie Grace). The followup jumps ahead two years Kim still on edge from the experience and Mills just hoping to move past it all. To wash away bad memories Kim and Mill's ex-wife Lenore (Famke Janssen) join the badass-for-hire on a work trip to Istanbul where everyone can finally relax. That is until someone gets… taken.
In Taken 2 director Olivier Megaton (Transporter 3 Colombiana) sticks to the formula that helped transform Neeson into an aged action star laying out obvious hurdles for his MacGuyver-esque hero and letting fast-paced editing and Mills' fists do the heavy lifting. There's an added layer of character that feels like a tease: Mills and Kim are trying to act like a normal father/daughter — handed the horrific experience of learning to drive as their through-line conflict — and Megaton finds humorous ways to touch upon the struggle. In one sequence Kim drives a stolen taxi cab away from gun-toting pursuers as Mills dictates directions from the passenger side. The action movie equivalent of "10 and 2!" is shouted and all hell breaks loose in the moment of familial genius. But that's about it for Taken 2's innovation. More of the same is the goal here and the film delivers.
The only issue with straight up repeating Mills antics' from the first movie is that his new adversaries — relatives of the people he previously offed — are old and boring and easily defeated. Seeing schlubby Neeson slice dice and electrocute the private parts of men half his age was exciting. Seeing him do the same to senior citizens isn't. But Neeson is such a powerful onscreen force even Taken 2's slowest moments have a bit of a spark. He makes the nonsensical into pure Shakespeare; in hokey scenes where Mills pals around with his best buds Neeson drops lines that are laughable ("Oh can't we just talk about basketball!) — yet he owns them. We're chuckling with his awareness that Taken 2 is beyond silly.
In this film based on the Newbery Award-winning children's book by Kate DiCamillo Opal (AnnaSophia Robb) is a lonely 10-year-old girl who has moved to a sluggish small town in Florida with her preacher father (Jeff Daniels). She has a tough time getting through to her dad: when he is not preaching the gospel he walks around in a haze haunted by the departure of Opal's mother many years before. But when Opal adopts Winn-Dixie named after the supermarket where she found the mutt things start to brighten up for the little girl. With her special companion by her side Opal ends up meeting some pretty interesting people in the town. They include Miss Franny (Eva Marie Saint) the local spinster librarian who spins great stories; Otis (Dave Matthews) the shy drifter working at Gertrude's Pet Shop; and Gloria (Cicely Tyson) an old blind lady living with ghosts from her past. Through Opal's sunny disposition and Winn-Dixie doggone tenaciousness they help the town find their joy and their sorrow. And at the same time they mend Opal's troubled relationship with her father. Collectively now awwww!
All the players fit snugly in this warmhearted movie especially the talented young Robb who makes her feature film debut in Winn-Dixie. It's imperative to cast an adorable child and Robb doesn't disappoint keeping things genuinely fresh with the big eyes infectious smile and Rebecca of Sunnybrook Farm charm. Daniels too doesn't overplay it as the wounded preacher--aptly described by Opal as a turtle--who rarely sticks his head out of his shell. Veterans Eva Marie Saint and Cicely Tyson do what they can with their stereotypical parts as the kindly spinster storyteller and kindly old wise woman respectively. But it's singer-turned-actor Dave Matthews who stands out as the drifter with a troubled past but can "sing most anything " even charming the animals in the pet shop á la the Pied Piper. His poignant performance is up there in the sentiment department.
Here we go with the children and the animals again. Wayne Wang (Maid in Manhattan The Joy Luck Club) is the latest director to take a stab at guiding those most unpredictable of actors. As he explains "Sometimes the going is slow. But then suddenly something magical happens that you couldn't possibly have planned or anticipated." It's true. There are definite moments of inspired sweetness especially between Opal and Winn-Dixie played by a Picardy Shepherd a rare breed of dog from France that has the look of a big old lovable mutt. And of course you can't go too wrong using heart-tugging material based on a beloved children's novel on par with Where the Red Fern Grows and Rebecca of Sunnybrook Farm. That's also Because of Winn-Dixie main problem. Fans of the book will certainly love the film but overall it doesn't really offer anything new in this genre. It's the same general premise about the kid and a dog--or a horse a deer whichever animal works best--who can change the lives of those around them just from being pure of heart. Maybe it's the curmudgeon in me but Winn-Dixie just doesn't stand out among the plethora of films similar to it.