For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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A planned film adaptation of Stephen King's classic horror The Stand is one step closer to the big screen after director Josh Boone entered talks to take on the long-delayed project. Harry Potter moviemaker David Yates had initially been tasked with taking the 1978 novel to the big screen, but he stepped down in 2011 and Ben Affleck was subsequently attached to the film.
However, he walked away from The Stand last year (13), as did his replacement, Scott Cooper.
The Bourne Supremacy's Paul Greengrass was the last big name linked to the job, but now studio executives at Warner Bros. have tapped Boone to bring the project to fruition.
The Stuck In Love filmmaker, who also made Shailene Woodley's upcoming drama The Fault in Our Stars, is currently in negotiations to rewrite the script and take charge as director.
The Stand was previously turned into a 1994 TV mini-series starring Gary Sinise, Rob Lowe and Molly Ringwald.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Brolin and Driver to wed
Jews are angry
Smile, Mrs. Dirty Harry
Moore birthday bash
Pryor turns street
Beastie Boys are back
Brando takes ill
Brolin and Driver to wed
Actor Josh Brolin (Hollowman, The Mod Squad) and actress Minnie Driver (Return To Me, Good Will Hunting) are engaged to be wed, People magazine reports.
This is the third wedding for Brolin, who was married previously to Deborah Adair. Brolin's first wife, Jane, died in 1995. Brolin has two children, Trevor, 12, and Eden, 8.
This will be the first trip down the aisle for Driver, who previously dated Matt Damon and John Cusack.
Brolin -- son of famed actor James Brolin and stepson of Barbra Streisand -- and Driver became romantically involved when they costarred in Slow Burn.
"It's obvious they are very much in love," Danny McKeever, Brolin's auto-racing instructor, told reporters.
No wedding date has been set yet, People reported.
Comic strip "BC" defames Jews, says Jewish group
The Simon Weisenthal Center, a nonprofit Jewish civil rights organization, is asking newspapers that carry the syndicated comic strip BC not to run Sunday's cartoon.
The strip portrays a Menorah, a Jewish symbol, in the first panel, under a quote by Jesus: "Father, forgive them: for they know not what they do." Succeeding panels then show the Menorah morphing into a cross, with more of Jesus' last words atop each panel. The final panel's quote, "Do this in remembrance of me," frames a picture of a cave, presumably Jesus' final resting place.
The founder and director of the Weisenthal Center, Rabbi Marvin Heir, said that newspapers have a duty not to run the strip, as it describes Judaism being "subsumed" or encompassed by Christianity, Reuters reported. The strip "will promote hatred rather than tolerance and diversity," Heir said.
A statement released by Johnny Hart, creator of BC, defends his work, saying that during a week that is holy for both Christians and Jews this year, he was trying to honor both.
The Simon Weisenthal Center, located in Los Angeles, is named in memory of Nazi hunter Simon Weisenthal.
Dirty Harry's wife on "Camera"
Smile, you're on Candid Camera.
Dina Ruiz Eastwood, wife of Hollywood legend Clint Eastwood, will be saying that more often, having joined Candid Camera's team as the show's co-host.
Starting with the new fall season, Eastwood will co-anchor the show with Peter Funt, The Associated Press reports. Eastwood will take over for Suzanne Sommers, former star of Three's Company.
The Eastwoods, who appeared together in True Crime, have been married since 1996. Prior to taking her new gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif. Prior to taking the gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif.
Candid Camera airs Sunday evenings on Pax TV.
Former "Survivor" contestant gives deposition
America hasn't heard the last from the first season's cast members of the TV hit Survivor.
As part of ex-cast member Stacy Stillman's $70,000 lawsuit against CBS, fellow South Pacific islander Dirk Been delivered a videotaped deposition -- six hours in length -- to lawyers, according to a report by People magazine. Been's deposition will remain under wraps due to confidentiality agreements that each cast member signs before taping begins.
Stillman contends that the TV series rigged the vote that kicked her off the island. Stillman reportedly asked the questions during Been's deposition.
"We're very pleased with what Dirk said today," Donald Yates, Stillman's lawyer, told the New York Post.
For its part, CBS filed a counter-suit against Stillman, claiming she broke her nondisclosure agreement when she brought her suit against Survivor last February.
Moore to celebrate birthday with TV bash
To celebrate Dudley Moore's 66th birthday, his family and friends are throwing him a small party -- at Carnegie Hall.
Michael Caine and Julie Andrews will chair the televised event, An All-Star Tribute To Dudley Moore, People magazine reports. Mary Tyler Moore, Barbara Walters, Amy Irving, Lauren Bacall, Eric Idle, Chevy Chase, Jimmy Fallon and Bo Derek are scheduled to give praise in person, while Robin Williams and John Cleese have taped video messages for Moore.
Dudley Moore, star of such films as 10, Arthur, and the original Bedazzled, suffers from a rare brain disorder called Progressive Supranuclear Palsy, a relative of Parkinson's disease. The ailment has severely limited Moore's ability to work as Moore is confined to his wheelchair. Moore has curtailed his public appearances.
Net proceeds from the evening go to two of Moore's pet charities, Music for All Seasons and the Dudley Moore Research Fund for PSP. The tribute will take place on Monday.
Pryor's name to headline street sign in Illinois
Peoria, Ill., will try for the second time to honor hometown hero, comedian Richard Pryor, USA Today reports.
Peoria City Council members rejected on March 27 the renaming of South Sheridan Street in honor of Pryor, but that apparently did not sit well with certain council members. The proposal has reappeared on the docket, and the council will once again vote on the matter in two weeks.
Councilman Eric Turner said that the city has received a black eye for failing to honor Pryor. According to Turner, he and Pryor were childhood friends while growing up on the south side of Peoria.
Pryor is a controversial choice for such an honor, given his past penchant for profanity-filled routines and his well-documented battles with drugs. In 1980, Pryor nearly killed himself accidentally in a fire related to his freebasing cocaine.
Pryor, currently living in California, suffers from Multiple Sclerosis.
Beastie Boys' Grand Royal reappears
Out of print since 1997, the Beastie Boys' cult magazine Grand Royal has been licensed by Harper Collins to reappear in the guise of a coffee-table book. The book would comprise the best of the old magazines and incorporate fresh new articles, according to a story filed by online portal Yahoo!
The Beastie Boys produced just six editions of Grand Royal, from 1993 to 1997, which were all instant hits. The magazine, which linked skateboarding and politics and music and pop culture, sold out three of the six print runs. The magazine featured articles with then-obscure musicians, such as a Kid Rock interview in the fourth edition.
According to the report, Josh Behar, a senior editor at Harper Collins, said that the Beastie Boys "really love this project. Their dedication is amazing." Beastie Boy Mike D is working closely with Behar to finish the book. The book is scheduled to appear in bookstores in April 2002.
Actor Steve Buscemi reportedly knifed in fight
Actor Steve Buscemi has flown from the North Carolina set of Domestic Disturbance to his home in New York to recover from knife wounds, according to The Associated Press.
Police arrested a local man and will charge him for assault with a deadly weapon with intent to kill after allegedly stabbed Buscemi in the head, throat, and arms, AP said. Buscemi was released from a local hospital and flew home to recuperate.
The fight happened early Thursday at the Firebelly Lounge, a local bar, in Wilmington, N.C.
Domestic Disturbance costar Vince Vaughn also was arrested for his alleged involvement in the fight. AP said Vaughn was trying to come to the aid of Buscemi.
Buscemi's agents, the William Morris Agency, said they had no information at this time. Domestic Disturbance's studio, Paramount Pictures, refused to comment.
John Travolta and Teri Polo also star in the film.
Marlon Brando hospitalized
Screen legend Marlon Brando, 77, has reportedly been hospitalized for pneumonia, days before he was due to shoot the opening scene for the upcoming comedy Scary Movie 2 this week.
The actor is said to be undergoing treatment at a Los Angeles-area hospital. Neither Brando's agent, Dimension Films nor Scary Movie 2 producer Brillstein-Grey Entertainment have commented on details about his illness, or how long he is expected to be in the hospital.
The filmmakers still want Brandon to be in the film and, even though production wraps this month, his scenes could still be filmed after he recovers, according to Variety.
Scary Movie 2 is the sequel to last year's summer blockbuster directed by Keenen Ivory Wayans. It costars Chris Elliot, Tim Curry, Tori Spelling and Andy Richter.
The sequel, also directed by Wayans, is due in theaters for the July 4 holiday weekend.
Brando's next project is working alongside Robert DeNiro and Edward Norton in the crime drama The Score.