David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
Undoubtedly motivated by a record-breaking box office weekend take of $114 million, Sony Pictures has set the opening date for its Spider-Man sequel. Spider-Man 2 will swing its way into theaters May 7, 2004 with stars Tobey Maguire and Kirsten Dunst reprising their roles as Spider-Man and Mary Jane, The Associated Press reports. The film, which is based on Stan Lee's popular comic-book series, broke several box office records since its release Friday, including best single day gross and biggest per-screen average in history for a wide release.
High-powered multimedia mogul David Geffen is donating $200 million to the medical school at University of California, Los Angeles, which will now be called the David Geffen School of Medicine at UCLA, according to AP. Geffen, the "G" in DreamWorks SKG, has donated to medical-related causes before: He gave $2.5 million to AIDS Project Los Angeles, $2.5 million to the Gay Men's Health Crisis in New York and $1.4 million to AIDS Action in Washington.
Ali director Michael Mann wants Tom Hanks to star in his next film about the Roman invasion of Britain. According to Ananova.com, Mann wants Hanks to play Julius Caesar. Kate Winslet, Jude Law and Colin Firth are also tipped to feature in the film.
Robert De Niro is set to reprise his role in Warner Bros.' sequel to the 1999 crime comedy Analyze This, aptly titled Analyze That. The film will reunite De Niro with Raging Bull co-star Cathy Moriarty-Gentile, who will play a mob widow who takes over her late husband's business, Variety reports. De Niro will resume his role as the emotionally troubled Paul Vitti.
In the Biz
Director David Fincher (Panic Room) is in discussions to helm a remake of the 1975 supernatural thriller The Reincarnation of Peter Proud for Paramount Pictures. According to Variety, the project got off the ground last year when studio-based producer Scott Rudin optioned the rights for the remake.
Real-life heroine Erin Brockovich has settled a libel lawsuit by her ex-husband, Reno, Nev., stockbroker Steven Michael Brockovich, the AP reports. In the lawsuit, which was filed in Los Angeles Superior Court in March 2001, Brockovich accused his ex-wife of libel, slander, invasion of privacy and intentional infliction of emotional distress for stating in two publications that he didn't pay child support for their daughter.
The World Wrestling Federation Entertainment Inc. has dropped its WWF name for a new moniker. The company will now be known as World Wrestling Entertainment Inc., or WWE, Reuters reports. WWF officials cited the company's losing battle with the World Wildlife Fund over the infamous initials as a factor for the switch, Reuters reports.
MTV has ordered eight half-hour episodes of a musical sketch/comedy show from the Bomb-itty boys--GQ, Jordan Allen-Dutton, Erik Weiner (aka Red Dragon) and J.A.Q.--the writing/performing team of the Off Broadway hit The Bomb-itty of Errors, Variety reports. The show is slated to air this fall.
One, two, three, four, five, six, seven, eight, schlemiel, schlimazel, Hasenpfeffer Incorporated! Penny Marshall and Cindy Williams will reunite for Laverne & Shirley Together Again. The show will air at 8 p.m. tonight on ABC.
Carsey-Werner-Mandabach, the TV production company behind That '70s Show, will cut up to 25 percent of its staff over the next few weeks, according to Variety. A spokesman for CWM said the cuts are part of an effort to keep the company a lean, profitable operation in a competitive TV environment.
Michael Jackson, Tonos Entertainment and AOL have launched a songwriting contest offering fans a chance to collaborate with the self-proclaimed King of Pop, the AP reports. Jackson will record the winning submission, possibly including it on an upcoming album. All proceeds will go to children's charities. The contest runs through June 10.
The family of an Argentinean pop star who was killed in a rollover accident while driving his 1998 Ford Explorer on June 24, 2000, is suing Ford Motor Co. and Bridgestone/Firestone Inc. The family filed the suit in the U.S. District Court in Miami after a Buenos Aires court ruled that the singer, Rodrigo Bueno, was at fault.
Norwegian director Even Benestad's documentary on his transvestite doctor father, Alt om min far (All About My Father) has won top honors at the 9th annual HotDocs Canadian International Documentary Festival, Variety reports. Montreal's Andre-Line Beauparlant took home the director's honor.
Comedian/writer Judy Toll died Thursday at St. John's Hospital in Santa Monica, Calif., after a long battle with melanoma. She was 44. Toll most recently served as a consultant on HBO's Sex and the City, Variety reports.