Based on the best-selling novel by Dennis Lehane Mystic River is full of characters wrought with heavy emotions--and burdens. Yet it is also a fairly simplistic murder mystery. Three 13-year old boys Jimmy Sean and Dave are playing on a street in a tough Boston neighborhood when two pedophiles pretending to be cops grab Dave and take him away. In that moment all three lives are irrevocably changed. Jimmy (Sean Penn) grew up as tough as his neighborhood doing time for robbery but finally settling into a comfortable family life with his wife Annabeth (Laura Linney). Sean (Kevin Bacon) went on to become a cop but his personal life is in a shambles and he is estranged from his wife. Dave (Tim Robbins) has never been able to face his demons despite being a loving father and husband to Celeste (Marcia Gay Harden). Now 25 years later tragedy brings them together once again. Jimmy's 19-year-old daughter is found murdered and while Sean is assigned to the case with his partner Whitey (Laurence Fishburne) Jimmy seeks his own vigilante investigation with the local hoods--and Dave emerges as a prime suspect. As the mystery is unraveled all are pulled closer toward an abyss that will force them to face their true selves--and will mark them as irrevocably as the past itself has tainted their lives.
This is one of those dream scripts serious actors simply go gaga over--and the high-quality ensemble in Mystic River does their jobs superbly. To pinpoint the best performance of the bunch however is virtually impossible--and the Academy may have a tough time making the same distinction as there is surely going to be a nomination or two coming from this film. Penn as the emotionally charged Jimmy stands out a little ahead of the rest with his fury resonating throughout the film. Robbins' ultra-vulnerable Dave is also a remarkable study of a soul completely wounded by the horrors he has experienced. Linney and Harden too are excellent as the spouses; Linney as Annabeth is a strong defiant mother whose only impetus is to protect those she loves while Harden in contrast is meek and unsure as Celeste faced with the dilemma of showing faith and loyalty to her husband while at the same time being convinced he committed the murder. All the performances will quite literally blow your socks off.
With all its excellent acting Mystic River has the added benefit of being helmed by director Clint Eastwood who has enormous talent behind the camera. He likes his films to simmer; his Midnight in the Garden of Good and Evil and Oscar-winning Unforgiven are two examples. Mystic River is beautifully put together with lingering shots of Boston neighborhoods and the people who live in them. He doesn't move the camera much keeps things steady but knows when to pull in or pull out as the drama escalates (an aerial shot of an anguished Jimmy being held back by several policeman after he discovers his daughter's body shakes you to the core). Still there are some problems with this slow-burn technique in that sometimes things should move along rather than stand still. Eastwood seems also to have had trouble finding the ending. After a pivotal powerful climactic scene with Jimmy and Sean discussing Dave's kidnapping 25 years ago and its effect on all their lives Eastwood tacks on a few more final scenes of the men tying up loose ends resolving feelings with each other and their wives--and then going to watch a parade. It's a minor point compared to the quality of the rest of the film but it still leaves things on an anti-climactic note.
Frank Abagnale Jr. (Leonardo DiCaprio) never aspires to become one of the youngest people ever to make the FBI's 10 Most Wanted List--it just kind of turns out that way. His adventures begin in 1967 when he runs away from home at 16 just as his parents are divorcing. He finds himself alone in the Big Apple unsuccessfully trying to cash fake $20 checks. One day Frank notices how much respect is given to two airline pilots and he decides impersonating a Pan Am co-pilot might be just the ticket so to speak. Thus begins his brilliant three-year run as a master of deception. After infiltrating Pan Am he changes careers--he's a pediatrician then a lawyer--all the while perfecting his forgery skills. Cashing fake checks all over the country Abagnale amasses millions and quite literally becomes a kid in a candy store buying sports cars and fancy suits losing his virginity and pretending he is James Bond. Still the fact remains Frank is just a kid. Even after all these adult experiences his main objective is to get his father Frank Sr. (Christopher Walken) a down-on-his-luck store owner hounded by the IRS back together with his now-remarried mother (Nathalie Baye). Frank's nefarious activities eventually catch the authorities' attention and Carl Hanratty (Tom Hanks) a no-nonsense FBI agent in charge of the bank fraud division is soon hot on Frank's tail. But Frank doesn't mind. Part of him wants to get caught and he baits Hanratty to never give up the chase. Hanratty never does and finally brings his man to justice.
Catch Me's acting ensemble shines. Given the fact DiCaprio is in two high-profile movies this holiday season--this one and Gangs of New York--puts the actor back on the radar after a hiatus (perhaps he was licking his wounds after starring in the disastrous 2001 The Beach). Yet if you were to match the performances DiCaprio's stellar turn as Abagnale definitely stands out as the better of the two (the Golden Globes feel the same recently giving DiCaprio a nod for best actor in a drama). He fits the part like a glove--all at once charismatic childish vulnerable and deadly intelligent. DiCaprio easily shows how Frank isn't necessarily a sociopath but more a needy kid looking for acceptance. Say what you will about DiCaprio's movie star qualities he still has the acting chops to make it work. Walken as Frank Sr. also gives one of the better performances of his career playing a sad man who knows the apple doesn't fall from the tree but who is too proud to admit his mistakes--even to his son. Hanks is superb as well (is there anything this man can't do?) playing the by-the-book Hanratty completely devoid of emotion--but making us laugh anyway every time he comes on the screen. He doesn't mean to of course but to see Hanks play something so obviously straight somehow brings out the humor in the situation even more. Just don't ask Hanratty to tell you a joke. TV's Alias honey Jennifer Garner also makes a nice cameo as a prostitute--watch out folks she's heading for the big screen.
Based on the real-life memoirs of Frank W. Abagnale Jr. Catch Me If You Can is a fascinating study of a brilliant mind which isn't by nature criminal--just slightly misguided (ironically the real Abagnale now in his 50s is a legitimate businessman who also acts as an consultant for the FBI's bank fraud division). Under the skillful hands of director Steven Spielberg Catch Me has a great deal of fun going for a very '60s tongue-in-cheek Pink Panther feel from the opening credits to the ease at which Frank goes about his merry way conning everyone including himself. The motto of the film has to be "never deny." Frank accepts everything and things just fall into his lap. Even when Frank tries to tell the truth to the father (played by Martin Sheen) of a woman he wants to marry it works to his advantage. Yet the meat of the film is Frank's inner turmoil at the breakup of his parents of wanting his family back together again and of his need to come clean. Frank secretly wants to be disciplined told what to do and that's why Hanratty becomes so important almost a fatherly figure to him. The film probably plays about a half hour too long especially in explaining what happens to Abagnale after he gets caught but otherwise it totally engages you.