Country rocker Blake Shelton is to perform at a pre-Super Bowl gig in New York City organised by bosses at drinks giant Pepsi in support of U.S. military veterans. The show, hosted by comic Jon Stewart, will take place at a temporary venue set up in Manhattan's Bryant Park on Friday (31Jan14) ahead of Sunday's (02Feb14) Super Bowl at the MetLife Stadium in New Jersey.
Pepsi executives will present officials from the Bob Woodruff Foundation with a cheque for $1 million (£625,000) during the event to help fund the charity's ongoing work with injured American soldiers and their caregivers. The performance will also be streamed online for fans.
Pepsi CEO Indra Nooyi says, "As our country comes together to enjoy and celebrate Super Bowl Sunday, we should also celebrate those who make this day possible, our men and women in uniform. The Bob Woodruff Foundation does incredible work to help our nation's veterans and we are honoured to support their mission."
There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
WHAT IT’S ABOUT?
Rather than going to the well for another X-Men sequel Hugh Jackman’s mutant Wolverine has been spun off into an uneven prequel that tries to explain the character’s origins but somehow misses what we liked about him in the first place. X-Men Origins: Wolverine opens with a flashback to 150 years ago which unveils the relationship between Logan and Victor mutant half-brothers who are forced to run away from home after Logan murders their biological father. After several scenes depicting the brothers’ service in various wars the story settles in around the 1970s where both Victor and Logan are recruited by the devious William Stryker to serve in a mutant army. But Logan spurns Stryker after taking part in a massacre in East Africa and chooses instead to settle down with his girlfriend Kayla Silverfox in the Canadian Rockies. Six years later Victor now Sabretooth shows up and kills her. Logan now Wolverine seeks revenge reluctantly making a deal with Stryker in order to become indestructible. Unfortunately he is double-crossed and uncovers a Stryker/Sabretooth plot to kidnap mutants and use them for no good. He escapes and the chase is on as he tries to stop them — and anyone else in his way — before his memory is erased.
WHO’S IN IT?
It’s the buffed-up Jackman’s show all the way as Wolverine graduates to star status — and that’s exactly the problem. It turns out a little of this guy goes a long way especially when he’s presented in as humorless and unimaginative a manner as the deadly serious approach taken by Hugh (who also co-produced). Jackman acquits himself nicely in the numerous action scenes but fails to make a lasting human connection for Wolverine and the audience. Liev Schreiber is good as Sabretooth but plays it mostly on one note. His three fight scenes opposite Jackman are well-choreographed but become tiring. Danny Huston makes a fine heavy as the evil Stryker while Lynn Collins is lovely as Silverfox adding a nice touch of emotion to this mostly stoic CGI-fest. A promising new group of mutants are also introduced but unfortunately aren't given much to do. Standouts are Ryan Reynolds as the smart-talking Wade Wilson aka Deadpool; rapper will.i.am as John Wraith; and Kevin Durand as the humungous Fred J. Dukes aka The Blob. Durand is especially impressive in a boxing gym scene. Conversely Lost’s Dominic Monaghan receives too little screen time in the role of Bradley.
Wolverine’s CGI effects are predictably top-notch and a couple of big action set pieces are visually arresting including a motorcycle/helicopter chase that may lack credibility but is at least fun to watch.
Lighten up Wolvie. Jackman and everyone else seem to be taking this stuff way too seriously. The humanity that was a hallmark of the previous X-Men films also is largely AWOL and the picture takes a long time to get going. We’re at the 40-minute mark before the claws really start to come out and the psychological mumbo-jumbo stops.
In the lab Stryker promises to make a revenge-seeking Wolverine indestructible but his double-crossing antics only serve to unleash severe rage inspiring great balls of mutant fury as the furious mutant makes his great escape — sans clothing.
WHY YOU SHOULD SIT THROUGH SEVEN MINUTES OF END CREDITS?
For those who think the movie effectively ends when the credits roll here is a “heads up” to hang around.
NETFLIX OR MULTIPLEX?
Since reportedly about 100 000 people downloaded a rough cut when Wolverine was illegally pirated a few weeks ago why not help out poor 20th Century Fox and see it the legal way on the big screen? It’s a big improvement over your iMac.
The numbers are in and Something's Gotta Give gave the competition a run for its money this weekend as the Jack Nicholson/Diane Keaton romantic comedy claimed the No. 1 spot at the box office with $17 million.* The film's box office victory makes it the ninth No. 1 opening for Sony Pictures this year--the most of any distributor in 2003.
Something's Gotta Give also hacked last week's box office champ The Last Samurai, which dropped to second place with $14 million, and the new comedies Stuck on You, which debuted in third place with $10 million, and Love Don't Cost a Thing, which kicked off in fourth place with $6.5 million.
Eddie Murphy's holiday fright flick The Haunted Mansion rounded out the Top Five with $6.3 million in its third week of release.
Although Something's Gotta Give didn't rake in as much as Nicholson's comedy Anger Management, which opened in April to the tune of $42.2 million, it debuted slightly stronger than the actor's 1997 romantic comedy As Good As It Gets, which took in $12.6 million in its first weekend.
Sony Pictures' head of distribution Jeff Blake told The Associated Press Sunday that although Something's Gotta Give is targeted at older adults, it scored well among younger crowds, with viewers under 30 accounting for a third of the audience.
"For the holidays, this is the perfect piece of entertainment, especially in a market that for the most part has had either children's films or darker-themed adult films out there," Blake said. "This is funny, well-written, and we think [it] works for all audiences."
THE TOP TEN
Sony Pictures' PG-13 rated romantic comedy Something's Gotta Give debuted at No. 1 with an ESTIMATED $17 million at 2,677 theaters. Its $6,350 per theater average was the highest of any film playing wide this week.
In the film, an older man dating a pretty twenty-something falls in love with her dynamic mother.
Directed by Nancy Meyers, it stars Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet and Frances McDormand.
Warner Bros.' R rated period actioner The Last Samurai, last week's box office topper, dropped to second place in its second week with an ESTIMATED $14 million (-42%) in 2,908 theaters (unchanged; $4,831 per theater average). Its cume is approximately $46.8 million.
Directed by Edward Zwick, it stars Tom Cruise, Ken Watanabe, Tony Goldwyn and Timothy Spall.
Twentieth Century Fox's PG-13 rated comedy Stuck on You opened in third place with an ESTIMATED $10 million at 3,003 theaters with a $3,330 per theater average.
In the film, conjoined twins discover how difficult it is when one wants to pursue his dream as an actor in Hollywood. But once they become celebrities, they realize it's time for an operation to separate them.
Directed by Peter and Bobby Farrelly, it stars Matt Damon, Greg Kinnear, Eva Mendes and Cher.
Warner Bros. PG-13 rated teen comedy Love Don't Cost a Thing kicked off in fourth place with $6.5 million at 1,844 with a $3,544 per theater average.
In the film, a remake of the 1987 comedy Can't Buy Me Love, a geek pays the most popular girl in school to be his girlfriend so people will think he's popular.
Directed by Troy Beyer, it stars Nick Cannon, Christina Millian and Steve Harvey.
Buena Vista's PG rated horror comedy The Haunted Mansion dropped two notches to No. 5 in its third week with an ESTIMATED $6.3 million (-33%) at 3,001 theaters (-121 theaters; $2,099 per theater). Its cume is approximately $53.9 million.
Directed by Rob Minkoff, it stars Eddie Murphy, Terence Stamp, Nathaniel Parker, Marsha Thomason and Jennifer Tilly.
Miramax Films' R rated dark comedy Bad Santa held steady in sixth place in its third week with an ESTIMATED $6.2 million (-12%) at 2,540 theaters (+449 theaters; $3,385 per theater). Its cume is approximately $35.9 million.
Directed by Terry Zwigoff, it stars Billy Bob Thornton, Bernie Mac, Tony Cox and John Ritter.
*Box office estimates provided by Exhibitor Relations, Inc.
New Line Cinema's PG rated holiday comedy Elf fell three spots to seventh in its sixth week with an ESTIMATED $6.2 million (-23%) at 2,876 theaters (-243 theaters; $2,156 per theater). Its cume is approximately $147.6 million.
Directed by Jon Favreau, it stars Will Ferrell, James Caan, Bob Newhart, Ed Asner, Zooey Deschanel and Mary Steenburgen.
Universal Pictures' PG-13 rated hip-hop drama Honey tumbled six rungs to eighth place in its second week with an ESTIMATED $5 million (-60%) in 1,972 theaters (+30 theaters; $2,585 per theater). Its cume is approximately $20 million.
Directed by Bille Woodruff, it stars Jessica Alba, Mekhi Phifer and Lil' Romeo.
Universal Pictures' PG rated live-action comedy Dr. Seuss' Cat in the Hat, fell from its fifth place perch to ninth position in its fourth week with an ESTIMATED $4.1 million (-41%) at 2,955 theaters (-454 theaters, $1,420 per theater). Its cume is approximately $90.7 million.
Directed by Bo Welch, it stars Mike Myers, Dakota Fanning, Spencer Breslin, Kelly Preston, Alec Baldwin and Sean Hayes.
Warner Bros.' R rated horror thriller Gothika fell three notches to round out the Top 10 in its fourth week with an ESTIMATED $2.7 million (-48%) at 1,806 theaters (-399 theaters; $1,514 per theater). Its cume is approximately $53.9 million.
Directed by Mathieu Kassovitz, it stars Halle Berry, Robert Downey Jr., Penelope Cruz and Bernard Hill.
Sony's PG-13 rated drama Big Fish debuted in six theaters with an ESTIMATED $215,000 with a $35,833 per theater average.
In the film, a son comes to understand his father through the older man's fantastic stories.
Directed by Tim Burton, it stars Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Helena Bonham Carter and Alison Lohman.
The Top 12 films this weekend grossed an ESTIMATED $83 million, down 7.08 percent from last weekend's $89.3 million take and also down 8.1 percent from last year's $90.4 million.
Last year, Sony Pictures' PG-13 rated romantic comedy Maid in Manhattan debuted in first place with $18.7 million at 2,838 theaters ($6,593 per theater); Paramount's PG-13 rated sci-fi sequel Star Trek: Nemesis opened in second place with $18.5 million in 2,711 theaters ($6,829 per theater); and 20th Century Fox's PG-13 rated teen musical Drumline kicked off in third place with $12.6 million in 1,836 theaters ($6,865 per theater).