We've all done this - imagined how a book would be played on the screen if there was a movie or mini-series about it. For a while, it looked like a lost form after the 1980s, but the mini-series has come back to life with Under The Dome. Here are other books that deserve that treatment or even possibly its own show, like Game Of Thrones.
Any Lee Child book
No. Jack Reacher doesn't count. There has to be someone who fits Reacher's description -- at least 6'2 with 250 lbs of muscle -- in Hollywood who can act. Tom Cruise looks like a horse racing jockey comparatively. When I read these books, I don't want to think of Cruise, so let's change that station and get something different. I even visualize Coby Bell, who played Jesse Porter on Burn Notice as a possibility.
The Dark Tower series
This has been in production purgatory, but as Game of Thrones showed, a series of books can make for VERY compelling television. Don't show it on the big screen in 2 hours; let it flow naturally on TV. Legions of Stephen King fans want to see the story of Roland Deschain of Gilead, the last Gunslinger as he chases the man in black towards the Dark Tower in a world that is very much like our own but also very, very different. Heck, I'm getting impatient again thinking about it.
The Rabbit series
John Updike's masterpiece series on the life of Rabbit Angstrom should be shown in a multi-part mini-series. It's about the course of one man's life as he goes through a loveless marriage and suffers a terrible loss. There was a movie, Rabbit, Run, with James Caan that came and went, but they could do about four hours per book, spread out over a couple of weeks. Updike was able to capture the mundane qualities of life beautifully and his writing was always something to behold.
Dean Koontz's book about Chris Snow who has XP and cannot be out in the sun and his trying to unravel a mystery surrounding a military compound. Combine this with the sequel, Seize the Night, and you have some gooooooooood TV to watch. There has been success in making a mini-series from Koontz's books; John C. McGinley played a truly terrifying serial killer in Intensity. They haven't had the same luck with translating them to the big screen. Both Phantoms and Hideaway sucked, despite some impressive star power like Ben Affleck and Jeff Goldblum appearing in them.
Caves of Steel
Apparently this Isaac Asimov book is in development as a movie. I think it would be a better mini-series to fully let the characters develop. Elijah Bailey and R. Daneel Olivaw are two really fascinating characters. For the uninitiated, the R in Olivaw's name stands for 'Robot'. Cool, huh? I hope they don't deviate from the storyline like they did in I. Robot.
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Mohn was the fifth generation to head Bertelsmann AG - turning the company his family founded in 1835 into one of the world's largest media conglomerates.
He died on Saturday (03Oct09) after a long illness.
In March (09), Forbes magazine estimated Mohn and his family were worth $2.5 billion, making them the 261st wealthiest family in the world.
The company owns Random House, which publishes works from authors including Stephen King, John Grisham, Dan Brown and John Updike. It also controls RTL Group, Europe's largest broadcasting company, magazine publisher Gruner + Jahr, and media-marketing firm Direct Group. The company's other businesses have included Sony BMG and AOL Europe.
Mohn took over Bertelsmann in 1947 and served as CEO until 1981.
He is survived by his wife and six children. His widow, Liz, remains on the firm's supervisory board.
New mom Rebecca Romijn plans to return to television, this time in a new drama called Eastwick.
The actress, most recently seen as Alexis Meade on Ugly Betty, will play Roxie Torcoletti in the ABC pilot based on John Updike’s novel The Witches of Eastwick according to Variety. The story was also used in the 1987 film by the same name starring Cher, Susan Sarandon, Michelle Pfeiffer and Jack Nicholson.
Romijn’s costars in the show, about three women who discover they have magical powers, will include Lindsay Price (Joanna Frankel), Jaime Ray Newman (Kat Rougemont) and Paul Gross (Darryl Van Horne).
Romijn, who recently had twins with her husband Jerry O’Connell, will maintain her recurring role on Ugly Betty.
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Today marked a sunny day for The Dark Knight.
Also for a guy who grows younger as he gets older and a kid who beats all odds to win Who Wants to Be a Millionaire.
The Producers Guild of America has announced its nominations for best movies, documentaries and TV shows. Nods in this movie category often foreshadow what’s to come by way of Oscar later on.
The 20th Annual PGA Awards will take place Jan. 24 at the Hollywood Paladium.
The complete list of nominees is as follows. First, for theatrical movies:
The Curious Case of Benjamin Button
Kathleen Kennedy & Frank Marshall
The Dark Knight
And for documenaries:
Man on Wire
Standard Operating Procedure
Julie Bilson Ahlberg
Trouble the Water
And for animation:
Kung Fu Panda
And for episodic TV/comedy:
Curb Your Enthusiasm
Lori Jo Nemhauser
And for episodic TV/drama:
David E. Kelley
Mark A. Baker
Todd A. Kessler
Robert Lloyd Lewis
Edward Kitsis & Adam Horowitz
And for "nonfiction" TV:
Kathy Griffin: My Life on the D List
Lisa M. Tucker
This American Life
And for "live and competition" TV:
Bertram van Munster
Hayma “Screech” Washington
The Colbert Report
Stephen T. Colbert, DFA
Real Time with Bill Maher
And for "long-form" TV"
Bernard and Doris
A Raisin in the Sun
Finally, honorary awards and recipients:
Brian Grazer and Ron Howard
David O. Selznick Achievement Award in Theatrical Motion Pictures
Norman Lear Achievement Award in Television
MySpace founders Chris DeWolfe and Tom Anderson
The Stanley Kramer Award
Dan Jinks and Bruce Cohen
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With the huge Broadway success of Mel Brooks' The Producers, it looks like you can bring the movies to the stage.
On Monday, Brooks' musical stage adaptation of his classic movie received 15 Tony nominations, including nods for best musical, for stars Nathan Lane and Matthew Broderick, and for Brooks for best book and score. Brooks based the show on his 1968 film, which starred Zero Mostel and Gene Wilder. A down-on-his-luck Broadway show producer and his accountant decide to produce the worst show ever, after raising thousands of dollars in investments, and watch the money roll in when the show flops miserably. Of course, the fictional musical, Springtime for Hitler, becomes a smash success, thereby ruining them both. Broderick's character is much different from Wilder's original character, but the film poses a perfect scenario for a real-life Broadway musical.
The Americanized stage adaptation of the 1997 English hit The Full Monty also got a nomination for best musical. Instead of blue-collar workers from Northern England, the musical features blue-collar workers from Buffalo, N.Y., who not only strip but must sing for their suppers, bringing a whole new meaning to stage presence.
Even though the book was first produced as a Broadway play in the 1960s, One Flew Over the Cuckoo's Nest is best known for its Academy-Award winning film starring Jack Nicholson. This year saw a critically acclaimed revival of the play, staged by the famed Steppenwolf Theatre Co. and starring Gary Sinise as McMurphy, the unconventional convict who turns a mental ward upside-down. The play and Sinise each received a Tony nomination. [for complete list of nominations, go to http://www.broadway.com]
Is this a trend for future shows?
If it's a trend, then it's a "fake trend," said Jed Bernstein, president of the League of American Theatres and Producers.
The success of a show is based on a good story and compelling characters, regardless of its source, he said.
"Whether the material is original or from a movie or from a comic book, if it's a great story, people will gravitate towards it," he said.
Here's a look at some other movies turned into or likely to become stage productions:
That Thing You Do!: Tom Hanks' 1996 directed and scripted film is now being considered for a Broadway musical, with Hanks' production company, Playtone, putting the deal together. They are looking for a top-notch musical director, with Des McAnuff (The Who's Tommy) on the list. The stage production would follow the quick rise and fall of the Wonders, a fictional mop-top 1960s band from Erie, Pa., whose swinging title song (written by Adam Schlesinger) propels them to the top of the pop charts. The idea to turn the film into a stage musical came from the numerous requests to the production company by local high schools eager to mount their own productions.
The Witches of Eastwick: The musical version of the 1987 film, based on the novel by John Updike, is currently playing to rave reviews in London. Starring Lucie Arnaz as Alexandra (played by Cher in the film), the story remains pretty much the same. In the tiny New England town of Eastwick, R.I., three modern-day witches innocently plot to bring the perfect man to them, over several weak martinis and peanut butter brownies. But when their longings are made flesh in the arrival of one Darryl Van Horne, all hell breaks loose.
Saturday Night Fever: Based on the smash 1977 film, the musical seemed to be a natural fit for the stage, with the cool 1970s tunes-and the dancing. The story was the same: Tony Marino dreams of making it big in the world of dancing, but at the same time he must deal with two women in his life--one who wants him and one he wants. The stage musical wasn't able to capture the hearts of theatergoers quite the same way as the film did for its audience. The musical opened on Broadway in 1999 and closed quickly. There also was a British tour that closed in February 2000.
Sunset Blvd.: Andrew Lloyd Webber's staged musical is based on the Academy-Award winning 1950 film starring the incomparable Gloria Swanson and William Holden. The musical opened in London in 1993 and went to Broadway quickly after, starring the larger-than-life Glenn Close. Once again, the stage production did not live up to its hype and couldn't capture the magic of Billy Wilder's exquisite film. Webber also collaborated with Jim Steinman on a musical adaptation of the 1961 film Whistle Down the Wind, based on the Mary Hayley Bell novel. It closed in January after running for 2 ½ years in London, but it has failed to make it to Broadway.
Also, there have been a few other flops, such as the stage production of Big, based on the hit 1988 Tom Hanks film, which opened on Broadway in April 1996 and closed in October 1996. Footloose, based on the just-as-silly 1984 film starring Kevin Bacon, also flopped on Broadway but continues to tour nationally.
The Tony Awards will air June 3 on PBS and CBS.