For nearly 100 years experts in historical and literary fields have been debating the authenticity of William Shakespeare's master works. Was he really a storytelling genius who single-handedly crafted a vast body of poems and plays? Or were they actually the works of another unnamed author? Could a group of playwrights have written under a sole moniker? Director Roland Emmerich dives headfirst into this century-old debate with his new movie Anonymous piecing together evidence to unravel the mystery with dramatic flair. Unfortunately the only thing he discovers in the process is that the answers aren't that interesting.
The movie centers on Edward De Vere (Rhys Ifans) a scholarly gentleman forced as a youngster into the role of Earl of Oxford. While Edward prefers to spend his time waxing poetically and bringing theatrics to life for the adoring Queen Elizabeth (Joely Richardson) his caretaker the sinister mustache-twirling-without-a-mustache William Cecil (David Thewlis) authoritatively directs him on the path of the aristocracy. But that doesn't stop De Vere from toiling over his written work spending years crafting plays and poems in-between canoodling with the Queen (for shame!).
As a grown man De Vere finds himself married off to Cecil's daughter battling the tired advisor and his hunchback son (Edward Hogg) all while continuing to write and attend the common man's theater. During one such excursion the Earl crosses paths with playwright Ben Johnson (Sebastian Armesto) who De Vere sees as the perfect representative to take ownership over his plays hoping they can finally be brought to life on stage. Of course Johnson realizes slapping his name on De Vere's works of genius would put the kibosh on his own career so he hands them over to his horny drunk actor friend William t (Rafe Spall). The staged plays are a hit but their appeal to the masses is a red flag to the court. Cecil commences a hunt for the true author of Shakespeare's plays landing De Vere in hot water.
Emmerich intertwines De Vere Johnson and Shakespeare's quest for theatrical fame with political unrest and romantic subplots but none of the story arcs have the spark of a real mystery/thriller. The director and his screenwriter John Orloff (The Guardians of Ga'hoole) aim to replicate The Bard's tragic character-driven plays with their own story relying on performance and dense dialogue to entrance the viewer. But Emmerich goes so far out of his way to restrain himself from his usual eye for end-of-the-world destruction (made famous in Independence Day Godzilla The Day After Tomorrow 2012…) that the movie trudges along without an ounce of intrigue. It's almost as if Anonymous strives to be purposefully boring Emmerich attempting to deliver performance-first directing but ending up with string of flat sloth-paced back-and-forths. He does manage to squeeze a few action scenes into the mix—De Vere fends off an attacker in a thrilling confined swordfight—but even the bigger moments feel muted.
The creative duo's grounded tactics do occasionally payoff thanks to a solid cast led by powerhouse thespian Ifans. Anonymous luxuriates in Elizabethan history and royal affairs presented in a fashion only a few steps up from your run-of-the-mill high school text book but Ifans steps in and turns hammy exposition into lyrical dialogue. While he doesn't have the power to make it all register Ifans makes the experience of Anonymous worth seeing and hearing. One transcendent moment shows De Vere crumbling in front of his wife explaining his instinctual need to write. The monologue is powerful—but the surroundings created by Emmerich fail to support him.
The rest of the ensemble does their best to wrangle our attentions—the legendary Vanessa Redgrave as the older repressed Queen Elizabeth and Spall's lively arrogant Shakespeare are standouts—but the lingering question of "why does this matter?" continually stands in the film's way. The works of William Shakespeare are a foundation for the dramatic arts a staple of literary education and a testament to the power of written word. After 500 years his plays continue to be relevant embodying the full spectrum of human emotion. So it's understandable why Roland Emmerich would embark on an expansive blockbuster dissection behind the truth of these achievements. But Anonymous only manages to present plausible events never tackling the weight of those accusations dead on. Going head to head with The Bard should live up to the existing body of work. Anonymous on the other hand feels abridged.
A good deal of people have been asked the question, "If you were able to talk to one person from history, who would it be?" In response to this, an even better deal of people have answered, "Shakespeare." And the best deal of people of all are not, in fact, referring to this guy.
Well, you still can't talk to Shakespeare. But heres's the next best thing (give or take): a Liveblog with Anonymous director Roland Emmerich and writer/producer John Orloff and historian Charles Beauclerk!
Anonymous revisits one of the oldest conspiracies in history: did William Shakespeare actually write all, or any, of those plays and poems? People have suggested countless alternative theories, including the one proposed by Anonymous: Edward De Vere, Earl of Oxford (Rhys Ifans), wrote all of Shakespeare's works and attributed them to the would-be bard (Rafe Spall) because "in [the Earl's] world, people do not write plays." And also for the reasons of manipulating the public... and possibly covering up his incestuous love affair with the Queen. So, this guy clearly needed this.
To learn more about the film, and to weigh in on the age-old debate, check back here at 11:15 pm EST/8:15 pm PST for an hour-long Liveblog. Until then, enjoy the trailer below, and get your theories ready. Personally, I think Jack Ruby was in on it. Click the below picture to see more of the Anonymous gallery.