Andrea Arnold, who holds the distinction of having won two Jury prizes at Cannes (one for Red Road in 2006 and one for Fish Tank in 2009), has signed on to direct Ecosse Films' adaptation of Emily Bronte's classic novel Wuthering Heights.
Variety reports that the move is a coup for producers Robert Bernstein, Douglas Rae and Kevin Loader, who have seen a number of cast and director changes.
Director Peter Webber left the project in December, while previously attached director John Maybury departed last summer. The cast has also seen Natalie Portman, Abbie Cornish and Gemma Arterton all attached at one point to play the iconic role of Cathy.
Arnold will direct Olivia Hetreed's adaptation of Bronte's novel and will emphasize the youthful, teenage aspect of the protagonists in the original source material, says Variety.
Hanway Films is handling international sales.
Hollywood star Natalie Portman has dropped out of a forthcoming big-screen adaptation of Wuthering Heights over conflicts in her schedule.
The Star Wars actress was set to play the film's lead role, Cathy Earnshaw, in John Maybury's take on the classic Emily Bronte novel, but has quit the project in favor of an unknown movie venture.
Portman was slated to appear opposite German actor Michael Fassbender, who will play the iconic Heathcliff in the film.
Movie bosses at Ecosse Films are said to be determined to shoot the movie on schedule and are currently searching for a replacement for Portman.
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April 11, 2008 5:57am EST
Natalie Portman is set to star in a new feature adaptation of Emily Bronte's Wuthering Heights.
Portman will play heroine Catherine Earnshaw, who falls for Heathcliff in a passionate love that is ultimately thwarted.
The film, written by Girl With a Pearl Earring’s Olivia Hetreed, will be directed by John Maybury. Maybury’s credits include episodes of the miniseries Rome and 2005’s The Jacket with Adrien Brody and Keira Knightley.
Several screen versions have been made over the decades, but William Wyler’s 1939 version with Merle Oberon as Earnshaw and Laurence Olivier as Heathcliff is considered the definitive version, write today’s trades.
The last time it was brought to the screen, Heights paired Juliette Binoche with Ralph Fiennes.
Folks on the new project believe Portman will bring a freshness to the tale. “Natalie is without a doubt one of the most acclaimed actresses of her generation,” Tim Haslam, of international sales agency HanWay, told The Hollywood Reporter. “Combined with visionary director John Maybury, this promises to be a fresh, exciting version of a classic love story.”
Portman will next be seen in Jim Sheridan’s Brothers alongside Jake Gyllenhaal and Tobey Maguire.
In trying to piece this movie together we know that Gulf War veteran Jack Starks (Brody) suffers from amnesia after surviving a combat-related gunshot wound to the head. If that wasn't enough once he is back stateside he is soon accused of murdering a police officer although he has no recollection of the crime. It keeps getting worse for the guy. Jack is then committed to a mental institution for the criminally insane and is placed under the care of the unconventional and somewhat twisted Dr. Becker (Kris Kristofferson). The doc puts Jack on a controversial treatment regimen in which he is injected with experimental drugs confined in a straight-jacket and locked for extended periods in the body drawer of the basement morgue. Well isn't that lovely? Oddly enough in this drugged disoriented and claustrophobic state Jack has an epiphany. He is somehow propelled into the future where he meets Jackie (Keira Knightley) and discovers that he died soon after being admitted to the mental institution. Together they search for a way to save him from his fate. Does that make any sense?
You would think after making something as harrowing as The Pianist or even psychologically twisty as The Village Oscar winner Adrien Brody would want to do something light and fun. But no. He apparently is up for more excruciating torment this time getting shot in the head and then being wrapped in a straight-jacket and locked in a confined space for hours on end. The thing is Brody is really really good at portraying tortured characters. Maybe it has something to do with his offbeat angular good looks sad eyes and his quietly determined demeanor. In any event Brody's Jack is instantly likeable. Rather than pitying him for all the horrifying things he goes through somehow you know nothing can get him down that he is going to find the answers. As his cohort and love interest the British Knightley dons an American accent and aptly plays the equally tortured Jackie who's experienced her fair share of hurt. Kristofferson too handles his somewhat misguided character with composure. And Jennifer Jason Leigh comes out of hiding to turn in a quiet and moving performance as a kindly doctor trying to help Jack but has her own issues.
Auteur director John Maybury (Love Is the Devil) who wanted to treat the film as an experimental avant-garde piece says it succinctly "What interested me about [The Jacket] is that it's kind of genre-less … I hope no one comes up with a label for it because for me the fact that it slips between the cracks of various genres makes it interesting as an experience." While this sounds a tad pretentious Maybury still accomplishes his mission. One would be hard pressed to find anything formulaic in The Jacket even if you can spot elements from other psychological time-altering mind-bending films. Yet with this concept comes a problem of aesthetics and coherency. The film jumps around a lot and oftentimes it is hard to follow the chain of events. Not to mention there's a fair bit of having to suspend your disbelief. But The Jacket will still grab you by the throat emotionally--and that's really all that's needed to keep you in your seat.