Fun Size may be the only production from kid-centric studio Nickelodeon to also feature underage drinking (complete with red solo cups) and boob groping. The murky demographic for the movie ends up hurting the well-intentioned Halloween flick — it's not quite suitable for the young ones nor is it funny or wild enough for the Gossip Girl crowd which director Josh Schwartz (creator of the show) knows well. Instead we get a floundering trick or treat adventure that reduces the colorful twisted holiday to a meandering situational comedy.
Nick TV grad Victoria Justice (Victorious) stars as Wren a high school "geek" who finds herself unable to bag the guy of her dreams (who adores her) but finds a glimmer of hope in the big cool kids' Halloween party. Ready for a night out with her best friend April (Jane Levy) Wren thinks life is finally going her way until her Mom (Chelsea Handler) sticks her with her troublemaking little brother Albert (Jackson Nicoll) for the night. If chaperoning Albert wasn't already the worst thing in the world Wren finds herself in an even bigger dilemma when her brother wanders off into his own night of mischievous debauchery.
The "one crazy night" formula fits perfectly with Halloween but Fun Size struggles to find interesting material for its eclectic ensemble. Unlike many of the young actresses who have previously collaborated with Schwartz Justice seems unable to crack his voice and comedic style. She's too hip to too aware to play someone struggling with high school. The material doesn't serve her or Levy either; off-color jokes and a bizarre sense of entitlement turn them into two people you don't want to see succeed. Luckily for the audience during their sweeping search for Albert Wren and April cross paths with two true nerd-looking boys: Roosevelt (Thomas Mann) and Peng (Osric Chau) who along with feeling like real teenagers actually land a joke or two.
Interwoven into this speedy adventure — Fun Size clocks in at a little over 75 minutes giving little time to flesh out our teenage heroes — is Albert's encounter with a convenience store clerk named Fuzzy. The adults of Fun Size see the ten-year-old Albert as a parter-in-crime rather than a lost little boy. Fuzzy recruits him for a raid on his ex-girlfriend's house; after running away he meets a lady who brings him to a nightclub. At one point a sleazebag kidnaps Albert and locks him in his bedroom. If Fun Size were madcap it may all make sense. Instead things just happen — and it's not hilarious scary or even deranged.
Nick's '90s sitcom Pete & Pete created an amazing sense of weirdness and heart in its exploits of two teenage brothers. Anyone could watch and enjoy it. Fun Size has a beautiful look (the colors of Halloween are mesmerizing) and Schwartz as always has impeccable soundtrack tastes but when it comes to telling a story that feels both relatable and wonderfully weird — what Pete & Pete did so well — the movie falls flat. It's stereotype humor (the movie packs many a fat and gay joke) doesn't cut it — when paired to Nick's best efforts the movie lives up to the title: a bite-size portion of a bigger better cinematic sweet.
December 22, 2006 10:12am EST
The Good Shepherd is billed as the story of how the CIA began but it is really the fictional story of Edward Wilson (Matt Damon) and his involvement in the first covert wing of the CIA. The story moves back and forth in time from when Edward is a literature student at Yale and a member of the secretive Skull and Bones club through the days following the Bay of Pigs in the early ‘60s. Edward is recruited into intelligence work at the beginning of World War II and learns the dark art of spying and espionage from the British. Meanwhile his personal life takes a back seat to his service for his country including alienating his wife Margaret “Clover” Wilson (Angelina Jolie) and their son. He is never home enough to effectively deal with the family problems his absence creates. By the end of the film as the twin disasters of the Bay of Pigs and his broken family unfold--and blame must be assigned--Edward ends up being a metaphor for the modern US intelligence service. Damon who has made a franchise out of playing the spy/assassin Bourne plays a very different kind of spy in The Good Shepherd. Wilson is a boring controlled buttoned down spy who is unfortunately more like the real thing than what we see in the movies. Damon does an excellent job however especially in those moments when he realizes he has screwed up. The actor stays controlled but finds a way to let the audience glimpse the pain of a man who has spent his life keeping his emotions and thoughts under wraps. Jolie is almost too luminous for the part of Edward's hapless wife. She is a bright spot in the movie as she transforms from the sexy/feisty Clover to the medicated/angry Margaret. Newcomer Eddie Redmayne also does a good job as the grown up Edward Wilson Jr. The rest of the cast is peppered with excellent performances from top-flight actors including William Hurt as a menacing intelligence heavy; Michael Gambon (Dumbledore in the Harry Potter series) as a British intelligence officer who’s fed up—and even De Niro himself as a general who’s the driving force behind the CIA’s beginning. De Niro captures the nature of the gray-flannelled spy but seems to get bogged down with material unable to craft a tight compelling film. The Good Shepherd is long and feels long with some of the transitions too abrupt. The subdued colors evoke the period of the film as well as play into the monotony that is intelligence work. But the problem with monotony is that it’s boring and boring is not something a movie should be. There are some incredibly intriguing scenes however and the film will certainly speak to any of those with genuine interests in the hardcore spy genre--obviously De Niro being one of them--but like its subject matter Shepherd will probably be too elusive for the casual viewer. De Niro seems much more comfortable in the details but less interested in keeping the story gripping. Ironically this is the exact opposite of the main character Edward Wilson who keeps his eye on the big picture but misses the small moments he should have noticed.