Thanks to the recent speech at the Republican National Convention in which the former Dirty Harry berated a chair holding an invisible Barack Obama going into a movie starring Clint Eastwood as a technophobe who has trouble not walking into tables and chairs on a daily basis isn’t exactly a setup for success. But believe it or not it’s actually not that unfortunate context that’s the problem: from the clunky script and pacing to Clint’s ever-present grumble and the film’s predictable plot Trouble with the Curve is a slow pitch right down the middle.
And this is coming from someone who loves baseball movies so much she’s suffered through Kevin Costner’s For the Love of the Game – twice. But Trouble isn’t really a baseball movie. It’s a sappy father-daughter relationship tale with baseball as the hook and the caulk filling in the film's cracks.
Gus (Eastwood) is one of the oldest most respected scouts in the game but he’s getting old his eyes are going and some twerp with a laptop (Matthew Lillard) and his frat boy henchman are determined to shove Gus out of his position at the Atlanta Braves and replace him with a computer (muah-ha-ha). His daughter Mickey (Amy Adams) who he named after Mickey Mantle because that’s how much he loves baseball is trying to make partner at her law firm in a pool of misogynistic bigwigs when she’s called down to North Carolina to help her dad at the behest of his boss and best friend (John Goodman). While she should be working things out with her pops a young scout named Jimmy (Justin Timberlake) shows up flirts with Mickey and steals the storyline for the entire middle section of the film.
While Eastwood’s growling grumbling demeanor are perfect for the role of a stalwart old man who refuses to give up the game he once knew he’s saddled with stale jokes and quips – you may know them as “dad jokes” – that undermine his ability to be the wise man who knows better than these young whippersnappers. Adams does the best she can with a role that asks little more than for her to be smart sassy and outspoken but it simply feels like the role was over-cast. Timberlake’s character is plagued with Gus’ same brand of dad jokes but luckily for us the former boy bander is oozing with enough charm to make any joke no matter how terrible funny enough to make us fall in love with him – for an hour and half anyway.
Script issues aside where the film really starts to lose its way is in its portrayal of Lillard’s young ladder-climbing villain. At one point they even show him sitting in a dark room backlit by a lone desk lamp as he instructs his henchman to keep spying on Gus. All that’s missing is a maniacal laugh and a fluffy cat on his lap for him to stroke with his ruby-ring-decked hand.
It’s this hyperbolic villainy coupled with the treatment of Gus’ mortal enemy (technology) paired with two battling relationship stories (Timberlake and Adams vs. Eastwood and Adams) and the slow plodding pace that keep this film from being what it should be: a perfectly sweet predictable popcorn flick.
Trouble would be a perfectly adequate movie to casually watch on a Sunday afternoon with your dad but then again you could just get Field of Dreams on Blu-ray just as easily.
[Photo Credit: Warner Bros]
A guy who usually doesn't have luck with the ladies Matt Saunders (Luke Wilson) has finally found the perfect girl. Egged on by his buddy Vaughn (Rainn Wilson) Matt pursues the mousy and innocent-looking Jenny Johnson (Uma Thurman) after the two meet on a subway. But Jenny has a few secrets--and what Matt doesn't know in this case can hurt him. See Jenny is really G-Girl a superhero and although it's a side most superheroes don't show G-Girl is a bit possessive and essentially has a borderline personality. So when Matt wants to dump her so he can go out with his quiet and cute co-worker Hannah (Anna Faris) Jenny er G-Girl goes ballistic. She unleashes her superpowers on Matt and unsuspecting Hannah doing things like throwing a shark through his window while they're making out tossing his car around immature things like that. What Matt doesn't do is obey the cardinal rule: Never break up with a girl when she's holding a knife--or when she can throw you through a wall by blowing on you. This should be Luke Wilson's moment to shine and he seizes it. He's had little chance to break away from his goofier-looking and more popular brother Owen and has never carried a movie as much as this one. It's perhaps his meatiest role in which he gets to show a restrained comedic side as well as a dramatic angry and perplexed side. Although it's a typical romantic comedy plot the storyline allows for more reach because of the absurd nature of the jealousy by G-Girl’s arch nemesis Professor Bedlam played perfectly by Brit comic Eddie Izzard as well as the persistently bad advice from Matt’s friend Vaughn played by scene-stealer Rainn Wilson (TV's The Office). Rainn is a definitely a talent to watch out for. Unfortunately Thurman is the biggest disappointment. She's exciting only when she rekindles her Kill Bill persona but is mostly outshined by the cute and fun Anna Faris who's so naively brilliant in the Scary Movie spoofs. Expectations would have to be high if you have director Ivan Reitman on board the guy behind such classic comedies as Animal House Ghostbusters and Dave. Perhaps that's why it's so disappointing--and so very familiar. The comic moments are retreads from the past. Sure we've seen the odd moments where mortals make it with super-human characters--Superman II Bewitched I Dream of Jeannie--and every once in a while the character with super powers gets a bit peeved and goes off the deep end. The best contribution Reitman makes is to keep the over-the-top comedic aspects in check. He doesn’t have the actors play it for laughs. But if you look at past history female superhero movies don't seem to do well at the box office (Elektra and Catwoman anyone?) maybe because guys don't like to take dates to see movies about women who will kick their butts. And guys will be cringing in their seats BIG time when Jenny is trying to analyze the real meaning of the color of a rose that she just got. "Red means that you're in love with the girl. Of course I'm not trying to pressure you." Ugh! Just take the flower.