The French icon was handed the prestigious Chaplin Award for her lifetime achievements at the Film Society of Lincoln Center gala and Deneuve was overwhelmed to be feted by such a large crowd.
Dead Man Walking star Sarandon stepped up to the podium to pay tribute to her longtime pal, with whom she shared several steamy sex scenes in 1983's The Hunger, and joked, "I am probably the only presenter who's actually slept with Catherine Deneuve."
Director Martin Scorsese also heaped praise on the beauty, adding, "Catherine Deneuve seems to have been made for cinema, and cinema for her. She is French cinema. She seems to be getting more adventurous every year."
Also saluting the star were her actress daughter Chiara Mastroianni and French director Francois Ozon.
The actress joins a long list of fellow Chaplin Award recipients, including screen legends Elizabeth Taylor, Alfred Hitchcock, and Sidney Poitier.
November 05, 2010 7:18am EST
In keeping with this week's American Film Market theme, following is a rundown of deals and announcements to hit over the past day.
Notably, Wild Bunch has boarded Nick Cassavetes' Yellow, which had previously encountered some financial woes. With a private American equity partner now in place, the film is set to start shooting again in December. Wild Bunch is handling international sales.
In a rather poignant twist, Cassavetes' wife, Heather Wahlquist, stars in the film, which could be described as a sort of lighter version of A Woman Under the Influence -- in which Cassavetes' mother, Gena Rowlands, starred for his father, John Cassavetes.
The cast also includes Sienna Miller, Melanie Griffith, Luke Wilson and Ben Foster.
Sony Pictures Worldwide Acquisitions has acquired domestic rights to The River Sorrow, as part of a deal that also saw the company pick up rights for the UK, Australia, New Zealand and South Africa, says The Hollywood Reporter.
The Rich Cowan film stars Ray Liotta, Ving Rhames, Christian Slater, Giselle Fraga, Raymond Barry, Sarah Ann Schultz and Melora Walters.
As expected, Chris Rock has beenconfirmed as the lead opposite Julie Delpy in her directorial follow up to 2 Days in Paris. 2 Days in New York is being sold by Rezo Films.
According to Screen, the film now finds Paris heroine Marion in New York with her child and a new guy. Rock plays the new boyfriend, a radio host and journalist whose life will be upended by a two-day visit from Marion's French family.
Also per Screen, WestEnd Films will handle international rights on The Devil and the Deep Blue Sea. Justin Timberlake is scoring and supervising music for the film, which stars Zach Braff, Jessica Biel and Chloe Moretz.
Bill Purple directs the story of Henry, whose world is turned upside down when his wife is killed in a tragic accident. In an attempt to overcome his grief, Henry befriends a young homeless girl and helps her accomplish her dream of building a raft to cross the Atlantic to find her long-lost father.
Principal photography starts in April 2011.
Christophe Honore is back with a film starring Catherine Deneuve, Chiara Mastroianni, Ludivine Sagnier, Louis Garrel, Milos Forman and Paul Schneider. Les Biens-Aimees, which Screen describes as a Jacques Demy-style musical drama, is being sold internationally by Celluloid Dreams.
Lucy Walker's hot doc Countdown to Zero has sold to Paramount Pictures for Japan, says The Hollywood Reporter. The Works International is repping the Lawrence Bender produced film which premiered at Sundance and had a screening in Cannes.
Korea's CJ Entertainment has sold US rights to The Man from Nowhere to Well Go USA, Screen further reports.
IFC Midnight has taken US rights to psychological thriller Choose. SC Films is repping the film internationally. IFC Midnight plans a theatrical release in 2011 for the Marcus Graves genre film Screen says is in the vein of Seven and The Silence of the Lambs.
Magnet Releasing, the genre arm of Magnolia Pictures, has picked up US rights to Thai action movie BKO: Bangkok Knockout, adds THR.
The film is directed by Panna Rittkrai and centers on a group of friends who have to fight for their lives with one of their own is kidnapped.
Finally, Deadline reports that Myriad Pictures has acquired offshore rights to the Vivi Friedman-directed comedy The Family Tree. Pic stars Hope Davis, Dermot Mulroney, Selma Blair, Christina Hendricks, Max Thieriot, Jane Seymour, Rachael Leigh Cook and Bow Wow. Davis plays a restless housewife who bumps her head during an illicit encounter with her next-door neighbor and loses her memory. Myriad is shopping at the AFM. IP Advisors is brokering North American rights.
Source: Hollywood Wiretap
At the ripe young age of 8 Marjane Satrapi (voice of Gabrielle Lopes) is celebrating the end of the dictatorial Shah’s reign in late-‘70s Tehran Iran. Along with her parents Tadji (voice of Catherine Deneuve) and Ebi (voice of Simon Abkarian) and her grandmother (voice of Danielle Darrieux) with whom she is closest young Marjane looks toward a bright future one sans the oppression her independent-minded family has endured for some years. But life only winds up changing for the worse in the years that follow. Oppression and repression rage on amidst a new yet obsolete form of government. Women for example are literally not to be seen: Headscarves must cover their faces or else. This doesn’t sit well with Marjane who sneaks in taboo imports like Bee Gees and ABBA records and a “Punk Is Not Dead”-emblazoned jacket. Her parents fearing Marjane is one minor misstep away from jail or worse send her off to school in Vienna at age 14 (now voiced by Chiara Mastroianni) for her own safety. It starts a period of self-discovery self-loathing extreme growth spurts and great wandering both physically and mentally. And it ends with the beginning--of the rest of her life. The only name moviegoers are likely to recognize in the cast of vocals is that of legendary French actress Deneuve whose voice lends a genuinely maternal aura--in addition of course to her distinctive smoky delivery. All the voice-overs are superb though and the family feel is tangible throughout as a result. It pays off--not just budget-wise--to have a cast without A-listers separating Persepolis from the pack that has become star-studded animated movies of today. All dialogue is in French which obviously eliminates 99 percent of Hollywood but the relative few not scared off by lack of star power are in for a more authentic film. Most notable is Mastroianni (real-life daughter of Deneuve and her late husband famed actor Marcello Mastroianni) who voices both the teenaged Marjane and her older self narrating the story via flashbacks. Mastroianni as clearly the central figure of the story is able to capture every emotion on the roller coaster that was Satrapi’s coming-of-age-hood. Sometimes adaptations get lost in translation from source material to movie but Marjane Satrapi the author of the graphic novel of the same name on which Persepolis is based was fortunately integral to the whole production every step of the way. She co-directed and co-wrote the movie along with Vincent Paronnaud and clearly infused her woe-is-NOT-me attitude. Persepolis is sad in spots but it’s always circumstantial never subjective. At no time does Satrapi assert any sense of pathos into her real-life story or plead for viewers’ pity making it a refreshing often humorous and ultimately uplifting retrospective on oppression--not depression. Animation-wise everything is done in minimalist black and white the perfect touch that takes no getting used to; nor does it take away from the story’s soul like CGI sometimes does and the visuals still manage to be just as intoxicating as those in say Pixar movies. And being that Persepolis is adapted from a graphic novel and told in a similarly noir tone live action just wouldn’t have been the same.