A neophyte director who scored a hit with his first released feature, "Swingers" (1996), Doug Liman emerged as a true auteur who balanced a high-energy visual style with richly drawn characters. With...
New York City, New York, USA
|See Jane Run||Executive Producer||n/a||15|
|Knight Rider||Executive Producer||n/a||15|
|For the Love of Movies: The Story of American Film Criticism||Actor||Himself||1|
|The Bourne Identity||Director||n/a||2|
|Edge of Tomorrow||Director||n/a||2|
|Mr. & Mrs. Smith||Director||n/a||2|
|The Model Home||Director||n/a||2|
|The Black Out||Director||n/a||2|
|The Bourne Identity||Producer||n/a||3|
|Heist (2004-2005)||Executive Producer||n/a||2004||3000005|
|Season: 1||Executive Producer||n/a||3000005|
|Covert Affairs (2008-2013)||Executive Producer||n/a||2008||3000005|
|Knight Rider (2006-2007)||Executive Producer||n/a||2006||3000005|
|I Just Want My Pants Back (2010-2011)||Executive Producer||n/a||2010||3000005|
|Cry Wolf||Executive Producer||n/a||3000006|
|The Killing Floor||Executive Producer||n/a||3000006|
|Suits (2009-2013)||Executive Producer||n/a||2009||3000007|
|Knight Rider (2007-2008)||Executive Producer||n/a||2007||3000008|
|The Bourne Supremacy||Executive Producer||n/a||3000008|
|Things People Do||Executive Producer||n/a||3000008|
|See Jane Run (Sarah Thorp/Doug Liman)||Executive Producer||n/a||3000009|
|The Bourne Ultimatum||Executive Producer||n/a||3000009|
|Mail Order Wife||Executive Producer||n/a||3000011|
|Edge of Tomorrow||Executive Producer||n/a||3000013|
|Go||Director of Photography||n/a||6000005|
|Swingers||Director of Photography||n/a||6000005|
|Fair Game||Director of Photography||n/a||6000005|
|Baby Monkeys||Camera Operator||n/a||6000006|
|Fair Game||Camera Operator||n/a||6000008|
|Season: 2||Executive Consultant||n/a||12000006|
|Produced "The Bourne Ultimatum" starring Matt Damon|
|Directed Brad Pitt and Angelina Jolie in the dark comedy "Mr. & Mrs. Smith"|
|Returned to directing with "Jumper" starring Hayden Christensen and Samuel L. Jackson|
|First feature released, "Swingers"; also served as director of photography|
|Directed (also produced) Matt Damon in the hit feature "The Bourne Identity"; adapted from a Robert Ludlum novel|
|Produced the indie film "See Jane Run" starring Clea DuVall and Kevin Corrigan|
|Feature film directing debut, the direct-to-video release "Getting In/Student Body"|
|Directed "Fair Game," which is based on the true story of former CIA officer Valerie Plame (played by Naomi Watts)|
|Co-founded the student-run cable TV station while attending Brown University|
|Directed the pilot episode of "The O.C." (Fox)|
|Began making short films while in junior high school|
|Helmed second feature "Go"; also served as director of photography; premiered at the Sundance Film Festival|
|Served as executive producer for "The Bourne Supremacy"|
Born on July 24, 1965 in New York, NY, Liman was raised on the Upper West Side of Manhattan by his father, Arthur L. Liman, an attorney who once served as counsel for the State of New York during the investigation of the 1971 Attica prison riots, as well as general counsel for the Senate during the Iran-contra hearings in the 1980s. Meanwhile, his mother, Ellen, was a writer and a painter. When he was just six years old, Liman's father gave him a Super-8 camera, which the young boy promptly used to film dogs in Central Park. Throughout the years, he made numerous films with friends and family, even casting his father as The Mummy for a 25-minute film he made in the fifth grade. While still in high school, Liman studied still photography at the International Center of Photography in New York City, before moving on to Brown University, where he helped co-found the student-run cable television station, BTV, while serving as its first station manager.
Following his graduation from Brown in 1988, Liman attended the graduate program at the University of Southern California, where he helmed his first feature-length film, "Getting In/Student Body" (1993), a darkly comic thriller that attempted to satirize the admissions process to medical school. The little seen, direct-to-video release featured a cast of up and coming players, including Calista Flockhart, Matthew Perry, Christine Baranski and Dave Chappelle. Liman had also cast another pre-"Friends" star, Jennifer Aniston, but was forced to fire her after the studio, Trimark Pictures, wanted a post-"Buffy the Vampire Slayer" (1992) Kristy Swanson instead. Looking for his next picture, Liman became attached to direct "Swingers" when Jon Favreau, the screenwriter, had been turned down by everyone in town. Centered around a group of friends (Vince Vaughn, Ron Livingston and Patrick Van Horne) trying to snap a heartbroken buddy (Favreau) out of his lovesick funk, the film featured a swaggering hipness and self-conscious posturing that was nonetheless strongly grounded in genuine sweetness. Made on an ultra-low budget of $250,000, the dialogue-fueled "Swingers" was often filmed on locations in several popular clubs around Los Angeles, and even included a trip to Vegas, baby, without permits in a pseudo-documentary style. The result was a film filled with energy and charm that captivated audiences and critics, while establishing a cult following that jump-started the careers of the featured actors, most notably the unique motor-mouth, Vaughn.
Artful, smart and exhilarating, Liman's rapid-paced next effort "Go" (1999) more than lived up to the legacy of its acclaimed predecessor. A refreshingly optimistic and affirming take on John August's script about young Los Angelinos on the fast track, "Go" was comprised of three separate but related sections, each focusing on different members of the film's talented ensemble of up and comers (Sarah Polley, Timothy Olyphant, Jay Mohr, Scott Wolf, Taye Diggs). Liman showed a rare filmmaker's economy, bringing the elaborate and energetic ride in at well under two hours. Doing double duty as cinematographer, Liman created a look for the film that stylistically captured both the script's vivid spirit and somewhat dark subject matter. He shot some visually arresting scenes, including an Ecstasy-fueled hallucination set in a supermarket, a terrifying neon lit Las Vegas strip car chase, and a hazy rave dance floor scene. The film received overwhelmingly positive reviews, but box office returns were comparably lackluster. Marketed as a teen movie because of its hip, young cast, the film was lost in the influx of insipid commercial teen fare. Following "Go," Liman produced the Sarah Thorp film "See Jane Run" (2001), starring Clea DuVall and Kevin Corrigan, and as producer he helped bring the indie lesbian comedy "Kissing Jessica Stein" (2001) to the big screen.
Making the jump from low budget indies to major studio films in an instant, Liman enjoyed his most potent commercial and creative success when he helmed the cleverly assembled action thriller, "The Bourne Identity" (2002), an adaptation of author Robert Ludlum's thick potboiler. The film cast Matt Damon as Jason Bourne, an amnesiac who washes ashore and finds himself uncannily equipped to battle the assassins pursuing him, as he tries to piece together his identity. Demonstrating his visual flair in numerous action sequences that were a far cry from the talky scenes of his previous two efforts, Liman ably showed that he was capable of making a highly entertaining film regardless of budget or genre. The film spawned a franchise which saw Liman serve as executive producer on two sequels, "The Bourne Supremacy" (2004) and "The Bourne Ultimatum" (2007). Building on his success, he served as an executive producer and directed the pilot episode of the popular Fox melodrama "The O.C." (2003-07), which followed the turbulent relationships of a group of Orange County teens and their parents, and made stars out of newcomers Mischa Barton, Benjamin McKenzie, Adam Brody and Rachel Bilson.
Liman's momentum continued when he directed "Mr. & Mrs. Smith" (2005), a crackerjack comedic thriller about an increasingly distant married couple (Brad Pitt and Angelina Jolie), both of whom discover that the other is a secretly high-caliber assassin after being assigned to kill one another, reigniting their ardor for one another. In addition to Liman's characteristically innovative action staging, the film benefitted greatly from the chemistry between Pitt and Jolie, who developed a controversial, high-profile relationship off-screen while making the film. Due to rumored flirtations on set between Jolie and the then "married to America's Sweetheart," Brad Pitt, there was a larger-than-average interest in the film upon its opening. It became one of Liman's biggest box office successes, taking in well over $400 million in worldwide receipts. Turning back to television amidst a highly successful feature career, Liman directed the pilot episode for "Heist" (NBC, 2006), an action drama about a season-long attempt to rob three jewelry stores on Beverly Hills' swanky Rodeo Drive. Despite several positive reviews, the show completed only seven episodes, airing just five before being canceled. Liman returned to features with "Jumper" (2008), a sci-fi action flick centered on a group of underground teleporters able to jump from one unrealistic location to another. Starring Hayden Christiansen, Rachel Bilson and Samuel L. Jackson, "Jumper" produced some of the worst reviews of Liman's career, with many tagging the movie as incoherent and devoid of interesting visual effects.
Liman went back to television to serve as the executive producer on "Covert Affairs" (USA Network, 2010- ), a savvy action drama that centered on Annie Walker (Piper Perabo), a young CIA trainee, who is mysteriously sent into the field as an operative for reasons unknown. Accompanying her is a CIA intelligence and special operations officer (Christopher Gorham). Staying inside the covert world of the CIA with his next feature, Liman directed "Fair Game" (2010), a fictional accounting of the scandal surrounding Valerie Plame (Naomi Watts), an undercover operative who was publicly exposed by former presidential advisor Karl Rove as political retribution for her husband, Joe Wilson (Sean Penn), writing an op-ed in The New York Times declaring that the Bush Administration had manipulated intelligence in its case for invading Iraq.
|Arthur Liman||Father||Chief counsel to the Senate during the Iran-contra hearings in the 1980s; died in 1997 of bladder cancer|
|Lewis Liman||Brother||Born in 1960; works as a prosecuting attorney for New York Federal District Court|
|International Center of Photography|
|University of Southern California|
|With two friends from Brown University (David Bartis and Liz Hamburg), Liman started the Web site NibbleBox (www.nibblebox.com)|
|"I think teens are really smart. 'Go' will show you don't have to spoon-feed them garbage and that they can choose to see an original movie." - Liman quoted in Entertainment Weekly, April 23, 1999|
|"I think there is also a tendency for people who make independent films, they want to make cool movies. This is probably, in terms of psychiatry, the single most likely explanation for that - independent filmmakers want to make cool movies. And part of making a cool movie is to make these dark, edgy, sort of unlikable characters. I don't want to make 'cool' movies, I want to make sweet, uplifting films. To me those are the cool movies, the movies trying not to be cool." - Liman quoted as part of March 1999's Independent Feature Project interview|
|Chair, Board of Trustees of the National Association of College Broadcasters|
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