P.J. Hogan's Peter Pan follows J.M. Barrie's story almost to the letter. A girl on the brink of womanhood Wendy Darling (newcomer Rachel Hurd-Wood) loves telling her brothers John (Harry Newell) and Michael (Freddie Popplewell) stories of dastardly pirates as they sit in their nursery under the watchful eye of their St. Bernard Nana. Her 19th-century Londoner parents however believe the time has come for the young girl to grow up especially her father. Then a cheeky wild-haired boy named Peter Pan (Jeremy Sumpter) flies through the nursery window one night with his trusted yet jealousy-prone fairy Tinkerbell (Ludivine Sagnier) telling Wendy he can take her to a place full of adventure where no one ever has to grow up. She readily accepts the offer and with a few happy thoughts some fairy dust and her two brothers in tow she flies off to Neverland. (Not the ranch…the real place.) Once there Wendy encounters mermaids Indians and the Lost Boys (who refer to her as "mother") and gets the whole pirate experience in Peter's ongoing feud with arch-nemesis Captain Hook (Jason Isaacs). But Wendy soon becomes conflicted because on the one hand she likes hangin' with hottie Peter but on the other she misses her mother. She decides it's probably best to go back and grow up but in her hurry to leave she ends up in Hook's clutches. A rescue ensues. Swords clash ticking crocodiles are fed and fairies are saved as our clever fly boy zooms Wendy and company back to London on a giant pirate ship. But does he stay and grow up himself? Hell no he's a Toys 'R Us kid forever!
All the kid actors in Peter Pan are highly watchable and appealing with angelic faces peaches-and-cream complexions and pouty cherry lips. This is the first time Peter is being played by a real-life boy a fact much hyped by the filmmakers and 12-year-old Sumpter (Frailty) does his best to live up to the expectations. (He's soon to be swoon-worthy material for sure.) He's got a mischievous gleam in his eye and a great sly smile but he really lights up when he's looking into Wendy's adorable face. Hurd-Wood the first-time actress who plays the spirited girl earned her role after a long and involved casting process it's well deserved; she fits the typical English-girl profile perfectly and gets the hang of her craft quickly infusing the character with a natural cheerful energy. It's also refreshing to see the young actors play up Wendy and Peter's feelings of first love which prior films always hinted at but never fully realized. Isaacs in a dual role as the firm-but-loving Mr. Darling and the frightening comical lonely charming needy reprehensible Captain Hook draws on his experience at playing exquisitely awful baddies (The Patriot Harry Potter and the Chamber of Secrets) and really sinks his claws into Hook. In a stand out supporting role French actress Sagnier (Swimming Pool) is really fantastic as the vivacious non-speaking Tinkerbell portraying the fairy's conflicted emotions with a silent-film over-the-top technique.
Director/writer P.J. Hogan (My Best Friend's Wedding) and his team try to distinguish their film from the other Peter Pans of the world by using all the technical and special effects wizardry at their disposal. Hogan says his Peter Pan is the way its author Barrie intended to be when he wrote it as a play over a 100 years ago--full of fantasy and wonder. In a way he's right and production designer Roger Ford and visual effects supervisor Scott Farrar take his vision and run with it giving audiences a very lush Neverland with waterfalls fluffy pink clouds crystal-blue waters and a gorgeous fairy world. But despite the bells and whistles there really isn't anything original and different in this Pan. Even its look at the dark side of Neverland has been done in Steven Spielberg's 1991 semi-sequel Hook which showed the dangers of Neverland. In this version lives really are at stake and the pirates are not cute and fun. Even the mermaids are mysterious and malevolent with scary faces and murderous intentions a far cry from the beautiful if somewhat mean-spirited creatures of the 1953 classic Disney animated adaptation another inescapable influence on the audience. When the crocodile draws near for example tick-tocking away the croc's signature tune from the Disney film comes immediately to mind. People may love those Disney films for those cutesy catchy songs but Peter Pan really is a good story. Heck it's a great story. But it's just been done.
A Guy Thing's premise is standard and remarkably uneventful. Paul (Jason Lee) thinks marrying the sweet and perfect Karen (Selma Blair) and working for his tough soon-to-be father-in-law Ken (James Brolin) is the best thing he's got. Until he meets Becky (Julia Stiles) the girl he wakes up with after his wild bachelor party. Paul can't remember what happened but assumes the worst and tells Karen a little lie to cover it up. His friends tell him it's fine it's "a guy thing" and he shouldn't feel guilty but in the week before his nuptials he watches the whole thing blow up in his face. See Becky is Karen's free-spirited cousin a girl who lives life to the fullest. Even if Paul wanted to forget Becky and the apparent incident he can't especially when he realizes he is beginning to have feelings for Becky and that maybe Karen isn't the right girl for him. Oh boy he's got some s'plaining to do. This is life folks--these are the tough choices you've got to make. Or so that's what the film wants us to remember when we walk out of the theater with our sides splitting from laughing so hard. Right.
After last year's stinker Stealing Harvard one would have hoped Jason Lee learned his lesson--but apparently not. The thing is the guy is talented. He's shown great comedic flair alongside director Kevin Smith (Chasing Amy) but it's obvious his judgment has been impaired somewhere along the way. Lee looks like he is sleepwalking through most of the film as Paul does nothing more than react to all the craziness around him typically coming to his senses just in the nick of time. Blair (Legally Blonde) once again plays the country-club princess to a tee but someone please give this actress something meaty for a change. She can handle it. Yet it's Stiles who surprises you in A Guy Thing. Venturing into a balls-out comedy for the first time she just seems so out of place in the romantic comedy milieu. You think it isn't going to work but then suddenly you realize she's grown on you and Becky's gangly klutzy style becomes the only refreshing thing in this tired genre movie. Larry Miller also makes a hilarious appearance as Paul's minister neighbor who has seen the whole "guy thing" transpire. Funny stuff.
Someone really needs to tell why these vacuous romantic comedies keep getting made. A Guy Thing portends to be different claiming the comedy comes from real-life choices rather than from outlandish unbelievable situations. OK then it makes sense Paul would climb out his future in-laws' bathroom window to escape seeing Becky only to get hung up on a tree limb then get shot at by big bad daddy Ken and then have to climb back in the bathroom and wind up squirting a shampoo bottle into the toilet to make it seem like he was having gastric problems to those listening outside the bathroom door. Sure that happens all the time. Comedy works best when it's a tad outrageous and don't think A Guy Thing is anything but although it fails most of the time. Still under the guidance of director Chris Koch (Snow Day) the film has a few laugh-out-loud moments including the rehearsal dinner scene where a pharmacy technician caters the meal (don't ask) and spikes the gravy with marijuana resulting in priceless reactions from some veteran actors such as Diana Scarwid and Julie Hagerty playing the two mothers. The actual meaning of "a guy thing " which can ultimately be defined as a guy's inclination to back his buddies up also gets explained in a few hilarious ways. Overall though it's just one formulaic moment after another.