The former Home And Away star exchanged vows with ex-rugby player Stuart Webb during an intimate ceremony on Saturday (26Sep10).
Around 50 guests, including Ritchie's TV pal Judy Nunn and her actor husband Bruce Venables, gathered at the Quamby estate to witness the nuptials.
In a statement Ritchie and Webb say, "Today was exactly the day we had hoped and planned for. A celebration of our love and commitment to each other, surrounded by our most dear family and friends. We are so very happy to be husband and wife."
If you grew up on a steady diet of action movies if your bones hardened every time a muscle-bound guy dove away from an explosion in slow motion if you hit puberty the first time you saw the hero of the hour bed his scantily clad damsel in distress then it’s impossible to resist the allure of a movie like The Expendables. It’s the superband version of an action movie. It was created by an action star its cast consists almost exclusively of action stars and the only reason it exists is to put a smile on the face of action fans. And invariably it will do just that.
The question is how wide one’s smile will be. The answer depends on how forgiving one is willing to be of The Expendables' faults and there are many. It’s a little slow-going at first the characters are very thinly defined some of the acting is spotty and on the production front Sylvester Stallone’s knack for action scenes is thrown under the bus by a ton of visual shortcuts (CGI blood being perhaps the most egregious) that belie the film’s obvious low budget. That said Stallone’s knack for gory ultraviolent action is indeed so strong his mind so tuned to the quirks and cliches that make action movies beloved despite their faults that The Expendables kicks more than enough ass by the time credits roll to be worthwhile beyond just the novelty of seeing Stallone Statham Li Lundgren Austin Rourke Couture Crews Willis and Schwarzenegger all under one explosion-filled roof.
That was actually my biggest concern at the offset of the film that the only ace up star/co-writer/director Stallone’s ripped sleeve was his cast but the best thing about The Expendables is that it could have worked with a roster composed entirely of no-name actors. It’s fantastic to see some of these action movie titans go head to head (particularly so in the case of Lundgren) but the headliners surprisingly neither make nor break the movie. The script which involves a gang of mercenaries overthrowing a South American dictator who has become a puppet of a rogue CIA agent isn’t particularly strong but no one goes to an action movie expecting it to be a David Mamet-scripted battle of wits. The story just needs a firm enough framework to allow for enough scenarios for our heroes to punch kick stab shoot and explode an army of bad guys. To that end Expendables could have been given to a cast and crew of newcomers and still stomped in tons of face.
What actually hurts the film the most is that it is filled with veterans and promises of a return to old-school action an era where the only thing bigger than the heroes’ muscles was the body count left in his wake. The only thing wrong with the body count in The Expendables is that it takes too long to begin piling up whereas the rest of the movie feels too small too amateur hour considering its cast of pros. Nu Image the chief studio financing Stallone’s grand endeavor is known primarily for making low-budget straight-to-video movies; sadly The Expendables isn’t going to shake that image any time soon.
There is a disappointing amount of poorly-rendered CGI blood and flames throughout the film which completely goes against the “do it old-school” mindset one expects from all involved. It’s hardly unwatchable but there are times where the look of the film brings to mind the Syfy channel and as any brave soul who has ever wandered into a Syfy Original Movie knows all too well that is rarely ever a good thing.
However even with lackluster production values The Expendables still manages to be a wild throat-slashing elbow-dropping grenade-throwing trigger-pulling and limb-dismembering good time. The last forty-five minutes alone are packed with more carnage than most action movies today can dream of delivering throughout their entire run time. The slow beginning gives way to a glorious orgy of death that generates a body count that would warrant UN intervention were it to have occurred in the real world. And since fictional armies getting absolutely obliterated by a fictional team of the manliest men on the planet is all anyone really requires from The Expendables it’s easy to turn your back on the few obstacles that stand in the way of that holy goal.
Though Garry Marshall hasn’t made a decent flick since 1990’s Pretty Woman he still apparently wields a not inconsiderable amount of clout in Hollywood. What else could explain the all-star ensemble of actors who gathered for Valentine’s Day? Among the major names found probing the turgid depths of the nearly 80-year-old director’s insipid rom-com are Julia Roberts Anne Hathaway Ashton Kutcher Jessica Alba Jamie Foxx Jessica Biel Taylor Lautner and various other prominent actors who either owe favors to Marshall or whose incriminating photos he holds in his possession.
A slice-of-life tale unfolding in Los Angeles over the course of a single Valentine’s Day the film chronicles the romantic adventures of a diverse cast of characters at various stages of relationships and encompassing virtually every conceivable demographic category. Their ages backgrounds and perspectives often dramatically differ but they each share one trait in common: Almost without exception they are all ceaselessly painfully disastrously unfunny.
Some temper their dishumor with a dose of the annoying like Kutcher whose dopey florist Marshall unwisely chose to anchor Valentine’s Day’s story around. Others add a dash of the preposterous like Roberts dressed in military fatigues in a laughable attempt to play a U.S. Army Captain on leave from the front. Still others add cloying sentiment to the mix like Bryce Robinson’s lovelorn 10-year-old whose grandparents played by Shirley MacLaine and Hector Elizondo ply him with nostalgic romantic tips pre-fabricated for maximum inter-generational cuteness. Whatever your preferred method of cinematic torture may be you’ll undoubtedly encounter it in this film.
In addition to challenging the pain threshold Valentine’s Day offers a test of endurance as well its story requiring over two hours to satisfy the narrative demands of its swollen cast. If you didn’t despise Hallmark’s ersatz holiday before you certainly will after enduring this Bataan Death March of rom-coms.