Anton Corbijn, the director of 2010’s international assassin thriller The American, treads close to territory with the adaptation of A Most Wanted Man by John Le Carre. The bestselling novel concerns the efforts of an ex-prisoner from Chechnya to avoid apprehension by the British and German secret services while residing in Hamburg. Developing the story in screenplay form is writer Andrew Bovell, whose resume includes the Mel Gibson thriller, Edge of Darkness, and the upcoming drama A View from the Bridge.
A Most Wanted Man is being produced by the growing Amusement Park Films, which will also be responsible for another novel adaptation: Stain on the Snow (written by George Simenon), a coming-of-age crime novel. David MacKenzie, whose recent credits include Perfect Sense, a science fiction epidemic story, and the comedy You Instead, will direct.
The two stars will join actor Anthony LaPaglia in the movie version of the 1955 play, according to Variety.
LaPaglia, who is producing the film, reportedly won the approval of Miller after starring in the 1998 Broadway production. He will reprise his role of Eddie in the film, while Farmiga will play his wife Beatrice.
Wasikowska will play their niece Catherine - the role actress Scarlett Johansson claimed for her Broadway debut last January (10) opposite Liev Schreiber as Eddie.
The film, directed by Robert Connolly and penned by Edge of Darkness writer Andrew Bovell, is scheduled to begin shooting in New York and Melbourne, Australia this summer (11).
As Love Actually begins we are told that perhaps the world isn't such a dire and hateful place that "love actually is all around." Around London anyway. The film explores no less than seven different romantic scenarios within the bustling British capital--all of which interconnect and eventually resolve on Christmas Eve. There's the newly elected dashing Prime Minister (Hugh Grant) who is smitten with his secretary the earthy Natalie (Martine McCutcheon); Karen (Emma Thompson) whose husband Harry (Alan Rickman) has strayed with his seductive secretary Mia (Heike Makatsch); Sarah (Laura Linney) the American wallflower who has a crush on her colleague Carl (Rodrigo Santoro); Jamie (Colin Firth) who falls for his pretty Portuguese housekeeper Aurelia (Lucia Moniz)…there are lots more but you get the gist. As love goes things may not get tied up neatly in brightly colored packages for everyone but there's still enough good cheer to spread around.
Showcasing some of Britain's finest actors Love Actually doesn't have a bad banana in the bunch. Floppy-haired Hugh Grant turns in an endearing performance and proves there isn't a romantic comedy he can't handle. He has an uncanny knack for connecting with any actress he happens to be romancing; in this case it's the adorable McCutcheon best known for the hit British TV drama EastEnders. Rickman and Thompson are quite good as the couple whose long-term marriage is beginning to crack; Thompson especially does a nice job trying to hide her pain while being a happy mom. Linney too shines as Sarah who glows with excitement when she finally gets what she so ardently wished for. Veteran stage and film actor Bill Nighy (Underworld) however steals the show as a carefree aging rock star desperate for a comeback. His Billy Mack smacks of Mick Jagger Keith Richards and Rod Stewart all rolled into one.
"I'm worried that we don't have the word 'massacre' in the title " writer/director Richard Curtis fretted to Entertainment Weekly referring to how horror-loving American audiences might not take to his new romantic comedy that is already a huge hit in Britain. True perhaps a romantic comedy starring a multitude of A-list British actors might not bring in the required masses. But who cares about the money (did I just say that)? Curtis who has written some of the best romantic comedies of the last decade including Four Weddings and a Funeral Notting Hill and Bridget Jones' Diary steps behind the camera for the first time here and is able to give each story a unique point of view from the lovesick to the wacky. There actually may be too many stories in Love Actually but it's a small gaffe. Love Actually is a refreshing good old fashioned warm and gushy movie that takes your mind off the bad things for the holiday season and Curtis should feel confident about his directing debut.
Set in Sydney Australia the story revolves around Leon (Anthony LaPaglia) a police detective in his mid-40s who is married with two teenage sons. He struggles to keep his life under control but feels it slipping away from him especially after he has a fling with a woman Jane (Rachael Blake) whom he meets in a dancing class he is taking with his wife Sonja (Kerry Armstrong). Jane is also surviving the breakup of her marriage to Pete (Glenn Robbins) and is simply lonely. She lives next door to Nik (Vince Colosimo) and Paula (Daniela Farinacci) a young couple with three children who seem to have a strong and happy marriage even after certain events nearly tear it apart. Sonja on the other hand suspects her husband is cheating and talks to her therapist Valerie (Barbara Hershey) about it. Valerie urges Sonja to confront Leon and tell him her feelings. Meanwhile Valerie and her husband John (Geoffrey Rush) are having problems of their own trying to come to grips with the murder of their young daughter a few years before. Somehow the lives of these eight people intersect when Leon becomes embroiled in a missing persons investigation.
For the most part the ensemble cast of mostly Australian actors is quite excellent. Many might not know the fact that LaPaglia who usually plays tough Italian New York types (One Good Cop So I Married an Axe Murderer) is actually a native Australian. Hearing his lilting and natural accent is refreshing and he gives his best acting effort yet as a man in the throes of a midlife crisis. Armstrong also turns in a quiet and subtle performance as the wife Sonja who eventually understands her husband's turmoil even though it wounds her deeply. Hershey and Rush play well off of one another as the damaged couple knee-deep in the grieving process particularly Hershey who gives an interesting twist on a successful therapist spiraling into her own self-doubt and despair. She proves once again how great an actress she really is. The other supporting characters lend depth to the story with Colosimo and Farinacci as Nik and Paula standing out the most. Their intense love affair starkly contrasts the messed-up lives of the rest of the couples.
Lantana refers to a type of plant which is filled with beautiful and exotic flowers but hides a thick thorny growth underneath. The opening shot takes us from the middle of this thorny bush where we see what appears to be a body entangled in it and pans out in a strange and slow way to show a great vista (reminiscent of David Lynch's opening to Blue Velvet). This pretty much sums up the feel of the movie--strange and slow--but not always in a positive light. While the performances are all good the pacing and subject matter brings the film down. The actions of the characters aren't always enough to keep up the momentum and the only compelling parts are when the actual mystery of the investigation start to unfold. You aren't sure who's guilty and who's not and the movie keeps you guessing until the very end. Yet the meandering personal dramas begin to get stagnant. Watching dysfunctional people deal with their marriages is something we've seen many times before.