Though most often identified as being a chief collaborator with actor Jack Nicholson, producer-director Bob Rafelson made his name and fortune as one of the creators of "The Monkees" (NBC, 1966-68), a...
New York City, NY
|Tales of Erotica||Director||n/a||2|
|Blood and Wine||Director||n/a||2|
|Tales of Erotica||Screenwriter||n/a||7|
|Blood and Wine||Screen Story||n/a||7|
|Always... But Not Forever||Actor||David's neighbor||1|
|No Subtitles Necessary: Laszlo & Vilmos||Actor||n/a||1|
|Jessica Lange: It's Only Make-Believe (1989-1990)||Actor||n/a||1989||1|
|Always (But Not Forever)||Actor||David's Neighbor Sam||1|
|Who Is Henry Jaglom?||Actor||Himself||1|
|Leaving Las Vegas||Actor||Man at Mall||1|
|Mountains of the Moon||Director||n/a||2|
|Blood & Wine||Director||n/a||2|
|No Good Deed||Director||n/a||2|
|Poodle Springs (1996-1997)||Director||n/a||1996||2|
|The King of Marvin Gardens||Director||n/a||2|
|The Postman Always Rings Twice||Director||n/a||2|
|Five Easy Pieces||Director||n/a||2|
|Season: 1||Director||("Armed Response")||2|
|The King of Marvin Gardens||Producer||n/a||3|
|Five Easy Pieces||Producer||n/a||3|
|The Postman Always Rings Twice||Producer||n/a||3|
|Mountains of the Moon||Screenplay||n/a||4000005|
|The King of Marvin Gardens||From Story||n/a||4000007|
|Five Easy Pieces||From Story||n/a||4000007|
|Blood & Wine||From Story||n/a||4000008|
|The American Film Institute Salute to Jack Nicholson (1992-1993)||Special Thanks||n/a||1992||26000006|
|Writer, associate producer, script supervisor for DuPont Show of the Month|
|Remake of "The Postman Always Rings Twice" brought director Rafelson into collaboration with writer David Mamet and actors Jessica Lange and Nicholson|
|During teens, worked as rodeo rider in Arizona, a jazz bass player and drummer in Acapulco and a tramp seaman|
|Co-scripted, directed and produced "Stay Hungry", an adaptation of Charles Gaines' novel about body-building in the "New South", launching feature careers of Sally Field and Arnold Schwarzenegger|
|BBS produced Peter Bogdanovich's "The Last Picture Show" and Henry Jaglom's "A Safe Place"|
|Directed HBO movie "Poodle Springs", adapted by Tom Stoppard from the Robert B Parker novel based on an unfinished Raymond Chandler story|
|BBS produced Nicholson's directorial debut, "Drive, He Said"|
|Completed first film within the studio system, "Black Widow", ironically for past adversary Fox|
|Co-executive producer (uncredited) together with Schneider of "Easy Rider"|
|Returned to New York City, began working for David Susskind as story editor on TV's "Play of the Week"|
|Misfired badly with "Man Trouble" despite the presence of Nicholson in the cast and a script by "Five Easy Pieces" screenwriter Carole Eastman (Adrian Joyce)|
|Final installment of Nicholson-Rafelson trilogy on the dysfunctional family, "Blood and Wine"; sixth time Nicholson had acted in a Rafelson-directed feature|
|With Bert Schneider, created "The Monkees" TV series|
|Scored big success as director of "Five Easy Pieces", providing Jack Nicholson's first mainstream starring role; also produced and credited for story|
|Formed BBS productions with Bert Schneider and Steve Blauner|
|Directed, co-produced and co-wrote (with Jack Nicholson) first feature, "Head", starring The Monkees|
|Delivered vivid, stimulating, satisfying account of explorer Sir Richard Burton's search for the source of the Nile River in "Mountains of the Moon"; screenplay by Rafelson and William Harrison based on the latter's biographical novel "Burton and Speke" a|
|Did US Army service in Japan; worked as disc jockey for Far East Network, a translator of Japanese films and an advisor to Shochiku Company|
|One of six directors contributing a 30-minute section to Showtime's "Picture Windows" (other directors: Norman Jewison, Peter Bogdanovich, Jonathan Kaplan, Joe Dante and John Boorman)|
|His dismissal as director of "Brubaker" led Rafelson and Fox to bring lawsuits against one another|
|Moved to California, worked as producer for Screen Gems; met Bert Schneider|
|Reteamed with Nicholson, directing, co-writing and producing "The King of Marvin Gardens", the second part of their trilogy of the dysfunctional family|
Born on Feb. 21, 1933 in New York City, Rafelson was the son of a hat manufacturer and the nephew of Samuel Raphaelson, a screenwriter and playwright who wrote nine films for director Ernst Lubitsch, including the classics "Trouble in Paradise" (1932), "The Shop Around the Corner" (1939) and "Heaven Can Wait" (1943). He was also one of the writers on Alfred Hitchcock's "Suspicion" (1941). Rafelson attended the Horace Mann School, but ran away from home at 14 years old to live a more adventurous lifestyle as a rode rider in Arizona, only to seriously injure his back in a fall. He moved on to play in a jazz band in Acapulco, Mexico before studying philosophy at both Dartmouth and the University of Benares. He was later drafted into the U.S. Army and was stationed in Japan, where he worked as a disc jockey for the Far East Network, translated Japanese films, and served as an advisor for the Shochiku Film Company. Rafelson managed to get court-martialed twice: once for striking an officer, the other time for on-air subversion by calling his station the "Near East Fart Works."
After marrying high school sweetheart Toby Carr in the mid-1950s, Rafelson worked as a story editor for producer David Susskind on the anthology series, "Play of the Week" (syndicated, 1959-1961), which broadcast videotaped stage productions of popular contemporary and classical plays. After serving as a writer, associate producer and script supervisor on "DuPont Show of the Month" (CBS, 1957-1961), he relocated to Southern California to work as an associate producer for places like Universal Pictures and Desilu Productions, only to once be fired by head honcho Lew Wasserman for being unable to work on the series "Channing" (ABC, 1963-64) in a collaborative fashion. Eventually, he found his way to Screen Gems - then the television arm of Columbia Pictures - where he met future producing partner, Bert Schneider, while working on the short-lived comedy series, "The Wackiest Ship in the Army" (NBC, 1965-66). The two became fast friends and formed the company, Raybert Productions, which sold its first series, "The Monkees" (NBC, 1966-68), to Screen Gems and in effect kicked off a cultural phenomenon that remained popular decades later.
Inspired by Beatlemania, Rafelson and Schneider created a show centered around a popular rock-n-roll group. They initially wanted to cast a real band like the Dave Clark Five or the Lovin' Spoonful, but resorted instead to running ads in the trades for musicians. He managed to bring together actors Davy Jones and Micky Dolenz with musicians Michael Nesmith and Peter Tork to manufacture The Monkees out of whole cloth. Though initially the band was put together for purposes of the show, recording albums with more experienced studio musicians, The Monkees battled Rafelson and Schneider for their creative independence. In effect, The Monkees became a real band that recorded albums and performed live, becoming an instant sensation that sold millions of records and sold out numerous venues. After the show ended in 1968, Rafelson directed the plotless stream-of-consciousness movie, "Head" (1968), a psychedelic adventure starring The Monkees that satirized in madcap, surreal fashion the creation and marketing of pop icons. Co-written by then-unknown actor, Jack Nicholson, "Head" managed to alienate fans at the time of its release, but was later considered something of a cult masterpiece.
Though he never received an official credit, Rafelson executive produced the landmark counterculture classic "Easy Rider" (1969) with Schneider, a wild road movie about two bikers (Peter Fonda and Dennis Hopper) whose quest for the American Dream turns into a tragic nightmare. From there, he directed Jack Nicholson in "Five Easy Pieces" (1970), an absorbing study of alienation that was considered by many to be his finest work. Nicholson starred as a disaffected oil rig worker who reluctantly returns to his wealthy family's home, only to find his blue collar life and upscale upbringing in conflict with one another. Rafelson earned two Academy Award nominations - one for Best Picture and the other for Best Screenplay - but went home empty-handed. After directing the critically mixed character drama, "The King of Marvin Gardens" (1972), starring Nicholson and Ellen Burstyn, Raybert Productions - which by this point had taken on a new partner, Stephen Blauner, and was renamed BBS Productions - produced Peter Bogdanovich's exemplary drama "The Last Picture Show" (1971), Henry Jaglom's little known drama "A Safe Place" (1971), and Nicholson's critically maligned directorial debut, "Drive, He Said" (1972).
Throughout the years Rafelson acquired a reputation for taking risks in his casting choices and in effect launching careers like he did with Nicholson. With Rafelson's third directing effort, "Stay Hungry" (1975), he gambled on both Sally Field - who was stigmatized by Hollywood as a TV actress for her "Gidget" and "Flying Nun" roles - and a relative newcomer, Austrian bodybuilder Arnold Schwarzenegger. The offbeat comedy starred Jeff Bridges as a rich kid who becomes involved in a crooked real estate deal that forces him to own a gym, where he becomes distracted by the feisty receptionist (Field), and a world class bodybuilder (Schwarzenegger) who works out in superhero outfits and plays the fiddle. Rafelson next helped save Jessica Lange from the "King Kong" (1976) fiasco by casting her for his remake of "The Postman Always Rings Twice" (1981), starring Nicholson as Depression-era grifter, Frank Chambers. Though not one of his better efforts, "Postman" did open eyes to Lange's acting chops and sex appeal, giving her some scorching sex scenes with Nicholson.
Because "The Monkees" made Rafelson a wealthy man, he was able to afford the luxury of making films at his leisure, hence why it took another six year for his next directing effort, the unexceptional thriller "Black Widow" (1987), which starred Debra Winger as a federal agent determined to capture a woman (Theresa Russell) who has married several times, only to see each husband die a mysterious death. He went on to direct his most personal film, "Mountains of the Moon" (1990), which chronicled the search for the head waters of the Nile River undertaken by his personal hero and Renaissance man, explorer Sir Richard Burton (Patrick Bergin). A labor of love nine years in the making, "Mountains of the Moon" was the first movie Rafelson filmed outside the U.S., and featured his own simulation of Burton and John Hanning Speke's trek across Africa that lasted two-and-a-half months. With his next film, "Man Trouble" (1992), Rafelson grossly miscalculated despite the presence of Nicholson in the lead role as an unhappily married security expert and a script by "Five Easy Pieces" screenwriter Carole Eastman. The rather unengaging romantic comedy co-starred Ellen Barkin and registered as Rafelson's biggest critical and commercial failure.
After directing the opening vignette in the German-financed sex comedy, "Tales of Erotica" (1994), Rafelson rebounded - critically, at least - with "Blood and Wine" (1997), a tightly focused crime thriller about a South Florida wine dealer (Nicholson) who enlists the help of an emphysema-laden safe cracker (Michael Caine) to rob a million-dollar diamond necklace from a wealthy client. Of course, the scheme goes awry and leads to a tangle of lust, greed and betrayal. Following the made-for-cable neo-noir "Poodle Springs" (HBO, 1998), starring James Caan and David Keith, Rafelson returned to feature films with the crime thriller "No Good Deed" (2002), which featured Samuel L. Jackson as an auto theft detective who goes on the hunt for a teenage runaway, only to stumble upon a safe house for bank robbers, where he gets trapped while falling for one of the criminals (Milla Jovovich).
By Shawn Dwyer
|Toby Rafelson||Wife||Met when Toby was 13 years old; Married in mid-1950s; She worked as production designer on his films "Five Easy Pieces" (1970) and "Stay Hungry" (1976); Separated c. 1977; No longer together|
|Peter Rafelson||Son||Born Oct. 30, 1960; mother, Toby Rafelson; Acted with father (both playing small roles) in Henry Jaglom's "Always" (1985); Contributed music to father's "Black Widow" (1987)|
|Julie Rafelson||Daughter||Born in 1962; mother, Toby Rafelson; Died in 1973 from injuries sustained in a gas explosion at the family home in Aspen, CO|
|Samson Raphaelson||Uncle||Born March 30, 1894; wrote the original play from which all screen versions of "The Jazz Singer" come; eight collaborations with Ernst Lubitsch, including the first "Heaven Can Wait" (1943); Died July 16, 1983|
|Paula Strachan||Companion||Had long-term relationship before marrying and divorcing Rafelson's older brother|
|University of Benares|
|"There's nothing on MTV that the Monkees didn't do years ago." --Bob Rafelson in AMERICAN FILM, February 1990|
|As for getting fired from "Brubaker, Rafelson admits he lost his temper: "[A 20th Century Fox executive] wanted to have a meeting with me, and when I said, 'About what?' he said about my career. I didn't think I needed career tutelage at that moment in time. And I had never met the man before, either. He was just an intruder. I was ill-prepared to deal with studio mechanisms at that point. I had never done it before." --Rafelson to INTERVIEW, 1990|
|"'Head' is now some sort of strange cult masterpiece. Some guy from China, a well-known director came up to me and said, '"Head" No 1 film!' I couldn't believe they allowed it to be seen in China." --Bob Rafelson quoted in TIME OUT NEW YORK, February 20-27, 1997|
|"A long time ago, when Jack [Nicholson] and I were writing my first picture, 'Head', together, he was an out-of-work actor, disenchanted with his prospects. He hadn't done anything other than his B roles in Roger Corman movies. And I said, 'Why don't we do my next picture with you as the star?' And he said, 'No, no, no, people have tried, and fuck it, I'm gonna go and do something else--write, direct . . .' I said, 'I think I'll just do ten films with you, Jack, and we'll do them every couple of years, and I'll just do different phases of myself, of yourself. It'll be the first time anybody's done it.' In 'Five Easy Pieces', he's the son, in 'King of Marvin Gardens', he's the brother. And maybe ten, twelve years ago, we started talking about doing a movie in which he would play a father. This ['Blood and Wine'] is the last of a trilogy about dysfuntional families." --Rafelson to PREMIERE, February 1997|
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