Gavin O’Connor’s (Miracle Pride and Glory) stirring new drama Warrior is an underdog tale set in the nascent sport of Mixed Martial Arts fighting. In its relatively short life MMA has yet to inspire much quality cinema of note. It now has its Rocky.
Warrior’s twist on the traditional underdog formula is to provide us with dual protagonists: the fightin’ Conlon brothers Brendan (Joel Edgerton) and Tommy (Tom Hardy). Neither have spoken to each other since the dissolution of the parents’ marriage fourteen years earlier. Both of late have fallen on hard times. Tommy is an Iraq war veteran who has turned to pills and booze since returning from abroad; Brendan is a high school science teacher and devoted family man victimized by the financial crisis. Circumstances compel them both to seek salvation in the fight game.
Conveniently enough the opportunity of a lifetime arrives in the form of Sparta a brand-new winner-take-all MMA tournament that awards its champion a cool $5 million – more than enough for Brendan to save his house from foreclosure or for Tommy to make good on his pledge to provide for the family of a friend killed in Iraq. By this point we know for certain that fate has determined Brendan and Tommy will meet in the final and we know for certain how utterly ridiculous this scenario is. And yet we accept it because by this point Warrior already has us in its corner.
The origins of the brothers’ enmity are ultimately traced to their father Paddy (Nick Nolte) a monstrous alcoholic whose abusiveness led their mother and Tommy to flee fourteen years prior. Brendan stayed behind and Tommy never forgave him for it. When we see Paddy he’s broken-down husk of a man God-fearing and 1000 days sober his face creased with shame and regret. Neither son can stand the sight of their old man but Tommy in need of someone to train him for the tournament reluctantly enlists his father’s help. Paddy eyeing a last chance at redemption enthusiastically complies.
Cue the training montage. A fighter rising from obscurity to the upper echelons in his sport within a matter of weeks is hard to swallow; when two fighters do it it’s a borderline insult to the sport. MMA aficionados might blanch at watching Tommy and Brendan gain one unlikely win after another; more likely they’ll be too absorbed by the action to care. It helps that Hardy and Edgerton both look the part and are both skilled enough at their craft to lend the film’s many brutal fight scenes a distinct realism. It helps even more that the story and the actors' stellar performances have us firmly aligned with their goals.
O’Conner a veteran of the genre deploys the underdog tropes at his disposal freely but assiduously crafting a tale that is unabashedly far-fetched but grounded in characters who are intensely appealing and who feel authentic. The storytelling is clumsy at times – that Nolte’s character listens to a book-on-tape of Moby Dick throughout the film feels particularly heavy-handed – but Warrior wisely steers clear of bombastic speeches or cloying sentiment.
Warrior’s climactic final fight in which the estranged brothers at last meet in the ring is both gut- and heart-wrenching. When the film’s suitably happy ending does eventually arrive the film gives way ever-so-briefly to hokeyness. But after what these kids have gone through you can forgive them for getting a little emotional.
WHAT IT'S ABOUT?
Derek Charles has a beautiful wife beautiful new son beautiful home and a promotion in a big job but his life is turned inside out when he encounters his attractive temp — as in temptress — assistant Lisa who has designs on him and tries to get him to reciprocate. His resistance only increases her efforts as she becomes the stalker from hell throwing his marriage and career into complete chaos … unless he can stop her fanatical "obsession."
WHO'S IN IT?
As Derek the nice guy whose life spirals out of control after a temp stakes a claim on his affections Idris Elba comes off as passive and confused — no match for either a defiant Beyonce Knowles as his wife or Ali Larter (Heroes) as the psychotic maneater who tries to rock his world with everything this side of boiling bunnies. Both stars get a chance to shine before meeting up in a memorable showdown right out of the Fatal Attraction playbook. Larter is sexy seductive and disturbed all at once perfectly capturing the fragile state of a delusional woman in heat. Knowles who previously showed off her acting chops in musicals like Dreamgirls and Cadillac Records really gets to go for the dramatics in Obsessed — and delivers. She does contribute an end title song appropriately called "Smash Into You " aptly describing what she (and her stunt woman) pull off in style in the film's big climactic scene. Also worth mentioning are Jerry O'Connell as Derek's office buddy and Matthew Humphreys as his efficious gay assistant who likes to spread the office gossip. Christine Lahti however is saddled with a thankless role as a rather clueless detective — this fine actress deserves better.
Those who go in checking their brain at the box office might find this paint-by-numbers scenario crudely entertaining even in its utter predictability. It's well-played if totally over the top but hey isn't that what we want from this stuff?
Start with credibility. There isn't any. It takes a full 80 minutes before anyone utters the phrase "restraining order " and the frustration builds while watching a nice innocent guy become such a wuss at the hands of his sexually off-balance temp. Of course if he came clean about the situation and called the police the movie would be over in the first 20 minutes. So suspending belief is a must here. It's interesting to note that considering the casting of Beyonce and blonde goddess Larter as the women at the heart of this triangle those expecting what has been buzzed as a "black Fatal Attraction" will find there is not even a single line referring to the racially mixed nature of the relationships.
HOW TOUGH IS BEYONCE?
Beyonce gets the film's best line in a take-no-prisoners moment when she leaves a message on the nutcase's answering machine: "You think YOU'RE crazy? I'll show you CRAZY. Just try me bitch!"
A well-written hospital scene where Derek gets grilled by a detective and his wife at the same time. This will teach every guy to 'fess up before it all goes bad.
NETFLIX OR MULTIPLEX?
Multiplex. The crowd reaction during the finale is part of the fun. But despite the surprisingly generous PG-13 rating definitely leave the kids with the babysitter.