Lisa Bonet


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BirthDate
BirthPlace
11/15/1967
San Francisco, CA
  • Lenny Kravitz has wonderful relationship with ex-wife Bonet
    By: WENN.com June 02, 2013 4:23pm EST
    Lenny Kravitz has the best relationship with his ex-wife Lisa Bonet and often invites her and her partner to spend quality time with him and their actress daughter Zoe.
  • Lisa Bonet sues over car accident
    By: WENN.com May 08, 2013 10:33pm EST
    Actress Lisa Bonet is taking legal action over a 2011 car accident, accusing the other driver of injuring her and her young children.
  • Momoa lives without technology
    By: WENN.com Source August 24, 2011 5:00am EST
    Conan The Barbarian star Jason Momoa hates modern technology so much he refuses to own a television, mobile phone or computer.
  • Under the Radar: 5 Things You Didn't Know About Jason Momoa
    By: Brian Salisbury August 19, 2011 10:37am EST
    Some wild facts about the 'Conan' and 'Game of Thrones' star.
  • Momoa feared brutal Game of Thrones role would upset Bonet
    By: WENN.com Source August 15, 2011 10:15am EST
    Action man Jason Momoa didn't want his wife Lisa Bonet to watch him portray a savage warrior in TV series Game Of Thrones - because his sex scenes with EMILIA CLARKE were often course and barbaric.
  • Zoe Kravitz convinced she wouldn't land X-Men role
    By: WENN.com Source June 03, 2011 5:00am EST
    Actress Zoe Kravitz almost lost out on her role in X-Men: First Class after turning up to auditions in a dowdy outfit, convinced she was going to be rejected.
  • Elvis's Granddaughter Joins The New 'Mad Max'
    By: Natalie Silverman August 10, 2010 10:36am EST
    Riley Keough signs on to 'Mad Max: Fury Road' with 'Inception''s Tom Hardy.
  • High Fidelity Review
    By: Eric Rosenberg March 05, 2009 8:35pm EST
    "What came first," Rob Gordon (John Cusack) desperately wants to know, "the music or the misery?" Over-stimulated by the sounds coming out of his outsize headphones, morose Rob is seizing the moment of his breakup with Laura (Iben Hjejle) to reflect on "the thousands of hours of heartache, rejection, pain, misery and loss" he experienced while exposing himself to wave after wave of popular music. "Did I listen because I was miserable," he wonders, "or was I miserable because I listened?" Further proof of how funny we can be when we're at our most despondent, "High Fidelity" is a sharp and satisfying romantic comedy about the difficulty of commitment that utilizes Stephen Frears' incisive direction and some very knowing and sophisticated writing to give actor Cusack one of the best roles of his career. That is saying something, because Cusack, talented as well as shrewd about what he gets himself into, doesn't go in for weak material. Rob Gordon, a part Cusack had a hand in writing, is specifically tailored to his everyman persona, to his gift for intimacy with the audience and his ability to humanize characters who are difficult and potentially off-putting. The last time out for Cusack and writing partners D.V. DeVincentis and Steve Pink was "Grosse Point Blank," in which the actor played a hit man with a career crisis; "High Fidelity" presents them with a character who faces a less lethal kind of challenge. (Scott Rosenberg of the glib "Things to Do in Denver When You're Dead" and "Con Air" also gets a writing credit.) The Cusack pack had the advantage of starting from Nick Hornby's fine novel, a delightful book that is very savvy about the vagaries of relationships, especially from the male point of view. It's Rob, using either voice-over or direct talk to the camera, who preserves the book's first-person quality as well as chunks of its dialogue. "High Fidelity" presents him as someone who's his own worst enemy, a tortured and grumpy eternal adolescent who doesn't have to hide his weakness for being a real jerk to gain our sympathy. Given his opening rant about the pernicious effect of lyrics, it's not a surprise that Rob's life is pop music. He owns Championship Vinyl, a Chicago establishment (smoothly moved from the novel's London) that's a shrine to old-fashioned phonograph records and mecca to obsessive geeks who "spend a disproportionate amount of their time looking for deleted Smiths singles and 'ORIGINAL NOT RERELEASED' underlined Frank Zappa albums." This universe's two biggest geeks, Dick and Barry, a.k.a. "the musical moron twins," just happen to work for Rob, and as played by Todd Louiso and Jack Black are the comic center of the film. Dick is the sensitive flower while Barry is rowdy, abrasive and downright hilarious. They join Rob in insulting the customers, making abstruse jokes about the Beta Band and Ryuichi Sakamoto and constructing an endless number of all-time Top 5 lists, from Top 5 dream jobs to Top 5 songs about death ("Leader of the Pack," "Dead Man's Curve," "Tell Laura I Love Her," etc). Though the Championship Vinyl store (magnificently created for the film by a crew that includes production designers David Chapman and Therese DePrez, art director Nicholas Lund, set decorator Larry P. Lundy and property master Timothy W. Tiedje) is real enough to be a character in its own right, it's not the best place for empathy, and that's what Rob needs after his break with Laura. Initially he faces the split with bravado, yelling at her that she doesn't even make his all-time Top 5 list of memorable split-ups (yes, he has one), but that fighting spirit is not fated to last. As the pain of Laura's absence (and her possible connection with someone else) sinks in, Rob is forced, for perhaps the first time, to think about his life and confront his difficulty with romance and commitment. "What's wrong with me? Why am I doomed to be left?" he wonders plaintively and, in an attempt to find out, thinks back on that list of all-time memorable ruptures, amusingly reconsidering liaisons with Catherine Zeta-Jones, Lili Taylor and others. * * * Director Frears, who is noticeably good with realistic relationships that have a touch of comedy in them ("The Snapper," "My Beautiful Laundrette"), knows his way around this scenario. Under his guidance, Cusack's painful but funny reexamination leads to a getting of wisdom that is no less welcome for coming years later than it should have. Cusack, with his ability to project glowering desperation and a sense of aggrieved entitlement, is perfect for this role. As Laura, the woman he can't live with or without, Danish actress Hjejle (recently seen as a prostitute-turned-housekeeper in that country's "Mifune") displays both faultless English and a formidable sense of integrity that allows her to more than hold her own in fairly heady company. For it's a tribute to how well "High Fidelity" has been written (and to the respect other performers have for Cusack and Frears) that the film employs quite a number of excellent actors in small roles. In addition to Taylor and Zeta-Jones, there are parts for Tim Robbins, Joan Cusack, Lisa Bonet, Sara Gilbert and Natasha Gregson Wagner. The film's music (more than 50 songs are listed in the credits, with artists ranging from Aretha Franklin to Stereolab) is expertly chosen, and there's even a cameo by Bruce Springsteen, giving sage romantic advice. Of course Rob needs it, but whether he can take it is, obviously, quite another story. * MPAA rating: R, for language and some sexuality. Times guidelines: contemporary profanity and some sexual scenes. es: Brockovich is a torrent of profanity.
  • Lisa Bonet Snubbed Corporate Cosby Show Reunion
    By: WENN.com Source April 19, 2005 12:42pm EST
    Actress Lisa Bonet refused to appear in The Cosby Show's reunion episode as she "was not feeling the love".
  • 2004 Year in Review: A Look Back at the Headlines of 2004
    By: WENN.com Source December 30, 2004 10:57am EST
    A Look Back at the Headlines of 2004