Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
It’s hard for me to judge a movie like Journey 2: The Mysterious Island too harshly because I am not representative of its intended audience. A pre-teen or fifth-grader may not be dissuaded as I was by the blindingly hurried pace plot discrepancies or absence of any character development while watching Brad Peyton’s (Cats and Dogs: The Revenge of Kitty Galore) attempt at reliving the success of Eric Brevig’s original Journey. And you know what? That’s okay because as a family film it adheres to a formula laid out by far superior fantasy adventures and runs its course quickly without ever leaving a moment to reflect on how ridiculous it is.
Essentially a series of set pieces tied together by a thinly drawn father-son story Journey 2 picks up a few years after the first film and finds Sean Anderson (Josh Hutcherson) searching for the titular location where he believes his long-absent grandfather has been stranded. Upon retrieving a coded message from a satellite tower just outside of town he enlists the help of his new ex-Navy stepfather Hank (Dwayne Johnson) to get to the bottom of the mystery. Together they travel to a tropical paradise and hitch a helicopter ride with Gabato (Luis Guzman) and Kailani (Vanessa Hudgens) before crash landing on the Mysterious Island where an action-packed escapade awaits them.
The above description reads like a standard adventure template and that’s exactly what Journey 2 is. With a bare bones script from the writers of Bring it On Again neither director nor actors had significant material to work with but they run jump duck and dive through sets that resemble the jungle-gym from Legends of the Hidden Temple and various theme-park attractions as if they were cast in Peter Jackson’s King Kong giving every scene everything they’ve got. It’s a good thing that the ensemble was so enthusiastic about the picture; though there isn’t much chemistry between them they collectively draw your attention from the gratuitous gimmicky 3D videogame-inspired digital environments and outdated creature design.
Every role has a designated responsibility in this by-the-numbers production: Hutcherson is the brains spitting out expository literary facts to keep the story going throughout while Johnson is clearly the brawn. Guzman with his incessant infantile comedy is the mouth while Hudgens – quite frankly – is the eye candy. Only as a unit can they come close to making Journey 2 entertaining but even when working in relative harmony it’s hard to find much qualitative value in the film. As previously stated Journey 2: The Mysterious Island wasn’t made for all audiences. It will provide a few moments of underage humor and three-dimensional thrills for the kids but everyone else will be wondering why they had to watch The Rock sing “What a Wonderful World” in an adaptation of a Jules Verne novel.