Saul Zaentz carved a niche in film with accomplished, often critically acclaimed adaptations of novels and plays. A child of immigrant parents, the New Jersey native had originally planned to open a c...
Passaic, New Jersey, USA
|Saul Zaentz||1998 1997 - 1998||Actor||Interviewee||19987|
|Fog City Mavericks||2007 2006 - 2007||Actor||n/a||20077|
|Milos Forman: Portrait||1989 1988 - 1989||Actor||n/a||19897|
|The 69th Annual Academy Awards||1996 1995 - 1996||Actor||Award Recipient||19967|
|One Flew Over the Cuckoo's Nest||1974||Producer||n/a||3|
|The Unbearable Lightness of Being||1988||Producer||n/a||3|
|At Play in the Fields of the Lord||1991||Producer||n/a||3|
|The Lord of the Rings||1978||Producer||n/a||3|
|The English Patient||1996||Producer||n/a||3|
|The Mosquito Coast||1986||Executive Producer||n/a||1|
|As co-producer, reteamed with Minghella for "The Talented Mr. Ripley"|
|Announced as one of the executive producers (along with Harvey and Bob Weinstein) of Peter Jackson's trilogy of films based on JRR Tolkien's "The Lord of the Rings", filmed back-to-back in 2000; "The Fellowship of the Ring" (2001), "The Two Towers" (2002)|
|Had a critical and box-office success with Anthony Minghella's film version of "The English Patient", adapted from Michael Ondaatje's novel|
|Raised in Passaic, New Jersey|
|Served in the US Army during WWII|
|Had major financial failure with "At Play in the Fields of the Lord"|
|First feature as co-producer, "One Flew Over the Cuckoo's Nest", directed by Milos Forman|
|Reteamed with Forman for the film adaptation of Peter Shaffer's play "Amadeus"|
|Moved back to NYC to work with Norman Granz on his jazz label; also booked concert packages|
|First film for own production outfit, The Saul Zaentz Company, "Three Warriors"|
|Purchased Fantasy Records with a group of investors|
|Worked for a record distributor|
|Joined Fantasy Records as manager|
|Moved to St Louis, Missouri after the war; eventually headed farther west to San Francisco|
With this success, and now based in Berkeley, Zaentz made an auspicious entry into feature film production with Milos Forman's "One Flew Over the Cuckoo's Nest" (1975). Starring Jack Nicholson and based on Ken Kesey's underground classic, the film became one of the biggest--and unlikeliest--critical and commercial smashes of the day, becoming the second picture to earn Oscars in the top five categories, including one for Best Picture Oscar for Zaentz and co-producer Michael Douglas.
Zaentz's subsequent efforts, often literary adaptations, have been infrequent, but usually been worth the wait. A reteaming with director Forman in 1984 on "Amadeus", based on Peter Shaffer's play about Mozart, yielded a second Best Picture Oscar. Philip Kaufman's "The Unbearable Lightness of Being" (1988), featured strong central performances from Daniel Day-Lewis and Juliette Binoche and introduced Lena Olin to American audiences. He stumbled with the adaptation of "At Play in the Fields of the Lord" (1991), directed by Hector Babenco. While the film has much to admire, its length and subject left audiences cold and resulted in a loss of some $20 million, a costly one for the producer. Zaentz, however, rebounded with Anthony Minghella's "The English Patient" (1996), a stirring epic with stunning visuals and brilliant performances, adapted from Michael Ondaajte's novel. The film earned 12 Oscar nomination and won a total of nine, including Best Picture. For his overall efforts, Zaentz was also selected by the Academy of Motion Picture Arts and Sciences to receive the 1996 Irving G Thalberg Award.
In the early 80s, he founded the Saul Zaentz Company Film Center, a post-production sound facility, that has become a valuable resource for the northern California filmmaking community. Saul Zaentz died on January 3, 2014, nine years after the release of his final film as a producer, "Goya's Ghosts" (2005), his third collaboration with Forman.
|"Saul is extremely unusual in that he's hung onto a generosity of spirit in a murderous business." --Ralph Fiennes in THE NEW YORK TIMES, December 3, 1995|
|". . . oneof my maxims is, Don't kick yourself in the ass the rest of your life saying, 'I should have done THIS.' That way, you're still heartbroken, but you can live with it." --Saul Zaentz quoted in ENTERTAINMENT WEEKLY, November 22, 1996|
|Member, Board of Governors of Academy of Motion Picture Arts and Sciences|
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