|On Any Sunday||1971||Narrator||Narration||1|
|Barefoot Adventure||2014||Actor||Himself / Narrator||20147|
|Slippery When Wet||2014||Actor||Narrator||20147|
|Surfing Hollow Days||2014||Actor||Narrator||20147|
|On the Brink: Doomsday||Actor||Interviewee||7|
|The Endless Summer||1965||Himself||n/a||1|
|The Sex O'Clock News||1985||Actor||n/a||19857|
|The Unit||2006 2006||Actor||Main Guard||20067|
|Eddie and the Cruisers||1983||Actor||M.C. at El Marko||19837|
|Dust to Glory||2005||Actor||Himself||20057|
|The Curse of the Jade Scorpion||2001||Actor||Radio Announcer||20017|
|On Any Sunday||1971||Director||n/a||4|
|Endless Summer II||1994||Director||n/a||4|
|24-7, The Movie||1996||Director||n/a||4|
|Slippery When Wet||2014||Director||n/a||4|
|The Endless Summer||1965||Director||n/a||4|
|Surfing Hollow Days||2014||Director||n/a||4|
|On Any Sunday||1971||Producer||n/a||3|
|24-7, The Movie||1996||Producer||n/a||3|
|The Endless Summer||1965||Producer||n/a||3|
|Step Into Liquid||2003||Executive Producer||n/a||1|
|Walt Disney World's Happy Easter Parade||1988 1987 - 1988||Co-Producer||n/a||1|
|On Any Sunday||1971||Screenplay||n/a||1|
|Endless Summer II||1994||Screenplay||n/a||1|
|The Miracle Planet||1990 1989 - 1990||Writer||n/a||1|
|24-7, The Movie||1996||Screenplay||n/a||1|
|Slippery When Wet||2014||Writer||n/a||1|
|The Endless Summer||1965||Screenplay||n/a||1|
|Surfing Hollow Days||2014||Writer||n/a||1|
|The Night Before||1972||Screenplay||n/a||1|
|24-7, The Movie||1996||Director of Photography||n/a||1|
|The Endless Summer||1965||Director of Photography||n/a||1|
|On Any Sunday||1971||Cinematographer||Cinematography||1|
|The Endless Summer||1965||Editor||n/a||1|
|Dust to Glory||2005||Creative Consultant||n/a||1|
|The Endless Summer||1965||Sound||n/a||1|
|Excursion to the Bridge of Friendship||1996||Sound||sound post production||1|
|The Frighteners||1996||Stunt Coordinator||n/a||1|
|Hercules and the Amazon Women||Stunts||n/a||1|
|Jack Be Nimble||1994||Stunt Man||n/a||1|
|Hercules in the Maze of the Minotaur||Stunt Player||n/a||1|
|Hercules and the Lost Kingdom||Stunts||n/a||1|
|Hercules and the Circle of Fire||Stunts||n/a||1|
|Barney's Great Adventure||1998||Other||trajectory analysis(additional special visual effects)||1|
|Real People Reunion Special||1992 1991 - 1992||Other||location facilitator||1|
|TV Nation: Year-in-Review Special||1995 1994 - 1995||Other||announcer||1|
|TV Nation||1995 1993 - 1995||Other||announcer||1|
|Produced, directed, scripted, shot, edited, recorded sound, and narrated his feature debut, "Endless Summer"|
|"Endless Summer" eventually grossed approximately $30 million|
|Premiered his film at a soldout screening in Wichita KS|
|Began traveling the world with two young "surf bums", a windup 16mm Bolex camera, and a $50,000 budget in search of "the perfect wave"|
|Opened the film at Kips Bay Theater in NYC without the help of a professional distributor or a press agent|
|Began screening his films in Southern California high school gyms|
|Began shooting silent footage of his friends surfing|
|Returned to filmmaking after 23 years with "Endless Summer II" (scripted, directed and narrated)|
|Released his second feature, "On Any Sunday", a documentary about motorcycling starring Steve McQueen (produced, directed, scripted, and narrated)|
|Received an Oscar nomination for Best Documentary|
|Dana Brown||Son||worked on "Endless Summer II"|
|"This is not to say that 'The Endless Summer', which follows two young surfers as they ride the waves around the world, is a perfect documentary, or that it displays much cinematic skill beyond the demands of the subject matter. But the subject matter itself--the challenge and joy of a sport that is part swimming, part skiing, part sky-diving and part Russian roulette--is buoyant fun.
"That is, as long as Mr. Brown keeps his camera focused toward the breakers.
"There are marvelous shots in color of surfers testing the waters off Malibu, Senegal, Ghana, South Africa, Australia, New Zealand, Tahiti and, particularly, off Oahu, where the waves are 40 feet high. There is a hypnotic beauty and almost continuous excitement in these scenes."
--Vincent Canby in The New York Times, June 16, 1966.
|"After getting rich from 'The Endless Summer', and from 1971's 'On Any Sunday', an Academy Award-nominated documentary on motorcycle racing that he made with Steve McQueen, he moved on to other things. 'I got into restoring cars, and then building houses, and trading commodities,' he says, a little vaguely. He and the family were into 'self-sufficiency,' too--during the late '70s, Brown built a house in Southern California, where he and his wife, Pat, and their three children [now grown] lived with no phone, no power, and few other amenities, not far from the surf but as far as he could get from civilization. . . ."
--From an article by Bill Cosford in Entertainment Weekly, June 10, 1994.
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