Child stage actress who began her screen career at the age of 14 and appeared in movies consistently through the silent era. The gifted Sweet is best known for her roles in the Biograph films of D.W....
They say imitation is the sincerest form of flattery. But why imitate when you can innovate? First, America’s Next Drag Superstar Jinkx Monsoon and Ivy Winters created this legendary fantasy recasting of Death Becomes Her. Then Willam Belli appeared in this gay YouTube spoof, “Rambo, But Gay.”
That got the gears turning. What other movies could use a little bit of charisma, uniqueness, nerve and talent? Here are 10 movies with biological women that could use the full drag race treatment.
10. DreamGirls - This had to be on the list. Latrice Royale is is large, in charge, chunky, yet funky. She’s bold and beautiful so she is a clear fit to play Effie White. Dancing queen Milan is the perfect fit to play sensitive Lorrell Robinson. Tyra Sanchez fancies herself Beyoncé, but she can’t sing. So Deena Jones would have to be played by the America’s first drag superstar, BeBe Zahara Benet.
9. Steel Magnolias - Queen Latifah made an African American version of the popular film. Couldn’t it be possible to have an all Puerto Rican version? Imagine maternal Nina Flowers instead of Sally Field, spunky Carmen Carrera instead of Julia Roberts, Jessica Wild instead of mousy Daryl Hannah, Alexis Mateo and her breast plate instead of Dolly Parton, Madam LaQueer in Olympia Dukakis’ role and finally Yara Sophia giving you Shirley MacLaine realness.
8. Whatever Happened to Baby Jane? - They may be old friends, but, Chad Michaels and Shannel would be great at playing feuding sisters Jane (Betty Davis) and Blanche (Joan Crawford).
7. The Craft - There has to be a spooktacular choice for Sharon Needles and Rulaskatox. When innocent Sara (Sharon Needles) moves to town she meets three witches, (Alaska, Detox and Roxxxy Andrews). What follows is black magic, black clothes and really heavy eyeliner.
6. Bring it On: All or Nothing - These queens are most likely to go direct-to-video. But their feud did make the fifth season of the show very entertaining. When Alyssa Edwards family moves and enrolls her in public school she has to join the cheerleading squad run by Coco Montrese. Expect plenty of reading!
5. Mean Girls - When Tatianna moves to a new town she gets on the radar of The Heathers (Raja, Manila Luzon and Delta Work). Her friends Shangela and Stacy Layne Matthews convince her to play both sides and take them down.
4. Big Business - Manila Luzon and Jujubee play two sets of twins in a remake of this Bette Midler and Lily Tomlin Classic.
3. Nine to Five - Pandora Boxx plays spunky Doralee Rhodes (Parton), Ivy Winters plays sweet-as-pie Judy Bernley (Jane Fonda) and Raven plays snarky Violet Newstead (Tomlin).
2. She-Devil - After an actress (Willam Belli) ruins her life, a jilted housewife (Mimi Imfurst) plans her destruction. With the help of a pint-sized friend (Kenya Michels) they get their revenge.
1. Troop Beverly Hills - All the Drag Race girls could star in a remake of this popular 90s. It'd be great, if only, to see them do a drag rendition of " It's Cookie Time." Clearly, Mama Ru would play Shelly Long's part.
Who would you love to see in a movie remake?
There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
Golden Girls is not a show you select as your in-flight entertainment as a means of falling asleep so you’ll arrive in Italy rested. In fact, it’s the opposite. It’s a show you watch religiously and take notes on, in hopes of one day breaking Ken Jennings’ record on Jeopardy! with the answer to who the fourth roommate in the house was before Estelle Getty joined the cast (it was gay chef, Coco). And with the release of the 25th anniversary COMPLETE collection – that comes with playing cards, a DVD trivia game, montages of each of the girls’ funniest moments and commentaries with Bea Arthur, Rue McClanahan and Betty White – it’s clear the girls have left little room for us to enjoy any other television show.
But, why? Why did Golden Girls impact our lives so tremendously? On paper, it doesn’t look like something that would appeal to everyone – it was about four women who were old and living in Florida. They had thick glasses and jackets with shoulder pads and plastic coverings for their furniture. They had grown up kids, were done with staying out all night at clubs, and were fans of that device for people that make TVs louder without being too loud for the people with good hearing. Some people probably skipped over Golden Girls entirely because they thought the ages of the Rose, Blanche, Sophia and Dorothy meant they wouldn’t be able to identify with the ins and outs of their lives. Others probably couldn’t conceive of Golden Girls being more entertaining than a show that was blatantly and directly targeted to their demographic, like 90210. But everyone who watched the show knows their addiction to it was actually rooted in the women’s ages! The show functioned around the idea that these women were older than everyone but still suffered from young people problems, like finding sex and having sex. In other words, they were just like us! They too had nothing to wear to the Senior Dance and were totally sick of men cheating on them. Fans found themselves hoping that they’d grow up to have Rose’s innocence, Blanche’s insatiability, Dorothy’s wit and Sophia’s bluntness.
Though the sitcom was billed as and won awards as a comedy, it wasn’t afraid of depicting topics heftier than how to fix the runs in a pair of control top hose. Among the tough issues broached were infidelity, HIV scares, drug addictions, estrangements from children, gangsters, the FBI, cross-dressing family members, sexism, domestic violence and artificial insemination. The decision to darken an inherently light comedy series about sweet old ladies with these issues was risky, but it was ultimately a beneficial one – the heavier moments were the realism that rounded out the show, and made it more than just a program that glorified the bonds of friendship and living with your friend’s mom in a warm climate.
But possibly the main reason we loved Golden Girls so much was because the actresses’ love for each other was so obvious. Over the course of the seven seasons, the characters bonded in such a way that the only explanation for its believability was to assume that Betty White, Estelle Getty, Bea Arthur and Rue McClanahan had grown extremely close, too. This is not an uncommon phenomenon when a series consists of 180 episodes (especially when the actresses had to share their characters’ embarrassment of going to a drug store for condoms and having the checkout person make an announcement asking for the price of Rose’s desired black condoms – that’s the beginning of a bond). But more generally, their camaraderie brought texture to a great series that was already structurally worthy of recognition. As a group, they were truly unforgettable, and their contribution to the entertainment industry will never be forgotten.
Joined Lasky company, where she starred in films by C.B. DeMille
Starred in several talkies before retiring to pursue career in vaudeville and stock
Went on stage before age of four
Film debut, "The Man With Three Wives"
Entered films working for D.W. Griffith
Returned to film with bit part in "The Five Pennies"
Child stage actress who began her screen career at the age of 14 and appeared in movies consistently through the silent era. The gifted Sweet is best known for her roles in the Biograph films of D.W. Griffith, for whom she played a number of often gentle and demure but also strong-willed heroines. Her two most famous Griffith films are "The Lonedale Operator" (1911), in which defends herself against thieves, and the epic Biblical spectacle, "Judith of Bethulia" (1913), in which she plays the title character who attempts to save her city by assassinating the conqueror Holofernes.
She made her film debut in 1909 and was active through 1930. Among her later features were "Anna Christie" (1923), "Tess of the D'Urbervilles" (1924), "The Sporting Venus" (1925) and "The Silver Horde" (her last, 1930). Sweet's first husband, Marshall Nielan, directed her in a number of films, including "Tess of the D'Urbervilles" (1924). Her second husband was her stage co-star, Raymond Hackett. She spent her long retirement living in New York, a major crusader for film preservation, and was interviewed frequently by film historians.