The organizers of the 2013 Toronto International Film Festival have released the full list of films they're planning to screen during the Sept. 5 - 15 fete. It's a decidedly more down to earth list of titles than appeared at Cannes in May but may boast even more Oscar contenders: films like August: Osage County, The Fifth Estate, Mandela: The Long Walk to Freedom, 12 Years a Slave, Gravity, and one very special new film from Hayao Miyazaki, The Wind Rises. Here are five takeaways we had from this year's TIFF lineup, and below that, you'll find a list of select titles from the lineup for which we're especially excited.
1. Character is King — Deeply felt character studies dominate the lineup this year rather than movies driven more by visual flash. Some are more or less traditional biopics like Mandela: The Long Walk to Freedom, Bill Condon's The Fifth Estate, starring Benedict Cumberbatch as Wikileaks founder Julian Assange, and Steve McQueen's 12 Years a Slave. Ron Howard's Rush emphasizes the clash of personalities between Formula 1 drivers James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Bruhl) as much as it does the races. And Alfonso Cuaron's Gravity, perhaps the biggest visual spectacle on the TIFF lineup, is notable for being a portrait of a female astronaut (Bullock) and her struggle to survive after an accident while also dealing with her lingering emotional distress following the death of her daughter. Toronto this year is truly an actor's market. Even more so because...
2. A Bunch of Actors Are Trying Their Hand at Directing — Jason Bateman is making his feature-film directing debut with the spelling bee revenge comedy Bad Words, while James Franco is following up his (pretty much unwatched) Hart Crane and Sal Mineo biopics with his adaptation of Cormac McCarthy's Child of God. And of course Joseph Gordon-Levitt will unspool his directorial debut, Don Jon, which is also the first time we've seen him with a gelled-up pompadour.
3. Cory Monteith Is Well Represented – The late Glee star has not one but two films at TIFF, Gia Milani's All the Wrong Reasons and Josh C. Waller's McCanick, both of which will make their world premiere at the fest.
4. This is the Place for Smaller, More Personal Films — While Cannes can still celebrate movies that might not otherwise find an audience (like Abdellatif Kechiche's Palme d'Or winner Blue Is the Warmest Color, also at TIFF), Toronto goes all-in for small films. Just this past May Cannes got showy movies from big, flashy directors like Roman Polanski, the Coen Brothers, Baz Luhrmann, Nicolas Winding Refn, Stephen Soderbergh, and Takashi Miike. But this year Toronto will draw Steve McQueen, Kelly Reichardt, Stephen Frears, Jason Reitman, and Alex Gibney, often the makers of quieter, more introspective films — films that may not even have found a distributor yet. That's ultimately why...
5. Toronto Is More Important Than Cannes — Actor and Lars von Trier repertory member Jean-Marc Barr once told me, "Cannes is now like the G8 summit." It's pretty corporate and not as essential these days for films really looking for a distributor. Looked at another way, Palme d'Or winner Blue Is the Warmest Color still doesn't have a North American distributor. However, Toronto is the perfect laboratory for testing out films with a North American audience — if Franco's Child of God doesn't get a distributor after TIFF, it might not get one at all. You can also see Toronto as the first stop on the Oscar circuit. If there's a groundswell of support for Sandra Bullock for Best Actress consideration for Gravity, it'll be because buzz was first generated among potential Oscar voters at Toronto, not Cannes.
Here are some of the most notable films appearing TIFF 2013. What are you looking forward to?
The Fifth Estate Bill Condon, USA (World Premiere) OPENING NIGHT
Life of Crime Daniel Schecter, USA (World Premiere) CLOSING NIGHT
August: Osage County John Wells, USA (World Premiere)
Mandela: The Long Walk to Freedom Peter Chadwick (World Premiere)
Rush Ron Howard, United Kingdom/Germany (International Premiere)
All the Wrong Reasons Gia Milani, Canada (World Premiere)
The Armstrong Lie Alex Gibney, USA (North American Premiere)
Bad Words Jason Bateman, USA (World Premiere)
Blue Is The Warmest Color Abdellatif Kechiche, France (North American Premiere)
Child of God James Franco, USA (North American Premiere)
Dallas Buyers Club Jean-Marc Vallée, USA (World Premiere)
Don Jon Joseph Gordon-Levitt, USA (Canadian Premiere)
Gravity Alfonso Cuarón, USA/United Kingdom (North American Premiere)
Labor Day Jason Reitman, USA (World Premiere)
McCanick Josh C. Waller, USA (World Premiere)
Night Moves Kelly Reichardt, USA (North American Premiere)
Only Lovers Left Alive Jim Jarmusch, USA (North American Premiere)
Philomena Stephen Frears, United Kingdom (North American Premiere)
12 Years a Slave Steve McQueen, USA (World Premiere)
The Wind Rises (Kaze Tachinu) Hayao Miyazaki, Japan (North American Premiere)
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In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
The 2012 Producer's Guild of America Awards are approaching, celebrating both Theatrical Motion Pictures and Long-Form Television with a new batch of nominees that the PGA has just released. Many of the films are no surprise—crossovers with the upcoming Golden Globes nominees abound. For theatrical motion picture include The Artist, The Descendants and Midnight in Paris; nominees for animated theatrical motion picture include Rango and The Adventures of Tintin.
The television nominees also offer some unsurprising names, including Mildred Pierce, Downton Abbey, Parks and Recreation, Boardwalk Empire,Game of Thrones, Mad Men and The Colbert Report.
Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures
Producer: Thomas Langmann
Producers: Judd Apatow, Barry Mendel, Clayton Townsend
Producers: Jim Burke, Alexander Payne, Jim Taylor
THE GIRL WITH THE DRAGON TATTOO
Producers: Ceán Chaffin, Scott Rudin
Producers: Michael Barnathan, Chris Columbus, Brunson Green
Producers: Graham King, Martin Scorsese
THE IDES OF MARCH
Producers: George Clooney, Grant Heslov, Brian Oliver
MIDNIGHT IN PARIS
Producers: Letty Aronson, Stephen Tenenbaum
Producers: Michael De Luca, Rachael Horovitz, Brad Pitt
Producers: Kathleen Kennedy, Steven Spielberg
The Producers Guild of America Producer of the Year Award in Animated Theatrical Motion Pictures
THE ADVENTURES OF TINTIN
Producers: Peter Jackson, Kathleen Kennedy, Steven Spielberg
Producer: Denise Ream
KUNG FU PANDA 2
Producer: Melissa Cobb
PUSS IN BOOTS
Producers: Joe M. Aguilar, Latifa Ouaou
Producers: John B. Carls, Gore Verbinski
The Producers Guild of America Producer of the Year Award in Documentary Theatrical Motion Pictures
BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST
Producers: Michael Rapaport, Edward Parks (*additional producers eligibility pending arbitration completion)
BILL CUNNINGHAM NEW YORK
Producer: Philip Gefter
Producer: Simon Chinn
Producer: James Gay-Rees
Producers: Cameron Crowe, Michelle Panek
The David L. Wolper Producer of the Year Award in Long-Form Television (Movies of the Week and Miniseries)
CINEMA VERITE (HBO)
Producers: Zanne Devine, Karyn McCarthy
DOWNTON ABBEY (Masterpiece) (PBS)
Producers: Julian Fellowes, Nigel Marchant, Gareth Neame
THE KENNEDYS (ReelzChannel)
Producers: Jon Cassar, Jonathan Koch, Stephen Kronish, Steve Michaels, Michael Prupas, Jamie Paul Rock, Joel Surnow
MILDRED PIERCE (HBO)
Producers: Todd Haynes, Pamela Koffler, Ilene S. Landress, Christine Vachon
TOO BIG TO FAIL (HBO)
Producers: Carol Fenelon, Jeffrey Levine, Paula Weinstein
The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy:
30 ROCK (NBC)
Producers: Robert Carlock, Tina Fey, Marci Klein, Jerry Kupfer, Lorne Michaels, David Miner, Jeff Richmond, John Riggi, Don Scardino
THE BIG BANG THEORY (CBS)
Producers: Chuck Lorre, Steve Molaro, Faye Oshima, Bill Prady
Producers: Ian Brennan, Dante Di Loreto, Brad Falchuk, Ryan Murphy, Kenneth Silverstein
MODERN FAMILY (ABC)
Producers: Paul Corrigan, Abraham Higginbotham, Steven Levitan, Christopher Lloyd, Jeff Morton, Jeffrey Richman, Dan O’Shannon, Brad Walsh, Bill Wrubel, Danny Zuker
PARKS AND RECREATION (NBC)
Producers: Greg Daniels, Dan Goor, Howard Klein, Amy Poehler, Morgan Sackett, Michael Schur
The Norman Felton Award for Outstanding Producer of Episodic Television, Drama
BOARDWALK EMPIRE (HBO)
Producers: Eugene Kelly, Howard Korder, Stephen Levinson, Martin Scorsese, Rudd Simmons, Tim Van Patten, Terence Winter
Producers: Sara Colleton, John Goldwyn, Chip Johannessen, Robert Lloyd Lewis
GAME OF THRONES (HBO)
Producers: David Benioff, Frank Doelger, Mark Huffam, Carolyn Strauss, D.B. Weiss
THE GOOD WIFE (CBS)
Producers: Brooke Kennedy, Michelle King, Robert King, Ridley Scott, Tony Scott, David W. Zucker
MAD MEN (AMC)
Producers: Jonathan Abrahams, Scott Hornbacher, Andre Jacquemetton, Maria Jacquemetton, Blake McCormick, Dwayne Shattuck, Dahvi Waller, Matthew Weiner
The Award for Outstanding Producer of Live Entertainment & Talk Television
THE COLBERT REPORT (Comedy Central)
Producers: Meredith Bennett, Stephen T. Colbert, Richard Dahm, Tanya Michnevich Bracco, Tom Purcell, Jon Stewart (*additional producers eligibility pending arbitration completion)
THE ELLEN DEGENERES SHOW (Syndicated)
Producers: Mary Connelly, Ellen DeGeneres, Melissa Geiger Schrift, Ed Glavin, Andy Lassner, Kevin A. Leman II, Jonathan Norman, Derek Westervelt
REAL TIME WITH BILL MAHER (HBO)
Producers: Scott Carter, Sheila Griffiths, Marc Gurvitz, Dean Johnsen, Bill Maher, Billy Martin
SATURDAY NIGHT LIVE (NBC)
Producers: Ken Aymong, Steve Higgins, Erik Kenward, Lorne Michaels, John Mulaney
THE 64TH ANNUAL TONY AWARDS (CBS)
Producers: Ricky Kirshner, Glenn Weiss
The Award for Outstanding Producer of Competition Television
THE AMAZING RACE (CBS)
Producers: Jerry Bruckheimer, Elise Doganieri, Jonathan Littman, Bertram van Munster, Mark Vertullo
AMERICAN IDOL (FOX)
Producers: Charles Boyd, Cecile Frot-Coutaz, Simon Fuller, Patrick Lynn, Nigel Lythgoe, Megan Michaels, Ken Warwick
DANCING WITH THE STARS (ABC)
Producers: Ashley Edens Shaffer, Conrad Green, Joe Sungkur, Rob Wade
PROJECT RUNWAY (Lifetime)
Producers: Jane Cha Cutler, Desiree Gruber, Tim Gunn, Heidi Klum, Jonathan Murray, Sara Rea, Colleen Sands
TOP CHEF (Bravo)
Producers: Daniel Cutforth, Casey Kriley, Jane Lipsitz, Dan Murphy, Nan Strait
The Award for Outstanding Producer of Non-Fiction Television:
30 FOR 30 (ESPN)
Producers: John Dahl, Connor Schell, Bill Simmons
AMERICAN MASTERS (PBS)
Producers: Susan Lacy, Julie Sacks
ANTHONY BOURDAIN: NO RESERVATIONS (Travel Channel)
Producers: Christopher Collins, Julie Lei, Lydia Tenaglia, Tom Vitale
DEADLIEST CATCH (Discovery Channel)
Producers: Thom Beers, Jeff Conroy, John Gray, Sheila McCormack, Ethan Prochnik, Bill Pruitt, Matt Renner
UNDERCOVER BOSS (CBS)
Producers: Chris Carlson, Susan Hoenig, Eli Holzman, Sandi Johnson, Stephen Lambert, Allison Schermerhorn
ANDERSON COOPER 360º (CNN)
BBC WORLD NEWS AMERICA (BBC)
NBC NEWS WITH BRIAN WILLIAMS (NBC)
THE RACHEL MADDOW SHOW (MSNBC)
60 MINUTES (CBS)
MONDAY NIGHT FOOTBALL (ESPN)
REAL SPORTS WITH BRYANT GUMBEL (HBO)
SPORTS CENTER (ESPN)
30 FOR 30 (ESPN)
2010 FIFA WORLD CUP (ABC / ESPN / ESPN2)
U.S. OPEN TENNIS CHAMPIONSHIP (CBS / ESPN2 / Tennis Channel)
DORA THE EXPLORER (Nickelodeon)
PHINEAS AND FERB (Disney Channel)
SESAME STREET (PBS)
SPONGEBOB SQUAREPANTS (Nickelodeon)
ASK A NINJA (blip.tv)
THE GUILD (WatchTheGuild.com)
PARKS AND RECREATION PRESENTS: "APRIL AND ANDY'S ROAD TRIP" (NBC.com)
30 ROCK PRESENTS JACK DONAGHY, EXECUTIVE SUPERHERO (NBC.com)
WEB THERAPY (LStudio.com)
*These programs were not vetted for producer eligibility this year but winners in these categories will be announced at the official ceremony on January 21st.
Source: Producer's Guild
With a tagline that reads "Steal All You Can Steal," it was bound to set off sparks. Miramax's Buffalo Soldiers, a satire about corruption on American military bases, is set to bow in theaters July 25, but its humor is being lost on military representatives and right-wing consumers who have sent complaints about the movie's negative depiction of U.S. Army conduct to Miramax and corporate parent Disney. Helmed by Australian director Gregor Jordan, the film stars Joaquin Phoenix as a wily Army clerk running a profitable sideline in black-market heroin and arms dealing. According to Variety, when Buffalo Soldiers screened at Sundance in January, an audience member was so incensed by Jordan's views on the military during a post-screening Q&A that he threw a bottle at the director, narrowly missing Anna Paquin, one of the film's stars. Miramax acquired the film at the Toronto Film Festival on Sept. 10, 2001, but held back on the film's release after the Sept. 11 terrorist attacks.
Steve Harvey Claims Black Actors Make Less
While promoting his WB fall series Steve Harvey's Big Time, actor-comedian Steve Harvey told TV critics at a meeting of the Television Critics Association that advertisers pay less for programs that attract black audiences--even when the ratings are equal to or better than those of other shows, The Associated Press reports. According to Harvey, advertisers reason that it is easy to reach blacks across the television dial because they are among TV's more trusty customers. Jamie Kellner, WB's chairman and chief executive officer, agreed: "There is a truth in what he's saying, that advertisers are trying to find people that they can't get easily. And they do pay a premium for those people."
Beals Takes Lesbian Role
Jennifer Beals, who rose to fame with the 1983 movie Flashdance, will play a lesbian in the upcoming Showtime television series The L Word. But the straight actress told the Television Critics Association that the question of her sexuality has come up since the show started filming. "What becomes interesting is to think about how easy it is for a heterosexual actress or actor to play someone who is homosexual, how that's somehow permissible, but for a homosexual to be out and portray a homosexual character it becomes sort of much more problematic for an audience to accept." The L Word, which also stars Pam Grier and Mia Kirshner, debuts in January.
Buena Vista's Compay Dead at 95
Cuba's Compay Segundo, the frontman for the Buena Vista Social Club group known for his trademark Panama hat, died Sunday of kidney failure at his home in Miramar, Havana, Reuters reports. He was 95. Segundo, whose real name was Francisco Repilado, won a Grammy Award in 1997 for the album Buena Vista Social Club, which was produced by American guitarist Ry Cooder. The group gained further recognition with the release of German director Wim Wenders' 1999 documentary Buena Vista Social Club. Segundo gave concerts until May this year, when his health deteriorated.
Jazz Luminary Benny Carter Dies
Legendary jazz pioneer and big-band leader Benny Carter died on Saturday at Cedars Sinai hospital in Los Angeles at the age 95. According to Reuters, a family friend said Carter had been hospitalized for about two weeks after complaining of bronchitis and fatigue. In a career that spanned seven decades, Carter was one of the first black composers and arrangers to work on mainstream Hollywood films such as Stormy Weather and played with jazz stars such as pianist Willie "The Lion" Smith, Fats Waller, Miles Davis and Dizzy Gillespie. He is also credited with launching Ella Fitzgerald's career by introducing her to bandleader Chick Webb. He is survived by his wife, Hilma, a daughter, Joyce Mills, a grandchild and a great grandchild.
Role Call: Schwarzenegger in Big Sir, Diaz and Carrey Reunite
Arnold Schwarzenegger is in negotiations to star in New Line Cinema's family comedy Big Sir. The Terminator star also has the sci-fi remake Westworld on his acting slate and is developing a sequel to Conan the Barbarian, to be produced by Larry and Andy Wachowski ... Cameron Diaz and Jim Carrey, who starred together in 1994's The Mask, will reunite for Columbia Picture's remake of the 1977 comedy Fun With Dick and Jane. Joel and Ethan Coen will rewrite the screenplay for director Barry Sonnenfeld.