Rescue Dawn is not a movie about war despite its Vietnam War setting or even so much a prisoner of war even though that’s what its hero is; rather it is a true story of a man’s will and ability to survive…anything. And with Werner Herzog behind the camera there couldn’t be a better marriage of director to subject matter. In 1966 German-born American Navy pilot Dieter Dengler (Christian Bale) was excited to be deployed on a top-secret mission but the mission and the excitement were short-lived as his plane was shot down around the jungles of Laos. Before long Dengler is captured and tortured by the Laotian equivalent of Viet Cong whose leaders eventually lock him up in a makeshift cell. There he meets other POWs including Americans Gene (Jeremy Davies) and Duane (Steve Zahn) who have been held for upwards of two years. His newfound friends are emaciated and understandably delusional but Duane has managed to sustain a faint sense of reality. And when Dieter tells the group of his escape plan Duane is the only one to not ask questions. The escape is unexpectedly moved up and not without a hitch—not everyone will make it. Furthermore once they’re free from Viet Cong the men are held captive by the jungle. But Dieter’s madness winds up his greatest ally whereas others’ fatally slows them down. How does a contemporary big-time Hollywood actor transition financially psychologically professionally and linguistically from Batman to Grizzly Man (with a pit stop en route as a 19th century English magician)? Only Christian Bale could ever answer that. His filmography may register all over the radar but Bale is one of the most consistently great actors of his generation. And although Dawn might not have the Oscar pedigree or campaign power of a studio movie Bale is nomination worthy. A dialect virtuoso the way Benicio Del Toro is considered to be Bale—who’s British—is spot-on with the subtle nuances and fluctuating enunciation one might expect from a German-American or any foreign-born American. But more amazing is his mental transformation into Dieter a survivor who won’t take death for an answer. If Bale gets an Oscar nod so should Zahn a journeyman actor always associated with the comedic-sidekick role. It’s dramatic sidekick for Zahn this time and he wears it well from the beyond-scruffy beard on his face to the transparent hope on his face. Rounding out the best ensemble cast of 2007 is Davies (Saving Private Ryan) whose chameleonic career reads like Bale’s—not to mention the fact that Davies’ startling weight loss for this role eerily resembles Bale’s for The Machinist. Davies’ Gene although a somewhat minor character is the bony face of spirit-battered POWs; it’s scary and occasionally perversely comedic to watch his hallucinations unfold. Forty-plus years into his career legendary German writer-director Werner Herzog is as enigmatic as ever—and yet so predictable. It’s as if he remains somehow unaware that he keeps tackling the same stories about males who like him are obsessed; or in some abstractly Freudian way his filmmaking is the ultimate exercise in narcissism for exploring versions of himself. Whatever the explanation Herzog continues along this unwavering path in Dawn and his obsession is our gain. Herzog’s latest finds him just as smitten with his protagonist Dieter as with his de facto antagonist the jungle. For Dieter the writer in Herzog crafted someone who takes on different forms: a sponge to his environment an oxymoronic superhero of a human an entity that is everything but scared. And it’s highly fascinating to watch—thanks to an adept Christian Bale—Dieter go from a brash young man to a man of the wild to briefly a madman—but again never a scared or desperate man. That sort of attention to detail to a character could only come from a filmmaker who doesn’t make a movie unless the story is close to his heart. As a director Herzog pays as much respect to the jungle here as he did the bears in his Oscar-nominated documentary Grizzly Man. For even at Dawn’s most harrowing the jungle is soothing. Which is probably Werner Herzog’s dictum on nature in general.
In true straightforward comic-book style TMNT starts with a brief backstory (without the laborious explanation on why four turtles and a rat become human-like in the first place) and then launches into the heart of the movie. After the defeat of their old arch nemesis The Shredder the Turtles—fun-lovin’ Michelangelo (Mikey Kelly) tech guru Donatello (Mitchell Whitfield) hotheaded Raphael (Nolan North) and pragmatic leader Leonardo (James Arnold Taylor)--have grown apart as a family. While Leo is off honing his craft the turtles no longer fight crime--except Raphael who still fights crime under the pseudonym Nightwatcher. Struggling to keep them together is their rat sensei Master Splinter (the late Mako). But strange things are brewing. Tech-industrialist Max Winters (Patrick Stewart) is amassing an army of ancient monsters to apparently take over the world. With the help of old allies April O'Neil (Sarah Michelle Gellar) and Casey Jones (Chris Evans) the Turtles finally come together as brothers to fight the good fight and once again face the mysterious Foot Clan who have put their own ninja skills behind Winters' endeavors. As opposed to hiring just A-list actors TMNT is a nice eclectic mix of veteran voice-over artists who give the Turtles their voices and regular actors such as Gellar Stewart and Evans. Crouching Tiger Hidden Dragon’s Ziyi Zhang also gets in on the action providing the voice of the Foot Clan leader Karai who was once an enemy of the Turtles but now sees the value in what they do. Of course there isn’t a Robin Williams or Ben Stiller to laugh with but Kelly is pretty funny as Michelangelo who has had to resort to entertaining kids at birthday parties as “Cowabunga Carl ” a clown-for-hire in a “fake” turtle suit. It will all depend on whether those ninja-fightin’ pizza-eatin’ giant turtles still have a monetary appeal but methinks a new TMNT movie franchise has been born. The comic book was created in 1984 by Peter Laird and Kevin Eastman as a spoof to the superhero stories and quickly took off into merchandising heaven with a toy license and then a television series. The original 1990 live-action movie used state-of-the-art animatronics but somehow felt static and fake. Since the last TMNT movie in 1993 the whole Turtle phenomenon has sort of fallen off the radar at least in the U.S. so the time was ripe for a renovation. Using the innovative CGI we know and love this new TMNT--created by a team of animators from California and Hong Kong under the watchful direction of Kevin Munroe--gives the Turtles not to mention all the otherworldly monsters they have to fight a realistic look and feel. With this kind of freedom the film can focus on the action which is the best part of the TMNT lore. Though the demographics may skew male ages 8-11 (as well as those 8-to-11-year-old boys who loved it back in the day and are now grown men) TMNT is just your basic supercharged animated fun.