After a decade of steady work on British television, actor Clive Owen broke out internationally with American art house success of the taut crime-thriller "Croupier" (2000). With his rugged good looks...
|The Boys Are Back||Actor||Joe Warr||1|
|The International||Actor||Louis Salinger||1|
|Shoot 'em Up||Actor||Smith||1|
|King Arthur||Actor||Artorious Castus||1|
|I'll Sleep When I'm Dead||Actor||Will Graham||1|
|Trouble is My Business||Actor||n/a||1|
|Hemingway & Gellhorn||Actor||Ernest Hemingway||1|
|Inside Man||Actor||Dalton Russell||1|
|Beyond Borders||Actor||Nick Callahan||1|
|Trouble is My Business||Executive Producer||n/a||6|
|The Return of the Native||Actor||Damon Wildeve||1|
|Class of '61||Actor||n/a||1|
|Elizabeth: The Golden Age||Actor||Sir Walter Raleigh||1|
|The Bourne Identity||Actor||The Professor||1|
|The Rich Man's Wife||Actor||Jake Golden||1|
|Close My Eyes||Actor||Richard Gillespie||1|
|Lorna Doone||Actor||John Ridd||1|
|The Boys Are Back||Executive Producer||n/a||15|
|Gosford Park||Actor||Robert Parks||1|
|Class of '61 (1991-1992)||Actor||Devin O'Neil||1991||1|
|Children of Men||Actor||Theo Faron||1|
|Extras: The Extra Special Series Finale (2006-2007)||Actor||Himself||2006||1|
|The 10th Annual Critics' Choice Awards (2003-2004)||Actor||n/a||2003||1|
|Played a grieving single parent trying to raise his equally grieving son in "The Boys are Back"|
|Made American TV debut in "Precious Bane," a two-part segment of the PBS series "Mystery!"|
|Played the leading role in the film adaptation of Martin Sherman's "Bent"|
|Co-starred with Robert De Niro and Jason Statham in the action feature "Killer Elite"|
|Co-starred opposite Helen Mirren in "Greenfingers"|
|Co-starred with Julia Roberts, Natalie Portman and Jude Law in "Closer"; directed by Mike Nichols and based on the play by Patrick Marber; earned first Academy Award nomination|
|Played a mysterious bank robber in Spike Lee's "Inside Man"|
|Starred in Alfonso Cuaron's highly acclaimed "Children of Men"; worked on the screenplay, although he was uncredited|
|Re-teamed with Julia Roberts to play corporate spies in "Duplicity"|
|Cast as Dwight in the adaptation of comic book icon Frank Miller's uber-noir series, "Sin City"; co-directed by Miller and Robert Rodriguez|
|Played the father of a young girl targeted by an online sexual predator in "Trust"|
|Played the series lead in "Chancer"|
|Feature film debut, "Vroom"|
|Appeared in a series of advertisements for BMW shown over the Internet at bmwfilms.com|
|Played a villain opposite Matt Damon in "The Bourne Identity"|
|Re-teamed with Hodges for "I'll Sleep When I'm Dead"|
|Starred on the ITV series "Sharman"|
|Portrayed Ernest Hemingway opposite Nicole Kidman in HBO romantic drama "Hemingway & Gellhorn"|
|Appeared as Sir Walter Raleigh opposite Cate Blanchett in the film "Elizabeth: The Golden Age"|
|Starred opposite Jennifer Aniston in the thriller "Derailed"|
|Became a member of the Young Vic, performing in several plays, such as "Romeo and Juliet"|
|Teamed with Naomi Watts and director Tom Tykwer for "The International"|
|Won praise for his performance as an incestuous brother in Steven Poliakoff's "Close My Eyes"|
|Played the title role in Antoine Fuqua's version of "King Arthur"|
|Starred in the horror thriller "Intruders"|
|Starred alongside Paul Giamatti in the film "Shoot 'Em Up"|
|Appeared on the BBC series "Second Sight" as Chief Inspector Ross Tanner (aired on PBS in the US)|
|First major Hollywood film, "The Rich Man's Wife"|
|Played a valet in Robert Altman's "Gosford Park"; second collaboration with Helen Mirren|
|Directed by Poliakoff in "Century"|
|Received international acclaim for his role in Mike Hodges' "Croupier"|
Born on Oct. 3, 1964 in the small town of Coventry, England, Owen was raised in a fairly rough neighborhood by his country music singing father, who was divorced from his mom in 1968. Owen knew early on that he wanted to be an actor after playing the Artful Dodger in a school production of "Oliver!" When he was 13 years old, he joined a youth group run by the Coventry Theatre while a student at Binley Comprehensive. Accustomed to poverty and occasional violence, Owen spent two years after graduating high school on the dole while trying to jump-start his acting career. He previously tried applying to the Royal Academy of Dramatic Art (RADA), but decided instead to drop out of civil society and make it on his own terms. Two soul-sucking years later, Owen reapplied to RADA and got in. He was fortunate enough to be working with a group in school that was workshopping a Howard Barker play that had yet been put to market. The play later opened at the Royal Court, attracting agents wishing to represent young Owen before he had the chance to even graduate.
After graduation, he took to the stage at the Young Vic, playing Romeo in "Romeo and Juliet" - where he met his soon-to-be wife, Sarah-Jane Fenton, who played Juliet - and Claudio in "Measure for Measure." Owen made his feature debut in "Vroom" (1988), a story about three people - Owen, David Thewlis and Diana Quick - who escape their dreary surroundings and go on a road trip that suddenly turns disastrous. That same year, he displayed his darker side as a psychopath in the BBC adaptation of "Precious Bane," which aired in America on PBS' "Mystery!" before turning roguishly heroic for the British TV series, "Chancer" (1990-91). Owen delivered a strong portrayal of an ambitious businessman who is seduced by his older sister (Saskia Reeves), then becomes obsessed when she tries to break the affair off in Stephen Poliakoff's excellent drama "Close My Eyes" (1991). Owen was tapped again by Poliakoff, this time to play a Jewish doctor who clashes with the head of a medical center (Charles Dance) in the period piece "Century" (1993).
Owen crossed the Atlantic to appear in the ABC drama "Class of '61" (1993), as an Irish graduate of West Point who goes off to fight in the Civil War. Owen received strong notices for his seductive hedonist in "The Return of the Native" (CBS, 1994) and as Halle Berry's lover in "The Rich Man's Wife" (1996). After starring as a British private investigator in the series "Sharman" (1996), Owen essayed his most challenging role to date, playing a concentration camp inmate in Sean Matthias' film version of "Bent" (1997). As Max, the actor gave a powerful performance, skillfully negotiating the characters evolution from selfish and debonair decadent to caring individual. Owen and co-star Lothaire Bluteau worked off one another to great effect, with both delivering star-making performances.
After co-starring on the London stage in "Closer" (1997), the actor appeared opposite Alex Kingston in director Mike Hodges' absorbing crime drama "The Croupier" (1999), the film that would provide his breakthrough role. As a hard-boiled dealer who conspires to defraud a casino, Owens' performances prompted critic Roger Ebert to compare his steely reserve to that of Sean Connery, noting "he doesn't give himself wholly to the action, but seems to be keeping a part of his mind outside of it, measuring and calculating." Not surprisingly, Owen quickly began topping the lists of potential successors to the James Bond role after Pierce Brosnan. Meanwhile, the actor's popularity increased when he starred in a series of four "Second Sight" telepics for the BBC, playing hot shot British detective Ross Tanner in 1999 and 2000, and he became an icon of cool as The Driver in a series of avant-garde action shorts sponsored by BMW and helmed by directors John Woo, Ang Lee, Guy Ritchie, Tony Scott, Joe Carnahan and John Frankenheimer.
On the big screen, Owen again impressed with his turn in "Gosford Park" (2001), director Robert Altman's delightful ensemble riff on British drawing room murder mysteries, playing the brooding Robert Park, who emerges as a central figure in the storyline. Off that success, he was cast in the big budget studio adaptation of Robert Ludlum's spy thriller "The Bourne Identity" (2002) as the ruthless, steel-nerved assassin, The Professor. Owen next starred opposite Angelina Jolie in the disappointing melodrama "Beyond Borders" (2003), the story of a disaster-relief worker who falls in love with a socially conscious wealthy woman. He rebounded strongly, however, when he reunited with Hodges for the noirish "I'll Sleep When I'm Dead" (2004), playing a retired British gangster who emerges from his secluded countryside life to investigate the death of his brother.
Next up was Antoine Fuqua's supposedly "demystified" retelling of the legend of "King Arthur" (2004), a big budget, action-oriented film that cast Owen as England's once and future king, this time set in a more historically correct context, if indeed a King Arthur actually existed. Owen's next role made him an overnight star in the States. The highly literate, often romantically brutal drama "Closer," directed by Mike Nichols followed the complex relationships between two couples (Owen, Natalie Portman, Julia Roberts and Jude Law) who become messily intertwined in a love/sex gender war. Despite such starpower, it was the relatively unknown Owen's hard-edged performance that was the most heavily cited by critics and viewers. Not surprisingly, Owen took home the Golden Globe for Best Performance by a Supporting Actor and was nominated for an Oscar in the same category.
Amid furious rumors that he was being courted to become the next James Bond - he later admitted he wasn't interested in the role, which ultimately went to Daniel Craig - Owen appeared to splendid effect in director Robert Rodriguez and writer-artist Frank Miller's co-venture "Sin City" (2005), a visceral, visually stunning adaptation of Miller's crime noir comic book series. Headlining the segment drawn from Miller's story arc "The Big Fat Kill," Owen played the hard-edged but noble Dwight McCarthy, who becomes embroiled in a sudden, violent battle over control of Sin City's Old Town, where prostitutes armed to the teeth reign. A portion of Owen's storyline, the eerie sequence in which he drives the talking corpse of the corrupt cop Jackie Boy (Benicio del Toro) was also directed by Quentin Tarantino. Next was the thriller "Derailed" (2005), which cast Owen and Jennifer Aniston as two married business executives having an affair who are forced into violent and illicit acts by a sadistic criminal, and must turn the tables to save their families.
After the blackmail thriller came and went without much notice, Owen starred in Spike Lee's impressive genre piece, "Inside Man" (2006), playing a brilliant and cool-headed thief who remains one step ahead of a smooth-talking hostage negotiator (Denzel Washington) in an effort to pull off the perfect heist. Owen rounded out the year on a high note, starring in Alfonso Cuarón's multi-award nominated "Children of Men" (2006), a futuristic dystopian tale about a former political activist (Owen) turned down-and-out bureaucrat who is convinced by a former lover (Julianne Moore) to help transport a young woman pregnant (Clare-Hope Ashitey) with the infertile world's only child to the fabled Human Project in order to save the future. He was next cast as Sir Walter Raleigh in "Elizabeth: The Golden Age" (2007), Shekhar Kapur's follow up to "Elizabeth" (1998) in which the Virgin Queen (Cate Blanchett) becomes involved in a relationship with the famed poet and explorer during one of the British Empire's many entanglements with Spain.
Proving himself comfortable in virtually any and all imaginable genres, Owen starred opposite a scenery-chewing Paul Giamatti in the cartoonishly violent "Shoot 'Em Up" (2007), as a nameless, carrot-chomping gunslinger, united with a beautiful prostitute (Monica Bellucci) in the guardianship of an infant targeted by a ruthless criminal (Giamatti). Far more somber in its tone was the espionage thriller "The International" (2009), in which Owen played an Interpol agent investigating a global banking organization involved in money laundering, arms trading and murder. Also that year he demonstrated nearly irresistible chemistry with co-star Julie Roberts in the jaunty "Duplicity" (2009), a romantic comedy in which they played two corporate spies conning a pair of captains of industry, even as they alternately scammed and wooed each other. Working with actor-turned-director, David Schwimmer, Owen gave a heart-wrenching performance in the drama "Trust" (2010) as a father whose world is turned upside down after his teenage daughter (Liana Liberato) is stalked and later raped by a man she met on the Internet. Returning to pure action, he paired with Robert De Niro and Jason Statham for the thriller "Killer Elite" (2011), prior to working alongside actress Nicole Kidman in the lauded period biopic "Hemingway & Gellhorn" (HBO, 2012), which covered the great American writer's (Owen) love affair with war correspondent Gellhorn (Kidman) during the Spanish Civil War. His performance as Hemingway earned him an Emmy Award nomination for Outstanding Lead Actor in a Miniseries or a Movie - the first such honor of his career. He also received a SAG nod in the same category.
|Sarah-Jane Fenton||Wife||Met when they performed the leads in "Romeo and Juliet"; Married March 6, 1995|
|Jess Owen||Father||Divorced from Clive's mother c. 1968; son was a teen, they remain estranged|
|Pamela Owen||Mother||Divorced from Clive's father c. 1968; Remarried and raised son with new husband|
|Eve Owen||Daughter||Born in 1999; mother, Sarah-Jane Fenton|
|Hannah Owen||Daughter||Born in 1997; mother, Sarah-Jane Fenton|
|Royal Academy of Dramatic Art|
|"Parenthood and family come first for me. When I'm not working I'm cool with the 'Teletubbies.'" - Owen to Biography magazine, Summer 2004|
|"When I got into drama school," he says. "I really felt like someone plucked me out of the life I was in and put me on the path to somewhere else." - Owen to GQ magazine, March 2005|
|"It used to tickle me when I went to the premieres and American journalists in particular would say, 'That was so brave that you would do that role.' Somebody offered me a great f*cking part! What's brave about it?" - Owen to Playboy magazine, September 2007|
|Director Tom Tykwer calls Owen, "the thinking man's action hero. He is physically impressive, but he can still show that he's vulnerable." - from USA Today, Feb. 10, 2009|
|Mike Nichols, who directed Owen in "Closer" (2004): "Clive's the best example of the actor stripped of the cum-Strasberg, cum-Actors Studio torture of emotion. Here's a guy who comes to work, gets his coffee, knows his lines. Then someone will say 'Action,' he'll terrify everyone in the room, then we cut, and he picks up his coffee again. It's a job." - from Esquire magazine, March 2009|
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