A gifted, socially conscious writer, director and producer, Ava DuVernay went from in-demand publicist to helming her own projects when she saw a gap in the marketplace for non-stereotypical African-A...
|Being Mary Jane||2011||Actor||Activist||20117|
|My Mic Sounds Nice: A Truth About Women and Hip Hop||2009 2008 - 2009||Director||n/a||4|
|I Will Follow||2011||Director||n/a||4|
|Black Filmmaker Showcase||2006 2002 - 2006||Director||n/a||4|
|This Is the Life||2009||Director||n/a||4|
|Scandal||2013 2010 - 2013||Director||n/a||4|
|Nine For IX||2012 2011 - 2012||Director||n/a||4|
|Middle of Nowhere||2012||Director||n/a||4|
|My Mic Sounds Nice: A Truth About Women and Hip Hop||2009 2008 - 2009||Executive Producer||n/a||1|
|I Will Follow||2011||Producer||n/a||3|
|This Is the Life||2009||Producer||n/a||3|
|Middle of Nowhere||2012||Producer||n/a||3|
|99% - The Occupy Wall Street Collaborative Film||2013||Associate Producer||n/a||1|
|I Will Follow||2011||Screenplay||n/a||1|
|Middle of Nowhere||2012||Screenplay||n/a||1|
|The Walt Disney Company Presents The 8th American Teacher Awards||1997 1996 - 1997||Publicity||publicist(Rachel McCallister & Associates)||1|
|Nora's Hair Salon||2014||Publicity||n/a||1|
|Biker Boyz||2003||Unit Publicist||n/a||1|
|Candyman: Day of the Dead||1998 1997 - 1998||Publicity||publicist||1|
|Disney's American Teacher Awards||1999 1998 - 1999||Publicity||publicist(MPRM Public Relations)||1|
|Dark Blue||2003||Unit Publicist||n/a||1|
Born Aug. 24, 1972 in Long Beach, CA, Ava Marie DuVernay started her career as a publicist, founding The DuVernay Agency, a.k.a. DVA Media + Marketing, and providing services for a variety of television and film projects, including "Girlfriends" (UPN, 2000-06; The CW, 2006-08), "Diary of a Mad Black Woman" (2005), "Dreamgirls" (2006) and "Cop Out" (2010). Through the course of her work, she noted the lack of funding and support for African-American independent films, and set her sights on helping to remedy the problem. She made her writing and directing debut with the short "Saturday Night Life" (2006) before writing, directing and producing the alternative hip-hop documentary "This is the Life" (2008). Jubilant and charming, the film made quite the critical splash, winning awards from the Hollywood Black Film Festival, Los Angeles Pan African Film Festival and the Toronto ReelWorld Film Festival, as well as a Black Reel Award nomination.
Buoyed by her success and committed to helping tell important stories, DuVernay produced and directed the Black Reel-nominated "My Mic Sounds Nice: The Truth About Women in Hip-Hop" (BET, 2010) but made her narrative debut by writing, directing and producing "I Will Follow" (2011), a tale of a young African-American woman coming to terms with her aunt's death and her attempts to rebuild and restart her own life in the shadow of such loss. The powerful indie, shot and released on a shoestring budget, impressed many critics, and earned two Black Reel Award nominations as well as mainstream media attention when many outlets, including the New York Times, covered the fact that the film marked the first release of DuVernay's African-American Film Festival Releasing Movement (AFFRM), an attempt to help change the overwhelmingly white face of up-and-coming independent film.
She achieved an amazing breakthrough with her next writing-directing-producing effort, the downbeat but dazzling drama "Middle of Nowhere" (2012), the tale of a young nurse (Emayatzy Corinealdi) who gives up much of her own life and goals to support her incarcerated husband (Omari Hardwick). Inspired by the strength and heartbreak of neighborhood women in similar situations, DuVernay's film delved into the complicated feelings, lingering sacrifices and divided loyalties in both inmates as well as loved ones left outside. It also offered viewers a rare non-stereotypical onscreen portrait of fully realized, complex African-American characters. Nominated for a Gotham Award and a Humanitas Prize, "Middle of Nowhere" also earned a Grand Jury Prize nomination from the Sundance Film Festival. DuVernay herself made history when she became the first African-American to win the Directing Award from Sundance, and many critics predicted even more acclaim for her to come.
By Jonathan Riggs
From classic movie palaces to the state-of-the-art IMAX screens.