WHAT IT’S ABOUT?
Like hundreds of others in the mad-for-baseball Dominican Republic Miguel Santos (aka Sugar) struggles to try to make it in the local major leagues which would help pull his family out of poverty. His big break comes when U.S. scouts transfer the pitcher to a minor league team in Iowa giving him the opportunity to succeed in America. But when his game goes bad on the mound and an injury occurs he must decide what he really wants to become.
WHO’S IN IT?
Writer/directors Anna Boden and Ryan Fleck (Half Nelson) spent months scouting teams in the Dominican Republic to find a ball player capable of acting the leading role finally settling on Algenis Perez Soto who had never been in front of a movie camera. He’s authentic and mesmerizing to watch as Sugar — his performance owing a great deal to his own similar background. He nails it and is completely convincing as a pitcher even though he wasn’t initially comfortable on the mound (his own position was really second base). Many of the other roles are also cast with amateur actors adding to the realistic tone of the film.
Boden and Nelson clearly show the love they have for the game but their film is really a striking document of the immigrant’s journey reminiscent in many ways of Elia Kazan’s Oscar nominated America America (1963). We usually only hear about the superstar players but these filmmakers put the emphasis on the great majority that never make it past the minors.
Many scenes are long and drawn out but despite the fact that the film could have used some tighter editing (particularly in the baseball segments) there is still a nice rhythm established.
Due to its desire to be as authentic as possible much of the film is not in English; so those who don’t like to read subtitles might be advised to steer clear.
After 20 years with the LAPD Det. Mitch Preston (Robert De Niro) just wants to catch the crooks finish the paperwork and retreat to his mundane life at home where he eats TV dinners and pursues his hobby of making bad pottery. Patrolman Trey Sellars (Eddie Murphy) really wants to be an actor--he's only a cop because he made a lousy waiter. When Sellars bungles Preston's undercover case and media hounds catch it all on tape the irate Preston shoots up a news camera that gets in his face. Over-caffeinated network exec Chase Renzi (Rene Russo) upon seeing the damning evidence that could have killed her cameraman is captivated by Preston's complete lack of charm and convinces her superior she can save his crappy network by pairing Preston and Sellars up on a reality show. As expected Preston is reluctant--and even more so when he's forced to take the mugging Sellars as his partner. The two take impromptu acting lessons from iconic actor/director William Shatner (playing himself) and set off to attract an audience boost the ratings become celebrities and get the bad guys in a televised reality christened Showtime. Meanwhile the evil Cesar Vargas (Pedro Damian)--whom we know is evil 'cause he hides in the shadows he's flashy and well groomed and he mumbles in an unfathomable Third World/ European accent--is stockpiling guns powerful enough to knock down houses and blow the doors off a Brinks truck.
The movie offers a few good yuks--a coke-sniffing dog an unprecedented cameo by jive-rhyming lawyer Johnnie Cochran and William Shatner satirizing William Shatner (who does this better than anybody else satirizing William Shatner). Unfortunately we've seen a lot of his funniest stuff like the scene in which he demonstrates how to roll over a car hood cop-style in the previews. Rene Russo gives an effective souped-up Lethal Weapon-type performance with her hyper pushy fast-talking network exec desperate to make her name in the industry. De Niro's straight-man comedy is in his facial expressions--or lack thereof--and Murphy is…well Murphy. It's their first outing together and they play off each other like a foul-mouthed version of Abbott and Costello (guess who plays who?). We've seen De Niro play grumpy (Midnight Run) and Murphy play obnoxious (almost everything) before. But as you may suspect it's their grade-A chemistry that holds this badly stitched predictable though occasionally funny flick together--especially in regards to the jokes on Hollywood and the current bounty of reality TV.
You can smell the gags and The Odd Couple-versus-Goldfinger plot unfolding a million miles away. You just know Preston is hiding a gun inside that Big Gulp when he goes undercover to investigate a pawn shop and you know Vargas will make bad-guy errors in judgment like staging a robbery in downtown L.A. the day after he's confronted by our star cops in a populated disco. But that may lead you to wonder why the police--who are likewise not presented as being particularly bright in this movie--weren't trailing him as Vargas is the prime suspect in the gun-trafficking subplot. Some of the comedy borders on satire but isn't played up enough for you to tell if it was meant that way or not. The action scenes are so badly edited it's hard to tell who's chasing whom until the camera cuts back to Murphy's toothy grin and a cement-faced De Niro shooting out his car window. And speaking of commercial-laden reality TV the product placement in this movie is shameless--we get a full-length commercial for Apple Computers played not once but twice.