The world premiere of Hitchcock took place Thursday night at the famous Grauman’s Chinese Theater on Hollywood Boulevard, serving as the opening film of the AFI Film Festival. Before the screening, director Sacha Gervasi stood in front of a packed house — which quickly became choked up by the director's emotional display — speaking about the support Fox Searchlight gave the debut director. (Gervasi lovingly called Fox Searchlight “filmmakers disguised as a studio.”) It was a heartfelt moment that was followed by a video clip of Hitchcock co-stars Anthony Hopkins and Helen Mirren — who are currently in London working on only their second film together Red 2 — recounting their experience starring as the legendary director and his beloved wife Alma, respectively. The short video clip closed with Mirren thanking the audience for attending the screening and Hopkins, in his best Hitchcock impression, bidding the audience the classic, “Good evening.” The lights went down and the film began.
Hitchcock is a hugely entertaining and riveting account of the making of the classic horror film Psycho and the behind-the-scenes machinations of bringing the controversial film to the big screen in the early late 1950s/early '60s. However, the actual making of the film Psycho serves mostly as a fascinating backdrop for the film to explore the intricate, complex, and challenging relationship between the brilliant yet tortured genius Hitchcock and his adoring, equally brilliant and often neglected wife Alma. Based on the excellent book Alfred Hitchcock and the Making of Psycho by Stephen Rebello with a taut screenplay by John J. McLaughlin, the film perfectly captures the mood of the early '60s and the challenges of bringing the very controversial book Psycho by Robert Bloch — with its then very taboo themes of transvestitism, incest, and overt sexuality — to the big screen. Ralph Macchio of Karate Kid fame, in an interesting bit of casting, plays the neurotic Psycho screenwriter Joe Stefano.
Beyond the intrigue associated with simply getting the movie made (one example: Paramount studio boss Barney Balaban, played by Richard Portnow, so hated the idea of making the movie that he would not finance the picture), the film also explores the complicated relationship between “Hitch” and his beautiful female stars. Vera Miles (Jessica Biel) is singled out for poor treatment (and given a pretty thankless supporting role in Psycho) because she dared to chose having a child and family instead of allowing the director to “make her a star” when she declined the lead role in Vertigo (a role that went to Kim Novak). However, Janet Leigh, who is portrayed brilliantly by Scarlett Johansson (in a nuanced and striking performance), is presented as a woman who knows exactly how to handle the temperamental director and their relationship is perhaps the most perfectly uncomplicated in the film.
In the final analysis, it is the relationship between Alma and "Hitch” that holds the movie together; Hopkins is as brilliant as he’s ever been and creates an indelible portrait of the legendary director — he will certainly add this to his impressive list of iconic chracterizations. His mannerisms, voice and larger-than-life physical presence are manifested brilliantly in the transformation of the actor who perfectly channels the spirit, the essence and the well-known persona of Alfred Hitchcock, one of cinema’s most famous directors. Mirren’s performance is an absolute showstopper, with her quiet resolve and unwavering admiration for her husband’s talent simultaneously comingled with her feelings of disdain for his ill treatment of her and his lustful yearnings toward his beautiful young female stars. The essential beauty of Hitchcock is fully realized when the pair emotionally, romantically, and touchingly reconnect by putting their differences aside and work in earnest on the fledgling production together. Ultimately, Hitchcock presents a portrait of the truly deep love between Alma and Hitch tempered, tested and strengthened throughout the years and ultimately reinvigorated through their collaboration in making Psycho the massive financial, critical and cultural success it would become.
The highly anticipated biopic Hitchcock directed by Sacha Gervasi, features an all-star cast including Hopkins as Alfred Hitchcock, Mirren as his wife Alma Reville, Johansson as actress Janet Leigh, James D’Arcy as actor Anthony Perkins, Biel as actress Vera Miles, Portnow as Paramount Studio boss Barney Balaban, Kurtwood Smith as the Director of The Production Code Administration, Michael Wincott as serial killer Ed Gein, Macchio as Psycho screenwriter Joe Stefano, and Michael Stuhlbarg as Lew Wasserman. The director of photography is the brilliant cinematographer Jeff Cronenweth (son of legendary “Blade Runner” DP Jordan Cronenweth) and the music score is courtesy of Danny Elfman. Producers include Ivan Reitman and Tom Pollack. A Fox Searchlight release.
[Image Credit: Suzanne Tenner/Fox Searchlight]
Hitchcock: The Horrors of Making Psycho — TRAILER
Alfred Hitchcock Movie Is a Love Story, Naturally — POSTER
Anthony Hopkins is Nearly Unrecognizable as Alfred Hitchcock — PHOTO
While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.