Johnny Depp, John Mcenroe, Al Pacino, Regis Philbin, Drew Carey and retired sports stars Michael Irvin, Bruce Jenner, Shaquille O'Neal and Bill Romanowski all play themselves in Adam Sandler's new comedy Jack & Jill.
Skeeter Bronson (Adam Sandler) is a handyman at a hotel his father once owned. When Skeeter’s dad sold it to Mr. Nottingham (Richard Griffiths) it was with the proviso that Skeeter would one day become manager but unfortunately the job is given to Skeeter’s main nemesis Kendall (Guy Pearce). But Skeeter’s luck is about to change. While babysitting for his niece and nephew (Laura Ann Kesling and Jonathan Morgan Heit) Skeeter starts telling them bedtime stories that come to life the next day using characters from his real life including the kids and their mom’s best friend Jill (Keri Russell). Set in Medieval Times Ancient Greece the Old West -- and even outer space -- the stories usually show Skeeter triumphing over the bad guys like The Booger Monster and Sir Buttkiss. And beware of raining gum balls; it’s that kind of movie. Adam Sandler’s teaming with Disney is an inspired idea since his humor has always had a juvenile Jerry Lewis-style flavor -- even in his more adult-oriented comedies. Leaving the gross-out comedy behind this time Sandler proves he is a perfect fit for this kind of harmless rather broad PG-formula family flick that should prove to be loads of fun for the youngest audience members. He’s a riot in some of the get-ups he is forced to wear coming off best in the Ancient Greece sequence. Keri Russell is sweet and attractive as a foil for a lot of Sandler’s hijinks while Courteney Cox as Skeeter’s uptight sister is given virtually nothing to do in the mom role. The kids are cute in a Disney Channel kind of way but often seem a little precocious for their own good. Work colleagues are played rather one dimensionally by Pearce and Griffiths but they all seem to be having fun inhabiting various stereotypical characters in the stories. Teresa Palmer is lovely as the owner’s daughter and the innocent object of Skeeter’s affections. Director Adam Shankman (Hairspray) brings lots of color and verve to the film but knows what Sandler fans expect -- even in a kids comedy. Giving the film a necessary light touch he ably moves it along through the various set pieces and special effects sequences that are required to bring all these imaginative shenanigans to life. Similar in many ways to Ben Stiller’s Night at the Museum the production values of the bedtime stories at the film’s center don’t seem to be as elaborate or technically savvy as they might have been with a larger budget. Still the cast seems to be having a great time and it’s all in the name of some harmless fun that parents should feel safe taking their kids to this holiday season.
Former NFL star quarterback Paul Crewe (Sandler) doesn't really like himself much these days. Unproven accusations of points shaving have sent Crewe into a downward spiral of drunkenness and self-destructive behavior. It all comes to a very bad end one night when he takes a wild joyride in his girlfriend's Bentley with cops in pursuit. Crewe is sent to a Texas penitentiary where he figures he'll just quietly ride out his time in hopes of leaving a changed man. The sadistic warden (James Cromwell) however has other plans for Crewe. He forces the quarterback to transform a diverse group of inmates into a football team so that they can play his elite semi-pro team of guards. You know to make the guards look good when they crush the convicts. What the warden doesn't expect is how far Crewe--with the help of fellow inmates Nate Scarborough (Burt Reynolds) and Caretaker (Rock)--takes his task. He recruits his unlikely but somewhat talented teammates with the promise that they'll get a chance to exact revenge on the guards during anything-goes bone-crushing showdown. This is Crewe's one chance to redeem himself. Can he do it? You can do it Paul!
Seems like when Adam Sandler puts his mind to it he really can't lose. And The Longest Yard proves to another perfect Sandler vehicle. As Paul Crewe the comedian returns to his sports roots (Happy Gilmore The Waterboy) and basically plays the same unassuming slightly sardonic straight man. Crewe though is perhaps a little less angry and more resigned about his circumstances. Sandler also displays a fairly convincing flair for quarterbacking. The thing is Sandler doesn't need to stretch to be successful. He tried it in Punch-Drunk Love--and actually pulled it off quite nicely I might add--but if he's making billions of dollars playing himself why mess with a good thing? It's who he surrounds himself with that counts. Reynolds who played Crewe in the 1974 original looks like he's just as pleased as punch to be there as he relive some glory days as the grizzled coach Scarborough. He even gets in a little playing time on the field. What fun for him. The always-hysterical Rock complements his longtime SNL pal to a tee and with his petite frame next to all these hulking men naturally delivers all the funniest lines ("I'll teach you anything just don't eat me!"). Hip-hopper Nelly in his acting debut brings a certain MTV quality to the proceedings (and has a few songs on the soundtrack). And as far as the rest of the cast of ex-football players and professional wrestlers well they are there for a reason.
The 1974 The Longest Yard is apparently one of Sandler's favorite films and it's easy to see why. First of all it has Burt Reynolds who is so cool as the beleaguered Crewe. Then there's the classic underdog theme in which the good guys are actually bad guys--they are all convicted felons--but who we see systematically beat down by the "Man." You want them to thrash the holy crap out of those mean and nasty guards. I mean cons are people too right? Plus there are some great football sequences. So Sandler along with his Happy Madison Productions decides to pay homage assembles another crack team--including director Peter Segal who worked with Sandler on 50 First Dates and Anger Management--and produces a very worthy remake. They stay close to the original material--comedy tinged with sentiment--but of course can't help but add the requisite Sandler-isms. Those over-the-top "isms"--the bathroom humor the lame prison-sex jokes Rob Schneider yelling "You can do it!" et al.--is what all die-hard Sandler fans want to see so I guess it's expected. It's just not my cup of tea.