Veteran country star Tommy Overstreet scrapped plans to release a memoir after realising his life story "bored" him "to tears". The singer reveals he completed the autobiography in the late 1990s, but even he wasn't a fan of his own work after reviewing his tales about how he rose to fame in the 1970s, and he decided to bury it.
The Ann (Don't Go Runnin') hitmaker tells Billboard.com, "After I read it, it bored me to tears. I decided I wasn't going to do anything with it, and my wife agreed."
Instead, Overstreet has shared anecdotes from his years on the road in a new book, titled A Road Less Traveled, which focuses more on the people he's encountered and worked with over the years than his own back story.
He says, "We wanted it to be a book where a person could read a chapter, lay it down on the coffee table, pick it up again a few days later and read another chapter. We didn't want people to feel like they had to read the book overnight. I feel we accomplished that, I think."
In the tome, the 76 year old recalls attending a show featuring his high school pal Tommy Sands and meeting Elvis Presley when the rocker was just an up-and-coming talent from Memphis, Tennessee.
He says, "Tommy went up on stage, and this fellow comes up, and asks me how I was doing. He said, 'That Tommy sings pretty good.' I said 'Yes, he's a good friend of mine. We're here to hear the new guy out of Tennessee named Elvis Presley.' He says 'Hi, my name's Elvis.' We talked for a few minutes, and he was a nice fellow. I saw him several times over the years. We weren't close friends, but we knew each other, and I was a big fan of his."
Robert Zemeckis is a blockbuster director at heart. Action has never been an issue for the man behind Back to the Future. When he puts aside the high concept adventures for emotional human stories — think Forrest Gump or Cast Away — he still goes big. His latest Flight continues the trend revolving the story of one man's fight with alcoholism around a terrifying plane crash. Zemeckis expertly crafts his roaring centerpiece and while he finds an agile performer in Denzel Washington the hour-and-a-half of Flight after the shocking moment can't sustain the power. The "big" works. The intimate drowns.
Washington stars as Whip Whitaker a reckless airline pilot who balances his days flying jumbo jets with picking up women snorting lines of cocaine and drinking himself to sleep. Although drunk for the flight that will change his life forever that's not the reason the plane goes down — in fact it may be the reason he thinks up his savvy landing solution in the first place. Writer John Gatins follows Whitaker into the aftermath madness: an investigation of what really happened during the flight Whitaker's battle to cap his addictions and budding relationships that if nurtured could save his life.
Zemeckis tops his own plane crash in Cast Away with the heart-pounding tailspin sequence (if you've ever been scared of flying before Flight will push into phobia territory). In the few scenes after the literal destruction Washington is able to convey an equal amount of power in the moments of mental destruction. Whitaker is obviously crushed by the events the bottle silently calling for him in every down moment. Flight strives for that level of introspection throughout eventually pairing Washington with equally distraught junkie Nicole (Kelly Reilly). Their relationship is barely fleshed out with the script time and time again resorting to obvious over-the-top depictions of substance abuse (a la Nic Cage's Leaving Las Vegas) and the bickering that follows. Washington's Whitaker hits is lowest point early sitting there until the climax of the film.
Sharing screentime with the intimate tale is the surprisingly comical attempt by the pilot's airline union buddy (Bruce Greenwood) and the company lawyer (Don Cheadle) to get Whitaker into shape. Prepping him for inquisitions looking into evidence from the wreckage and calling upon Whitaker's dealer Harling (John Goodman) to jump start their "hero" when the time is right the two men do everything they can to keep any blame being placed upon Whitaker by the National Transportation Safety Board investigators. The thread doesn't feel relevant to Whitaker's plight and in turn feels like unnecessary baggage that pads the runtime.
Everything in Fight shoots for the skies — and on purpose. The music is constantly swelling the photography glossy and unnatural and rarely do we breach Washington's wild exterior for a sense of what Whitaker's really grappling with. For Zemeckis Flight is still a spectacle film with Washington's ability to emote as the magical special effect. Instead of using it sparingly he once again goes big. Too big.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
Here are several reasons why you shouldn’t dismiss Hansel & Gretel: Witch Hunters as the most bad-ass fairy tale adaptation ever made, starting with the most recent news:
- Gemma Arterton has landed one of the lead roles (we’re assuming that means she’ll play Gretel). Sure she might be a pretty face, but she also has some serious action credentials to her name. Hell, in 2010 alone she was in Clash of the Titans and Prince of Persia. Sure, they weren’t that great, but she also rocked in Quantum of Solace and The Disappearance of Alice Creed. She also looked great (and by great I mean in those shorts) in Tamara Drewe.
- She’ll be working along side Oscar nominee Jeremy Renner. Not only did he star in one the hardest films ever (The Hurt Locker) he’ll be filming H&G between Mission: Impossible: Ghost Protocol and The Avengers. Three huge action movies in a row. He may have found his calling.
- The director is Tommy Wirkola, who made a little movie called Dead Snow. It’s one of those movies where they’re trapped in the snow with zombies. Nazi Zombies. That’s right - NAZI ZOMBIES. What else do you need to know?
- The movie, described as an action-comedy, will be aiming for a hard R and is being produced by Will Ferrell, Chris Henchy and Adam McKay through their Gary Sanchez Productions. I just giggled in anticipation.
Bad-ass fairy tale? Bad-ass fairy tale.
Source: The Hollywood Reporter
Cowell recently announced he will leave the TV talent contest when the current series ends later this year (10), and rumours are rife over who will take his place on the judging panel.
Stars including Sir Elton John have been linked to the job, while Cowell himself has suggested Mariah Carey's ex-husband, music mogul Tommy Mottola, as a possible replacement.
Morgan, who was hired by Cowell for the panel of his America's Got Talent TV show, is the latest celebrity linked to vacant American Idol seat - but the Brit is adamant he won't be following in his friend's footsteps.
He says, "A report in the New York Post has me down at 2-1 favourite to replace Simon Cowell if he leaves American Idol. It's never going to actually happen, obviously, as following The Master on that show would be like following Sinatra at the Sands (Las Vegas resort)."
But Morgan is happy to perpetuate the rumours, as he's convinced Cowell will be unimpressed to hear him named as a possible successor.
He adds, "The mere fact that anyone is even suggesting it will make him fall off his Barbados sunbed."
Clint Eastwood and Oscar-winning writer Brian Helgeland will team up on an adaptation of the best-selling novel, Mystic River, for Warner Bros.
The novel, now in its ninth week on the top 10 New York Times bestseller list, follows three childhood friends whose relationship breaks apart after a tragic incident. They are brought back together 25 years later when they are all linked to a murder investigation.
Eastwood and Helgeland also are collaborating on another Warner Bros. project, the mystery/thriller Blood Work, an adaptation of a novel by Michael Connelly. Eastwood is set to produce, star and direct from Helgeland's screenplay.
Academy Award-winning scribe Helgeland (L.A. Confidential) wrote and directed the upcoming A Knight's Tale with Heath Ledger. Eastwood directed last year's hit Space Cowboys.
Tatum O'Neal is a "Scoundrel"
Making a comeback after more than a 10-year absence, Oscar-winning actress Tatum O'Neal (Paper Moon) will star opposite Tim Curry (Charlie's Angels), Julian Sands and Lacey Chabert (Party of Five) in The Scoundrel's Wife, an independent project.
Set in Louisiana in 1942, a young widow (O'Neal) is suspected of helping the Germans in a small bayou town, after the German U-boats have sunk American ships.
O'Neal, divorced from ex-husband John McEnroe, returns after spending the last decade raising their children.
Hoop dreams for Lil' Bow Wow
Fourteen-year-old double platinum rap singer Lil' Bow Wow will get his feature film debut in Like Mike for 20th Century Fox.
Lil' Bow Wow will play a kid who finds a pair of magical sneakers worn by basketball superstar Michael Jordan. Suddenly, the teen is transformed into a NBA hero.
Written by Michael Elliot, the story was inspired by Lil' Bow Wow, whom Elliot met on the set of MTV's seriesHip Hopera.
"He loves basketball, loves Michael Jordan, and he's an exceptional basketball player" Elliot told Variety.
"It's every kid's dream to play in the NBA, and it's not like Big, where he becomes a man. In this case, it's more fun if he stays a kid."
Lowe gets "Framed"
Rob Lowe, hot off his acclaimed role as deputy communications director in the hit NBC drama series The West Wing, will star in the TNT original movie Framed, based on a BBC miniseries of the same name.
Lowe will play a New York detective who takes a key member of a money-laundering scheme into custody and prepares him to testify in court. Things gets complicated as the detective's strong ethical code is placed in jeopardy when the witness offers him millions of dollars to help him escape.
The film will be directed by Daniel Petrie Jr. (Toy Soldiers) and executive produced by David Brown (Along Came a Spider) and Kit Golden (Chocolat).
Foley is a "Fuddy" Duddy
NewsRadio star Dave Foley has signed to star in Fox's comedy pilot, What's Up, Peter Fuddy?, with David Steinberg set to direct and co-written by Emmy winner Jay Kogen (Frasier).
The show's premise is Truman Show-esque: a Nightline-style news show follows the daily activities of an insurance adjuster Fuddy (Foley), who is forced to appear on the show to defend his actions.
Foley re-teams with Steinberg and Kogen after working together on the comedy The Wrong Guy. The feature was never released but it won the best screenplay award at the 1999 U.S. Comedy Arts Festival.
The pilot also stars Jamie Denbo (Lost Souls), as Fuddy's wife, and Craig Anton (The Army Show), as Fuddy's next-door neighbor.
"MiB2"'s villainous Janssen
The X-Men's heroine Famke Janssen is in negotiations to play the villainous vamp in Columbia Pictures' Men In Black 2 for director Barry Sonnenfeld.
Production is scheduled to start in June. Although the plot is under wraps, most of the original film's stars will be in the sequel, including Will Smith and Tommy Lee Jones as agents J and K, respectively. Janssen will play bad bombshell Serleena and Johnny Knoxville (MTV's Jackass) will be featured as a two-headed alien. The cast also includes Rosario Dawson (Josie and the Pussycats) as Smith's love interest.
"Annie" and Reba: together again
Country superstar Reba McEntire will reprise her role as Annie Oakley in a CBS-TV movie version of Irving Berlin's Annie Get Your Gun.
Currently starring in the Broadway smash hit, McEntire is a perfect choice to play Annie for the CBS movie, producer Howard Braunstein told Variety. She also will executive produce the film.
Currently in development, the movie could air by the February sweeps, depending on the potential strikes. McEntire will continue with the Broadway production through May 27. She's concurrently starring in an untitled comedy pilot for the WB Network.
"Crouching Tiger" creates Chinese boom
Hot off the tremendous success of Ang Lee's Oscar-winning film Crouching Tiger, Hidden Dragon, co-production partner Columbia Pictures Film Production (an offshoot of Sony Pictures Entertainment) has announced plans for four pictures to go into production in 2001.
First up is Big Shot's Funeral, a comical film about a world-famous director who comes to China to make an epic about the last emperor of the Qing Dynasty (can anyone say The Last Emperor?). It will star Donald Sutherland, Ge You and Rosamund Kwan and directed by Feng Xiaogang. It will be shot in English and Chinese.
Next is another Chinese/English film, a mystery, called Double Vision starring Tony Leung, Ka Fai and David Morse (The Green Mile). The film followed the hunt for a serial killer by a determined Taiwanese police detective and an American FBI expert.
Third is an untitled action flick directed by Corey Yuen, who choreographed The X-Men and Romeo Must Die. The film will kicked it up with technological wizardry while centering on family bonds. Finally, set for production later this year is Heroes of Heaven and Earth, a Chinese-language adventure epic to be directed by He Ping and starring Jiang Wen.
Miramax wants in the "Know"
Miramax Films is negotiating to handle the North American distributions rights for Al Pacino's next film, People I Know.
The film, already in production and co-starring Kim Basinger, Tea Leoni and Ryan O'Neal, is about a New York press agent who gets into the corrupt world of politics, celebrity and illegal drugs. O'Neal plays a client, a famous actor, who is embroiled in a scandal that hurts his plans to become a senator.
Pesci as The Bull
Mafia hitman Sammy "The Bull" Gravano, to be exact.
Oscar-winner Joe Pesci is in negotiations to play the mobster for New Regency Productions. Gravano left the federal witness protection plan to go into partnership with a band of wealthy suburban kids selling ecstasy.
The film, tentatively titled Sammy the Bull, will only have Pesci's involvement if it is released as a feature film. Originally, New Regency was developing the project as a television movie.
"Bridget Jones" part II
Working Title Films, producer of the recent box office hit Bridget Jones's Diary, is already considering a sequel.
Based on Helen Fielding popular novel series, Working Title has optioned her second book Bridget Jones: The Edge of Reason and is negotiating with her for the screenplay.
The producers of other hits, such as Four Weddings and a Funeral and Notting Hill, have never previously made a sequel, "but when you get numbers like this, you've got to think about it," Working Title co-chairman Eric Fellner told Variety.
It is still undetermined whether Renee Zellweger will reprise her role, as well as Hugh Grant, whose smarmy character is not in the second novel.