An enormously talented yet troubled British actress, Emily Lloyd dazzled international critics as a sharp-tongued, sexually precocious young woman in "Wish You Were Here" (1987). Named Best Actress by...
London, England, GB
|Wish You Were Here||1987||Actor||Lynda||19877|
|Under the Hula Moon||1995||Actor||Betty||19957|
|In Country||1989||Actor||Samantha Hughes||19897|
|Chicago Joe and the Showgirl||1990||Actor||Betty Jones--Georgina Grayson||19907|
|Riverworld||2002 2001 - 2002||Actor||Alice Liddell Hargreaves||20027|
|When Saturday Comes||1996||Actor||Annie Doherty||19967|
|A River Runs Through It||1992||Actor||Jesse Burns||19927|
|Strangers||1995 1994 - 1995||Actor||("Costumes")||19957|
|Welcome to Sarajevo||1997||Actor||Annie McGee||19977|
|Livers Ain't Cheap||1994||Actor||Lisa||19947|
|One Hundred and One Nights||1999||Actor||Furtive and Friendly Appearance||19997|
|Ladies Man||2000 1998 - 2000||Production||production staff member||1|
|US TV debut, the Showtime movie "Override", directed by Danny Glover|
|Revealed her struggle with obsessive-compulsive disorder to London's DAILY MAIL in April|
|Film debut in "Wish You Were Here"; had originally been rejected for the role|
|Had supporting role as love interest to Craig Sheffer's Norman MacLean in "A RIver Runs Through It"|
|American film debut, "Cookie"|
|Played a novice journalist in Michael Winterbottom's "Welcome to Sarajevo"|
|Began acting as a teenager in her native England|
Born Sept. 29, 1970 in London, England, Emily Lloyd Pack came from a show business family; her mother was an agent and her father and grandfather were well-known actors. Wasting no time pursuing the family trade, she made an impressive screen debut when she was cast in the lead role of David Leland's dramedy "Wish You Were Here" (1987), a fictionalized take on the early life of English madam Cynthia Payne. Playing a spirited but naïve young woman whose misadventures lead to an unexpected pregnancy, the luminous Lloyd was simultaneously vulgar and vulnerable, earning stellar notices from critics around the world for her star-making performance. Considered by some to be "the new Marilyn Monroe," not only did Lloyd win Best Actress from the National Society of Film Critics and The Evening Standard British Film Awards, but she was also nominated for Best Actress at the BAFTA Awards. So vast was her overnight stardom that even Hollywood took notice of the newcomer.
Buoyed by her success, Lloyd began appearing in Hollywood productions. She essayed the lovably trashy-but-tough daughter of a Brooklyn mobster (Peter Falk) in Susan Seidelman's underrated comedy "Cookie" (1989), as well as the small-town Kentucky niece of traumatized Vietnam veteran Bruce Willis in the adaptation of Bobbie Ann Mason's acclaimed novel "In Country" (1989). Although her starring turn opposite Kiefer Sutherland in "Chicago Joe and the Showgirl" (1990) made little impression, Lloyd scored a major hit as the forthright girlfriend of the bookish Norman (Craig Sheffer) in Robert Redford's Montana-set fly-fishing valentine, "A River Runs Through It" (1992). While the smash hit helped solidify Brad Pitt's stardom, Lloyd was not so lucky, and it marked her Hollywood high point after a brief period as that town's latest "it" girl.
While fans may have wondered why Lloyd did not capitalize on her amazing momentum and talent, backstage rumblings pointed to a different picture. Multiple reports surfaced of Lloyd being difficult on movie sets and not getting along with her co-stars, including such shocking anecdotes as Peter Falk slapping her on the set of "Cookie" (and her slapping back) as well as Bruce Willis refusing to speak with her off the set of "In Country." She was cast in the lead role in "Mermaids" (1990) until Cher demanded she be fired and replaced with Winona Ryder, and was cast in Woody Allen's "Husbands and Wives" (1992), but fired after two weeks and replaced with Juliette Lewis. Unbelievably, she was cast as the lead in the futuristic feminist actioner "Tank Girl" (1997) but again fired after refusing to shave her head.
It was not just the world of films that seemed to inspire Lloyd's difficult behavior. For her debut stage role in a 1997 West End production of "Pygmalion," the show's director quit after 10 days of rehearsal and the actress followed suit the following day, although many claimed she had been fired. Although she continued to make lower-profile films throughout the 1990s and the first part of the 2000s, Lloyd had largely dropped off the public's radar by the mid-1990s. While she was in India in 1997 to prepare for a film, she allegedly suffered a complicated breakdown that was both physical and mental. Almost a decade after she disappeared from public view, Lloyd gave an interview that revealed she had been diagnosed with a slew of mental illnesses, including chronic insomnia, schizophrenia, attention deficit disorder and Tourette's syndrome. Although she spoke of her desire to return to acting, she admitted that she had many health challenges ahead of her before that would be possible.
By Jonathan Riggs
|Sheila Ball||Mother||was secretary to Harold Pinter; divorced from Lloyd's father c. 1973|
|Roger Pack||Father||born 1944; divorced from Lloyd's mother c. 1973|
|Charles Pack||Grandfather||born 1905; died 1983|
|Italia Conti School|
|"The main thing is, I don't want to change. . . I want to remain the Emily I was before all this [success] happened. . . . " --Emily Lloyd at age 16 to the LOS ANGELES TIMES, August 9, 1987|
|In April 1999, Lloyd revealed that during a 1996 trip to India to seek guidance from the Dalai Lama over a long-term depression, she was bitten by a dog that triggered a condition of obsessive-compulsive disorder (OCD) which in turn made it difficult for her to work.|
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