Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
Follow @Michael Arbeiter
| Follow @Hollywood_com
The Coen brothers could be adding a third Writers Guild of America Award to their impressive trophy case next month if they can nab best original screenplay for their quirky comedy Burn After Reading. The WGA, who announced their nominees today, presented Joel and Ethan Coen with best adapted screenplay last year for No Country for Old Men and best original screenplay in 1997 for Fargo.
Rounding out the contenders this year are Dustin Lance Black for Milk, Woody Allen for Vicky Cristina Barcelona, Tom McCarthy for The Visitor and Robert Siegel for The Wrestler.
The WGA’s best adapted screenplay noms include Eric Roth for The Curious Case of Benjamin Button with story by Roth and Robin Swicord; Jonathan Nolan and Christopher Nolan for The Dark Knight with story by Christopher Nolan and David S. Goyer; John Patrick Shanley for Doubt, based on the stage play; Peter Morgan for Frost/Nixon, based on his stage play; and Simon Beaufoy for Slumdog Millionaire.
WGA members will meet simultaneously in New York and Los Angeles for the award ceremony on Feb. 7.
Burn After Reading, Written by Joel Coen & Ethan Coen, Focus Features
Milk, Written by Dustin Lance Black, Focus Features
Vicky Cristina Barcelona, Written by Woody Allen, The Weinstein Company
The Visitor, Written by Tom McCarthy, Overture Films
The Wrestler, Written by Robert Siegel, Fox Searchlight Pictures
The Curious Case of Benjamin Button, Screenplay by Eric Roth; Screen Story by Eric Roth and Robin Swicord; Based on the Short Story by F. Scott Fitzgerald, Paramount Pictures and Warner Bros. Pictures
The Dark Knight, Screenplay by Jonathan Nolan and Christopher Nolan; Story by Christopher Nolan & David S. Goyer; Based on Characters Appearing in Comic Books Published by DC Comics; Batman Created by Bob Kane, Warner Bros. Pictures
Doubt, Screenplay by John Patrick Shanley, Based on his Stage Play, Miramax Films
Frost/Nixon, Screenplay by Peter Morgan, Based on his Stage Play, Universal Pictures
Slumdog Millionaire, Screenplay by Simon Beaufoy, Based on the Novel Q and A by Vikas Swarup, Fox Searchlight Pictures
Boogie Man: The Lee Atwater Story, Written by Stefan Forbes and Noland Walker, InterPositive Media
Chicago 10, Written by Brett Morgen, Roadside Attractions
Fuel, Written by Johnny O'Hara, Greenlight Theatrical / Intention Media
Gonzo: The Life and Work of Dr. Hunter S. Thompson, Screenplay by Alex Gibney, From the Words of Hunter S. Thompson, Magnolia Pictures
Waltz with Bashir, Written by Ari Folman, Sony Pictures Classics
Dramatic Series Dexter, Written by Scott Buck, Daniel Cerone, Charles H. Eglee, Adam E. Fierro, Lauren Gussis, Clyde Phillips, Scott Reynolds, Melissa Rosenberg, Tim Schlattmann; Showtime
Friday Night Lights, Written by Bridget Carpenter, Kerry Ehrin, Brent Fletcher, Jason Gavin, Carter Harris, Elizabeth Heldens, David Hudgins, Jason Katims, Patrick Massett, Aaron Rahsaan Thomas, John Zinman; NBC
Lost, Written by Carlton Cuse, Drew Goddard, Adam Horowitz, Christina M. Kim, Edward Kitsis, Damon L. Lindelof, Greggory Nations, Kyle Pennington, Elizabeth Sarnoff, Brian K. Vaughan; ABC
Mad Men, Written by Lisa Albert, Jane Anderson, Rick Cleveland, Kater Gordon, David Isaacs, Andre Jacquemetton, Maria Jacquemetton, Marti Noxon, Robin Veith, Matthew Weiner; AMC
The Wire, Written by Ed Burns, Chris Collins, David Mills, David Simon, William F. Zorzi, Richard Price, Dennis Lehane, George Pelecanos; HBO
30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tina Fey, Donald Glover, Andrew Guest, Matt Hubbard, Jon Pollack, John Riggi, Tami Sagher, Ron Weiner; NBC
Entourage, Written by Doug Ellin, Jeremy Miller, Ally Musika, Steve Pink, Rob Weiss; HBO
The Office, Written by Steve Carell, Jennifer Celotta, Greg Daniels, Lee Eisenberg, Anthony Farrell, Brent Forrester, Dan Goor, Charlie Grandy, Mindy Kaling, Ryan Koh, Lester Lewis, Paul Lieberstein, Warren Lieberstein, B.J. Novak, Michael Schur, Aaron Shure, Justin Spitzer, Gene Stupnitsky, Halsted Sullivan; NBC
The Simpsons, Written by J. Stewart Burns, Daniel Chun, Joel H. Cohen, Kevin Curran, John Frink, Tom Gammill, Valentina Garza, Stephanie Gillis, Dan Greaney, Reid Harrison, Ron Hauge, Al Jean, Brian Kelly, Billy Kimball, Rob LaZebnik, Tim Long, Ian Maxtone-Graham, David Mirkin, Bill Odenkirk, Carolyn Omine, Don Payne, Michael Price, Max Pross, Mike Reiss, Mike Scully, Matt Selman, Matt Warburton, Jeff Westbrook, Marc Wilmore, William Wright; Fox
Weeds, Written by Roberto Benabib, Mark A. Burley, Ron Fitzgerald, David Holstein, Rolin Jones, Brendan Kelly, Jenji Kohan, Victoria Morrow, Matthew Salsberg; Showtime
Breaking Bad, Written by Vince Gilligan, Peter Gould, Patty Lin, George Mastras, J Roberts; AMC
Fringe, Written by JJ Abrams, Jason Cahill, Julia Cho, David H. Goodman, Felicia Henderson, Brad Caleb Kane, Alex Kurtzman, Darin Morgan, J.R. Orci, Roberto Orci, Jeff Pinkner, Zack Whedon; Fox
In Treatment, Written by Rodrigo Garcia, Bryan Goluboff, Davey Holmes, William Meritt Johnson, Amy Lippman, Sarah Treem; HBO
Life on Mars, Written by Josh Appelbaum, Andre Nemec, Scott Rosenberg, Becky Hartman Edwards, David Wilcox, Adele Lim, Bryan Oh, Tracy McMillan, Sonny Postiglione, Phil M. Rosenberg, Meredith Averill; ABC
True Blood, Written by Alan Ball, Brian Buckner, Raelle Tucker, Alexander Woo, Nancy Oliver, Chris Offutt; HBO
Episodic Drama - any length - one airing time
“Don’t Ever Change” (House), Written by Doris Egan & Leonard Dick; Fox
“Double Booked” (Burn Notice), Written by Craig O’Neill & Jason Tracey; USA
“Gray Matter” (Breaking Bad), Written by Patty Lin; AMC
“Pilot” (Breaking Bad), Written by Vince Gilligan; AMC
“Pilot” (Eli Stone), Written by Greg Berlanti & Marc Guggenheim; ABC
“There’s Something About Harry” (Dexter), Written by Scott Reynolds; Showtime
Episodic Comedy - any length - one airing time
“Believe in the Stars” (30 Rock), Written by Robert Carlock; NBC
“Cooter” (30 Rock), Written by Tina Fey; NBC
“Crime Aid” (The Office), Written by Charlie Grandy; NBC
“Crush’d” (Ugly Betty), Written by Tracy Poust & Jon Kinnally; ABC
“Succession” (30 Rock), Written by Andrew Guest & John Riggi; NBC
“Vote for This and I Promise to Do Something Crazy at the Emmys” (My Name is Earl), Written by Greg Garcia; NBC
MORE NEWS: 'Idol' Winner Homeless?
Welcome to My Best Friend’s Four Scottish Weddings and No Funeral. Indeed Made of Honor borrows heavily from both films which naturally leaves no surprises. Patrick Dempsey plays Tom a sexy successful guy who has all the luck with the ladies. His male friends (Kadeem Hardison Richmond Arquette Chris Messina) all envy him but Tom’s one constant in his life is his best friend Hannah (Monaghan). He doesn’t ever have to worry about wooing her; he can just be himself. But when Hannah goes overseas to Scotland on a six-week business trip Tom is stunned to realize how empty his life is without her. So he decides to come clean and tell her how she feels once she gets back--except she returns engaged to a Scottish duke (Kevin McKidd) who is just about the most perfect guy there is. D’oh! What’s a boy to do but break up the girl’s wedding and win her for himself? There’s no doubt Dempsey has become the poster boy for romantic comedies what with his turn in Enchanted and his McDreamy role on Grey's Anatomy. Problem is he generally never offers anything more than his handsome face leaving all the heavy lifting to his leading ladies i.e. Enchanted’s Amy Adams and now Honor’s Monaghan. This lovely actress who has proven herself to be more than just an ingénue in films such as Gone Baby Gone and Kiss Kiss Bang Bang has a natural effervescence which exudes in just about anything she does. She does everything in her power to drum up chemistry with the bland Dempsey--and we’re thankful for her effort. McKidd best known for playing the kick-ass Roman solider Lucius Vorenus on HBO's Rome has very little to do as the Scottish stud but effectively comes across as near-perfect. And Sydney Pollack also does a nice turn as Tom’s oft-married dad who gives his foolish son some sage words of advice. Made of Honor may be a derivative yawner but director Paul Weiland (City Slickers II) tries his best to inject some personality into the proceedings. The prelude to the wedding in Scotland is sort of fun. Us lowly Americans are introduced to many interesting Scottish customs like throwing tree trunks in a competition of strength--in kilts no less. Other than that there really isn’t anything going on of any major note. Honor’s only chance to make something of itself is if the ladies head into a different theater while their male companions go see Iron Man.