What No Reservations needs is a smell-sensitive rat who can cook. Instead we get head chef Kate Armstrong (Catherine Zeta-Jones) a perfectionist who runs the kitchen of a swanky Manhattan eatery with an iron fist. Let’s just say she’s in desperate need of an attitude adjustment so in pops new sous-chef Nick (Aaron Eckhart) a free-spirited fellow who cooks by the seat of his pants. Soon he’s got the whole kitchen staff laughing and loving him way more than Kate. Nick tries to charm Kate too but she won’t have any of it. To top it off Kate unexpectedly becomes the guardian of her 9 year-old niece Zoe (Abigail Breslin) after her sister dies in a car accident. The understandably distraught Zoe is having a tough time and won’t eat any of her aunt’s highfalutin cuisine. The little girl only likes fish sticks—and as it turns out spaghetti a Nick specialty. Yes Nick finally melts Kate’s heart when he gets Zoe to eat a hearty bowl of spaghetti. You can see where this is going right? Love—and tomato sauce—conquers all. When you have two incredibly attractive people onscreen together you want the sparks to fly. Think Angelina Jolie and Brad Pitt in Mr. and Mrs. Smith. True those two were falling in love for real but still it makes for a more fulfilling and cinematically romantic experience. But alas it doesn’t always work out and in No Reservations’ case the love story between Zeta-Jones and Eckhart deflates like a fallen soufflé. On their own they each hold up well: Zeta-Jones is good at being steely but emotionally stunted when it comes to matters of the heart while Eckhart’s easy-going charm and great smile make his Nick an obvious choice for any woman. Get them together however and things sag like a wet noodle. Too bad. Breslin is her usual cute self playing it a little more somber than she did in Little Miss Sunshine but the little actress ought to be careful not to pigeon-hole herself into the “eccentric but affecting” kid role. No Reservations also has another knock against it: It’s a remake of the German film Mostly Martha a far more stellar—and original—effort. Natch. Turning a hit foreign film into a studio picture rarely works out; something always gets missed in the translation which for No Reservations is surprising since Mostly Martha writer/director Sandra Nettelbeck is listed as the co-writer. What Nettelbeck did with Mostly Martha is revolve her story around master chef Martha (played brilliantly by Martina Gedeck) and her quirks and anxieties over suddenly having to raise a child. The love story with the Italian chef is more a pleasant surprise than the driving force. But of course with No Reservations the romance is played up for that certain chick flick appeal with two people who have no chemistry. Maybe Nettelbeck was lured into Americanizing her original. For his part director Scott Hicks (Shine) is definitely capable enough to carve out what he can from this predictable set up even adding some flair to the kitchen scenes but he can’t quite push No Reservations past its banality.
Anyone who thought Disturbia could be the name of a family bonding movie could get a false sense of security in the opening scene. Kale (Shia LaBeouf) has a sweet fishing trip with his supportive dad but an automobile accident on the way home costs Dad his life and turns Kale into a brooding moping mess. A fight with his teacher lands him under house arrest for the summer with nothing to do but watch the neighbors from his window. A pretty new girl (Sarah Roemer) provides good scenery but across the street something more disturbing is going on. Neighbor Mr. Turner (David Morse) seems to have a lot in common with a serial killer recently on the news but the ankle bracelet limits Kale's investigation. The ankle bracelet creates a false illusion of mobility but crossing the barrier only makes things harder. This may all sound familiar but Disturbia gives a fresh take on voyeurism. You might not expect a thriller like Disturbia to showcase great performances but it is a great vehicle for Shia LaBeouf to show his talent. He plays every moment against the standard conventions. His sullen kid is totally sympathetic. He's not just looking for attention but really trying to cope with a great loss. You actually want him to hit the asshole teacher for presuming to know what's up. Then while home his love struck voyeur is not just some horny kid. He seems moved by the vision not just the body. Then lastly as an action hero LaBeouf is truly desperate not just trying to be a badass. The others fill more traditional roles. Morse does his now familiar bad guy thing and is far more interesting as the friendly neighbor than when he's just going bonkers. Aaron Yoo as Kale’s goofy sidekick tries too hard to be wacky and clueless. Roemer on the other hand is a self-assured sexpot though a little too wise to her seductive wiles. Carrie-Anne Moss does the tough-love mom thing well. In fact she really hasn't repeated herself in her whole career. But ultimately it’s LaBeouf's show. With the whole movie seen through his perspective he creates a well-rounded guide through the sometimes far-fetched adventure. Director DJ Caruso (Two for the Money) knows all the classic tricks of suspense to keep audiences jumping and comes up with a few new ones of his own. The pacing is breakneck. To begin with the auto accident is staged beautifully. It is a realistic portrayal of the dangers caused by speed demon SUVs yet never gratuitous in communicating the horrific tragedy. Having the villain show up under innocuous pretenses also keeps the audience on their toes. But the house arrest hook is the best device of all. It can be a barrier as Kale stretches the limits of his mobility. Or it can be the edge of safety as Kale struggles to signal for help. Of course modern technology to spy on the neighbors is also employed to full effect. The film's tight storytelling packs it all into 95 minutes with no down time. Fans of this genre won't be disappointed
Don’t let the previews fool you—Terabithia isn’t anything like Chronicles of Narnia. Based on the Newbery-Award winning children’s novel by Katharine Paterson the story is more about childhood friendships and the way imagination can quite literally open new worlds. Jess Aarons (Josh Hutcherson) sees himself as an outsider at school—and at home. He really only feels himself when he’s drawing. Then he meets the new kid Leslie Burke (AnnaSophia Robb) who has just moved from the big city. Despite their differences—she’s rich he’s poor—they become fast friends. Leslie who likes to spin magical stories opens Jess’ eyes to the possibilities and together they create the secret kingdom of Terabithia a mystical place accessible by swinging on an old rope over a stream in the woods near their homes. Interacting with the Terabithian denizens they’ve imagined both evil and good Jess and Leslie learn to deal with the pressures of their young pre-adolescent lives—and learn what the power of real friendship truly means. The young fresh cast really make Bridge to Terabithia work. Robb and Hutcherson are already veteran kid actors: Robb is best known for stealing hearts in Because of Winn-Dixie (another kid novel adaptation) and popping chewing gum as Violet in Charlie and the Chocolate Factory while Hutcherson played the tough older brother in Zathura as well as Robin Williams’ kid in R.V. Their acting experience clearly shows as they make the friendship between Jess and Leslie both genuine and heartfelt. There isn’t a false moment in their performances especially from Hutcherson who at first sends off an I-could-care-less vibe but through his soulful eyes becomes more attached to Leslie and their secret place. And as Jess’ little sister 7 year-old Bailee Madison plays the moppet without any cutesy affectations. As far as the adults are concerned stand outs include Robert Patrick as Jess’ stern dad just trying to make ends meet for his family and Zooey Deschanel as the kids’ music teacher who Jess has a crush on. In 1978 author Katharine Paterson wrote Bridge to Terabithia for her then 11 year-old son David Paterson about a special friendship he had. It was an instant hit. Now David all grown up is able to bring his mom’s touching story to life as one of the writers. Talk about a family effort backed by Walden Media--the geniuses behind Holes and Chronicles of Narnia. Directed by Rugrats creator Gabor Csupo Terabithia truly captures the essence of childhood imagination even I dare say more so than Narnia. Maybe it’s because the idea of Terabithia comes from the minds’ of very real children who are going through very real emotions as they enter into adolescence. Csupo keeps the imagery simple allowing audiences to create a fantasy world filled with mythical creatures right along with the film’s main characters. And if you haven’t read the book you might be surprised by the story’s poignancy. In a saturated field of animated duds and kid films better suited as after-school TV specials Bridge to Terabithia stands out as a one of the better family movies to come around in a long time.
We meet the two very unlikely sisters while each are having sex. Rose Feller (Toni Collette) is a successful lawyer who is sleeping with her boss and thinking of ways it can improve her career. Maggie Feller (Cameron Diaz) is a party girl and at her 10-year high school reunion--after trying to have a fling in a bathroom stall--she ends up puking instead. Inevitably Maggie gets kicked out of her dad and stepmother's house and winds up on the doorstep of her sister. The Feller girls were close once when they were young girls especially after their mentally unstable mother died. But now their grown-up personalities clash rather dramatically. And when Maggie seriously crosses the line by seducing Rose's new boyfriend the straw is broken. Forced out Maggie stumbles upon some birthday cards from a long-lost grandmother and decides to go hit her up for cash. Turns out Grandma Ella (Shirley MacLaine) lives in a senior citizen's community in Florida that gets its humor from Golden Girls re-runs. Maggie may ingratiate herself within this new environment but isn't any more redeemed by reconnecting with Ella. She still acts like a petulant child. But rather than throwing her out Ella along with the gang of old folk forces Maggie to take some responsibility.
Collette (The Sixth Sense) is fantastic as the frumpy pudgy Philadelphia lawyer who gives up everything so she can walk dogs and lead a simpler life. But she's done this many times before--and honestly is so much better than Muriel's Wedding. Diaz (my personal favorite Charlie's Angel) doesn't need to stretch too far to play a conniving ditz with a heart. This is her There's Something About Mary role albeit a tad more screwed-up with a sister and lost grandma. So that leaves MacLaine as the saving grace for any worthwhile acting in this movie. Despite the obvious shuffleboard clichés--and the occasional leers at Diaz by the old guys around the pool--when the old folk are around the film gets lively and tolerable believe it or not. MacLaine leads the way with the quips and barbs but in a more subtle way than we are used to from this usually eccentric actress. The supporting cast of cranky cronies have some great moments especially veteran actor Norman Lloyd as the blind professor who teaches Maggie a thing or two about manners trust and family.
If this were Nora Ephron directing that would have been one thing but coming from Curtis Hanson the Oscar-winner who gave us L.A. Confidential it just doesn't mesh. Hanson can do quirky (Wonder Boys) he can do adventure (The River Wild) he can do hard-hittin' rap stories (8 Mile) and he can even do scary (Hand That Rocks the Cradle) but why in the world would he attempt a saccharine-soaked female family story that threatens to be a Crimes of the Heart tear-jerker? Screenwriter Susannah Grant who adapted In Her Shoes from Jennifer Weiner's popular bestseller of the same name also wrote Erin Brockovich and 28 Days. She understands strong female characters but there's still a major layer of sugar coating that Hanson can't scrape off. He doesn't tone anything down from Grant's script--not the overly cute dogs nor the embarrassing bridal shower nor the expected moments of guilt-tripping between the ladies. Instead he plods through the paint-by-number script and wraps it all up nicely into a crowd-pleasing film that is ultimately forgettable.
November 03, 2004 12:47pm EST
Networks tread lightly on election results
TV networks were determined not to repeat the same mistake they did in the 2000 election by calling out an early winner and instead dubbed the results "too close to call"--with the exception of Fox News Channel and NBC. Fox declared President Bush had won Ohio at 12:41 a.m. EST followed by Alaska at 1 a.m., announcing at least a tie for the presidency with 269 electoral votes. NBC followed suit and called Ohio and Alaska for Bush at 1 a.m. "This race is all but over," NBC anchor Tom Brokaw said. But by 5 a.m., ABC, CBS, CNN and The Associated Press, four other news organizations that received the same vote count and exit poll information as NBC and Fox, had kept Ohio in the "too close to call" category. But Brokaw said the network would not act as the arbiter. "There will be no declaration from us tonight as long as the Kerry campaign is contesting in Ohio," he said. ABC wouldn't call Ohio either--even though analyst George Stephanopoulos said it was almost mathematically impossible for Kerry to win. According to ABC's Terry Moran, the fact that none of the networks were declaring Bush the winner appeared to have irritated the White House. "Essentially…the president and his team is waiting for him to be declared the winner by us," he said. CNN's Jeff Greenfield, meanwhile, told the AP the 2000 election night ignominy--when all of the networks twice prematurely declared a winner in Florida and awarded the presidency to George W. Bush weeks before it was settled--had a lot to do with the network's indeterminate state. "If we hadn't gone through what we had gone through in 2000, we probably would have called Ohio for Bush," Greenfield said.
Jackie Chan not thinking of retirement just yet
Jackie Chan may have turned 50 this year, but the martial arts star has no plans to retire anytime soon. "I don't know how far I can go, but I'll just keep going. I feel I still can do it," Chan told a news conference in Singapore, where he is promoting the share market listing of Hong Kong-based film company Media Asia Entertainment Group Ltd. Chan, best known for performing most of his own stunts, came close to death in 1985 after falling from a tree and splitting his skull open. But he said would like to make more action movies both in Hollywood and Asia." Movies are my business and movies are my job," he said. "But if I am not in front of the screen then I would become a director or producer."
Delaney washes up in The O.C.
Fox's The O.C. and NBC's The West Wing are beefing up their lineups. According to The Hollywood Reporter, Emmy-winner Kim Delaney landed a key role on The O.C. as an ex-flame who reappears in character Sandy Cohen's (Peter Gallagher) life. She is slated to appear in at least five episodes of the show. Teri Polo, meanwhile, will play the potential first lady and wife of Jimmy Smits' character Matthew Santos, a three-term Democratic congressman from Texas with strong presidential aspirations in the political drama The West Wing. Polo is set to do four episodes this season and has an option for 12 more next season, provided the show returns for a seventh year.
CBS, NBC pull shows
CBS' Dr. Vegas and NBC's Father of the Pride have become the first casualties of the new television season, Reuter reports. CBS said it would put the new Rob Lowe drama, which ranked 53rd among prime-time network programs, on an indefinite hiatus, while NBC has yanked Pride, an expensive foray into computer-animated about a family of talking lions, from its schedule completely. The move comes amid admissions by network executives that NBC has struggled this season, with ratings for its target audience of viewers aged 18 to 49 on the decline following years of dominance in that demographic, Reuters reports.
Ailing LL Cool J cancels tour
LL Cool J, who is touring in support of his latest album The DEFinition, has canceled the remaining 12 dates on his tour due to an abdominal ailment, the AP reports. "I am extremely disappointed to have to cancel the rest of this fun and successful tour," the 36-year-old rapper-actor said in a statement. Shows have been canceled in cities including Atlanta and Miami. "I apologize for disappointing my fans who have already bought tickets." A release from his publicist said he is under a doctor's care and requires medication and rest. Ticket holders can seek refunds at the point of purchase.
Patty Duke to have bypass surgery
Actress Patty Duke, who won a best-supporting Oscar in 1963 for her portrayal of Helen Keller in The Miracle Worker, will undergo single heart bypass surgery Wednesday at an Idaho hospital, the AP reports. Hospital spokeswoman Lisa Johnson said Tuesday the actress is expected to make a successful recovery. Duke, 57, was admitted last spring to the center for insertion of a stent in one of her arteries to improve blood flow. Duke, who was married to John Astin from 1973 to 1985, is the mother of Lord of the Rings star Sean Astin. For years, it was believed John Astin was his father but genetic testing proved rock promoter Michael Tell, whom Duke was to married for less than a month, was actually Sean's father.
Kit Bowen contributed to this report.