Arnon Milchan

Prominent producer Arnon Milchan got his start producing plays for the Israeli stage. He began working on major feature films in the 1980s and his credits include such diverse outings as Martin Scorse...
read more...

BirthDate
BirthPlace
12/05/1944
Israel
  • Alvin and the Chipmunks: Chipwrecked Review
    By: Thomas Leupp December 16, 2011 11:21am EST
    Harmless -- and charmless -- family entertainment.
  • What's Your Number? Review
    By: Thomas Leupp September 30, 2011 7:40am EST
    A talented cast is squandered in this stupefyingly formulaic rom-com.
  • Vampires Suck Review
    By: Thomas Leupp August 18, 2010 10:43am EST
    Mocking 'Twilight' is like shooting fish in a barrel, and yet this lazy satire still misses the target.
  • Knight and Day Review
    By: Brian Salisbury June 24, 2010 4:47am EST
    Knight and Day is generic and insultingly stupid. Don't waste your time or money on this one.
  • Alvin and the Chipmunks: The Squeakquel Review
    By: Thomas Leupp December 24, 2009 9:18am EST
    The perfect entertainment for those who find 'Teletubbies' and 'Dora the Explorer' to be a little too highbrow.
  • Bride Wars Review
    By: Pete Hammond January 08, 2009 9:46pm EST
    An amusing premise falls flat as this unfunny war turns ugly and silly.
  • Up at the Villa Review
    By: Mauricio Minotta November 04, 2008 12:48pm EST
    When it comes to fascism, love conquers all.
  • Meet the Spartans Review
    By: Brian Marder January 28, 2008 4:40am EST
    There’s nothing funny here--only sad. Sad in the sense that enough people will see Meet the Spartans to warrant a continuation of this franchise. And until that next spoof comes, there will not be a worse movie. It’s just not possible.
  • My Super Ex-Girlfriend Review
    By: Mike Szymanski July 21, 2006 5:12am EST
    How can a movie with such talented performers and such an original concept seem so entirely like a re-tread? Help them Superman!
  • The Sentinel Review
    By: Brian Marder April 21, 2006 10:46am EST
    These days, no salacious story to come out of Washington would ever be beyond the realm of possibility--except for this one. Michael Douglas’ first offering in three years is just what we’d expect, and that’s not a good thing.