In The Sentinel the president (David Rasche) faces a whole new threat: the Secret Service. One of its most respected agents Pete Garrison (Michael Douglas) is assigned to take care of the first lady (Kim Basinger) and does he ever! He has an affair with her which while utterly absurd sets the real story in motion. He receives steamy photos of the two in a blackmail scheme that he learns is part of an assassination attempt on the Prez for which he’s being framed. The agent spearheading the investigation David Breckinridge (Kiefer Sutherland) grows skeptical of Garrison whom he thinks had an affair with his wife. Before long Garrison’s on the lam in true “it wasn’t me it was the one armed guy” fashion. He’ll stop at nothing to clear his name and bring the bad guy(s) to justice even if it means hooking up to the Internet from a gas station (?) via his Dell computer the tech brand apparently most trusted by the Secret Service. Michael Douglas is back and…the same as ever. He loves to play his roles safe and it doesn’t get safer for him than the urbane almost-over-the-hill pro who yells a lot. He has a stranglehold on baby boomers who’ve stuck with him through thick and Catherine Zeta-Jones and they won’t be disappointed. Sutherland--the son of over-actors if Douglas is the father thereof--acts like he was filming on his 24 set which will make his devoted fans just as happy. The actors engage in one shouting match and it’s as engrossing as it is hilarious surprisingly. There should’ve been more of that dynamic since it’s apparently why people like these two. Eva Longoria appears in her first big movie to date and while she shows promise she’s dug herself a deep (pigeon)hole with Desperate Housewives: Fans long for a scantily clad drama queen not a docile fully clothed rookie agent. Think Sandra Bullock’s first big film role: Demolition Man. For a brief moment The Sentinel entertains us with an interesting and perhaps topical notion that a Secret Service agent with clear access to the president could be plotting an assassination. But then that’s where all the “entertaining” parts of the movie ceases of course. S.W.A.T. director Clark Johnson is at the helm here and he does up Washington D.C. Hollywood-style (in addition to giving himself a brief but important role in the film). Johnson tries to insert Sentinel into his S.W.A.T. template but S.W.A.T. for starters was R-rated and Sentinel should’ve been. When it’s not tripping over its implausibility The Sentinel trips over its predictability thanks to all of its more original predecessors from which it pilfers. And there’s so much product placement that if the film doesn’t do well at the box office we could see a ripple effect throughout the entire economy.
December 03, 2003 9:35am EST
Sundance Film Festival officials have announced entries for dramatic, documentary and "American Spectrum" categories of the 2004 festival, which runs Jan. 15 through Jan. 25 in Park City, Utah.
According to The Hollywood Reporter, the competitive categories at this year's festival include big-name actors appearing in films by relatively unknown directors, and a record-breaking number of projects from black filmmakers and projects influenced by Sept. 11:
Actor Kevin Bacon and his wife, Kyra Sedgwick, star alongside hip-hop artist Mos Def in The Woodsman, directed by Nicole Kassel. It revolves around a convicted pedophile who returns to his hometown after 12 years in prison and tries to start a new life.
Courteney Cox Arquette stars in November, directed by Greg Harrison, about a Los Angeles photographer who struggles to put the tragic circumstances of her boyfriend's death behind her.
John Curran's Adultery, starring Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts, follows two couples who are friends and whose relationships are intertwined.
Writer/director Rodney Evans' Brother to Brother is about an 18-year-old, gay, black artist who discovers the hidden legacies of gay and lesbian subcultures within the Harlem Renaissance. The film is one of a dozen projects that center on the black experience or are by black filmmakers--the most ever on a Sundance roster, according to the Reporter.
"We have 12 features that are either about, produced by or directed by African-American filmmakers," Festival director Geoff Gilmore said. "What's good is that it indicates that there are a lot of African-American filmmakers working in the independent arena because these are works that would not have been made for studios. It's really of interest to me to see a whole range of people now trying to produce independent work."
Gilmore added that some of the entries in this year's festival are the first generation of post-Sept. 11 films. "These are films by filmmakers that were entirely conceived, developed and then produced following those events," Gilmore told the Reporter. "The insularity of America pre-Sept. 11 and the assuredness that existed in the world at that time followed by the anxiety that exists in the world we are in now. These are films about trying to find things out."
The lineup for the festival's remaining categories and the opening night film are expected to be announced later today. Short films appearing at the festival will be announced Dec. 8.
The Best Thief in the World, Jacob Kornbluth
Book of Love, Alan Brown
Brother to Brother, Rodney Evans
Chrystal, Ray McKinnon
Down to the Bone, Debra Granik
Easy, Jane Weinstock
Evergreen, Enid Zentelis
Garden State, Zach Braff
Harry and Max, Christopher Munch
Maria Full of Grace, Joshua Marston
Napoleon Dynamite, Jared Hess
November, Greg Harrison
One Point O, Jeff Renfroe, MarteinnThorsson
Primer, Shane Carruth
Adultery, John Curran
The Woodsman, Nicole Kassell
A Place of Our Own, Stanley Nelson
Born Into Brothels, Ross Kauffman, ZanaBriksi
Chisholm '72 -- Unbought & Unbossed, Shola Lynch
Dig, Ondi Timoner
Farmingville, Catherine Tambini, Carlos Sandoval
The Fight, Barak Goodman
Heir to an Execution, Ivy Meeropol
Home of the Brave, Paola di Florio
I Like Killing Flies, Matt Mahurin
Imelda, Ramona S. Diaz
In the Realms of the Unreal, Jessica Yu
Deadline, Katy Chevigny, Kirsten Johnson
Neverland: The Rise and Fall of the Symbionese Liberation Army, Robert Stone
Persons of Interest, Alison Maclean, Tobias Perse
Super Size Me, Morgan Spurlock
Word Wars, Julian Petrillo
CSA: Confederate States of America, Kevin Willmott
Dandelion, Mark Milgard
Dirty Work, David Sampliner
Everyday People, Jim McKay
Lbs., Matthew Bonifacio
Let the Church Say Amen, David Petersen
Mean Creek, Jacob Aaron Estes
Metallica: Some Kind of Monster, Joe Berlinger & Bruce Sinofsky
MVP, Harry Davis
Open Water, Chris Kentis
Second Best, Eric Weber
September Tapes, Christian Johnston
Speak, Jessica Sharzer