Sex scenes these days might be easy to come by, but we’ve found the top 5 sexiest shows that are worth watching, and re-watching. You know, just for fun.
Is it possible to request a network change for a television show? Don Draper’s sex may be well known, but I say let’s see some more! Who can name the best, Sylvia, Midge, Bobbie, and don’t forget his ex-wife, oh what was her name again? Betty.
We watch in anticipation as Anne Boleyn takes King Henry VIII to the woods and literally rips off his clothes. She tortures him with her stone fox bod. It’s hard not cheer him on as he changes an entire nation’s religion, I mean come on, he finally gets to have ANNE BOLEYN.
Season premiere circa 2007. Serena van der Woodesen pushes Nate Archibald onto a bar stool. She pulls up her short blue dress, thereby successfully seducing him while his girlfriend searches for the two. Hey, it might be bad, but full disclosure, I’ve been looking for that blue dress the better part of 5 years.
When Dr. Christian Troy checks his partner and best friend’s wife for breast cancer the notion that sex doesn’t have to be naked, hot and sweaty becomes very clear. Desire can be just as hot as any sex scene. The eye contact between the two is enough to stir the pots of passion, and him fondling her breasts doesn’t hurt either.
Game of Thrones
The winner of course. Somehow, even fully clothed, the beautiful white haired Khaleeshi seducing Khal Drogo is the hottest sex scene on television. She doesn’t even need to show a shoulder when she climbs onto Khal Drogo, stares him in the eyes and shows him sometimes the Dothraki way isn't always the best.
The When In Rome star, 35, has teamed up with his co-stars in upcoming independent comedy Brother's Justice to form Primate Pictures.
The Los Angeles-based firm will focus on lower-budget, original scripts with modest box office expectations and will aim to produce at least one film per year, reports Variety.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.